Score: A Hockey Musical

2010
4.5| 1h33m| en| More Info
Released: 22 October 2010 Released
Producted By: The Movie Network
Country: Canada
Budget: 0
Revenue: 0
Official Website: http://www.scoreahockeymusical.com/
Synopsis

Seventeen-year old Farley has the stick-handling skills of the next Sidney Crosby. Not that Farley has any idea who Crosby is. He’s led a sheltered life, homeschooled by parents whose idea of homework is trips to an art gallery or ashram. His best friend is Eve, the girl who’s lived next door since they were both three. Much to the dismay of his parents, Farley loves to play shinny with the local rink rats. To their even greater dismay, Farley is signed to a major hockey league, where he achieves instant stardom, throwing him into a world of hype. Farley soon finds that hockey fame comes with a price, including the expectation to fight. Throw in a changing relationship with Eve – and Farley is losing his way.

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Reviews

Zoooma What an odd movie this is. It's like Glee meets hockey... not that I really know what Glee is like because God forbid I watch such a program... but I have an idea. Hockey players dancing and singing. It's a pretty stupid movie but as a hockey fan, I found many of the musical numbers rather funny to watch; I was laughing quite a bit! I'm surprised at myself for thinking that I'd actually consider watching this again someday and that says something about how worthwhile a movie is.5.6 / 10--Zoooma, a Kat Pirate Screener!
plaidman99 For a hockey musical, you get what you get. If you enjoy watching people sing about hockey and their personal problems, then you might enjoy this movie. Some of the songs sound sort of the same, just to warn you.The performances for the most part, are believable, and the hockey dancing choreography is pretty impressive. The lyrics are hit or miss - you'll probably either really like them or really hate them.The plot is really obvious - boy likes hockey, struggles with his own philosophy, and falls in love with a girl. You've probably seen movies like that before. If you liked them, you'll like this one too. I did, anyway.Walter Gretzky and Theo Fleury make cameos.
singlewhitemilkshake i had to watch this movie. of course i had to. it looked like the most ridiculous film of all time. and you know what? it was. i can't decide if i enjoyed this movie or not. well, no, i didn't enjoy this movie. i have trouble imagining how anyone could. but i did, somewhat, enjoy the experience of watching it. every time i thought it couldn't get sillier, it did. for the entire duration, i had this sad smile on my face, shaking my head and thinking "this is what we opened the TIFF with... no wonder nobody takes Canadian cinema seriously".its just so awful in every way. it makes me sad that people like hawksley workman and george stroumbolopolous had anything to do with it.ah well. it was a hockey musical. could it possibly have been good? i don't think so.
Burton_Herschel_1 Telefilm's most recent Great White (Northern) Hype is another "Men With Brooms" (didn't they learn the first time?!). Ultra-contrived to match its funders' ideas of 'quirky', it manages to be a comedy almost entirely lacking any actual humour, with just about the shallowest, one- dimensional characters I've seen outside of third-rate TV shows.As a Canadian, I would very much like for the films made in our country to be of high quality and worthy of taking pride in. Think of the output in the late 80's through the 90's, when we still funded auteur directors and invested in their development, regardless of how much 'commercial' potential their films had - this is how actual cinematic talents like Guy Maddin, Atom Egoyan, Deepa Mehta, Patricia Rozema, Don McKellar and Bruce MacDonald were able to get their start. Now, we're at a point where people in the industry think they've matured/progressed while they're making and promoting films like this one, which turns out, almost unbelievably, to be just as terrible a film as "The Love Guru". Seriously.What is it going to take for those who are in a position to make decisions as to funding, etc. to realise that trying to pander to domestic audiences through forced, patronising, on-the- nose attempts at 'Canadian content' is never going to result in a film that is as commercially successful as they hope (not to mention that it's never going to result in anything of any actual cinematic or aesthetic quality)? And anyway, if they're really trying to appeal to some genuine, albeit misguided and juvenile, sense of Canadian patriotism, why make one of the main selling points of your film the casting of Olivia Newton-John?