Salem's Lot

1979 "The ultimate in terror!"
6.7| 3h4m| PG| en| More Info
Released: 17 November 1979 Released
Producted By: Warner Bros. Television
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Vampires are invading a small New England town. It's up to a novelist and a young horror fan to save it.

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Randall-Flagg01 For a two part TV movie that came out in 1979, this is superb. Great setting, acting and the best vampire ever on screen. Just wish Kurt Barlow had gotten a little more screen time. If you haven't seen this genuinely scary move, order it on demand now.
marieltrokan Tobe Hooper's very memorable, very eerie and frightening adaptation Salem's Lot is a representation of a violent outrage that's an outward warmth. An external nature of gentleness is an actual nature of devastating hostility. A devastating hostility is a tranquility that's tranquil. A tranquil tranquility is a hate that's without reason. A hate that's without reason is being an external nature of gentleness.An external gentleness is a coldness that's internal. Internal is the soul, and the soul is the inexplicable. A hate that's without reason is being a hate that's without reason.A hate that's without reason, is a kindness that's logical. A kindness that's logical is a kindness that's logical. A repetition of kind logic can't be a kind logic - a kindness that's sane is forced to be unique. Logic is necessity. The necessity of kindness is dependent on uniqueness. The necessity of kindness is needlessness that's needless: the pointlessness of pointlessness is dependent on uniqueness.Pointless pointlessness is importance that has no reason. Uniqueness is the only thing that can create importance that has no reason. Inexplicable importance is the same as an unimportant explanation. Uniqueness is the only thing that can create an unimportant explanation. An explanation, is an exposure. In order for an exposure to be unimportant, a uniqueness is required. An exposure is a loss of mystery. A loss of mystery is a gain of identity. Uniqueness is the only thing that can create a gain of identity that's unimportant. A gain is a help. An identity is a distinction. A distinction that helps is a symmetry that's obstructive. In order for a destructive symmetry to be unimportant, a uniqueness is necessary. A destructive symmetry is a destruction of reality: uniqueness is the only thing that can permit a destruction of reality that's acceptable. Uniqueness isn't the destruction of reality. Uniqueness is the maintenance of reality - the maintenance of reality is the only thing that can permit the destruction of reality. Reality is destruction. The destruction of destruction can only be acceptable if given permission by the maintenance of destruction. The destruction of destruction is peace that has no reason: the maintenance of peace that has no reason needs the permission of the peace of destruction. The peace of destruction is peace that has reason - corrupt peace. Pure peace needs the permission of corrupt peace in order for pure peace to overrule corrupt peace. If corrupt peace doesn't let pure peace destroy corrupt peace, pure peace won't have the ability to live. Pure peace needs to live, but, it hasn't the corrupt heart to destroy another force without the permission of the other force. The 1979 adaptation, Salem's Lot, is a very beautiful, very peaceful and very memorable allegory about a corrupt peace (the vampire Barlow) having the decency and having the heart to sacrifice itself for the benefit of humanity
philprice-34127 This is my favourite vampire movie (t.v) of all time. Although it may look a bit dated now, the scares are still the same.Widowed writer returns to his childhood town, to write a book about a haunted house. At the same time, a mysterious duo arrive in Salem's Lot. Mr Straker and Mr Barlow.What follows, is a gradual lessening of town folk, plucked from there beds in the middle of the night.Top stuff, with maybe the scariest vampire (Barlow) of all time.Watch!
gavin6942 Vampires are invading a small New England town. It is up to a novelist and a young horror fan to save it.Producer Richard Koblitz said, "We went back to the old German Nosferatu concept where he is the essence of evil, and not anything romantic or smarmy, or, you know, the rouge-cheeked, widow-peaked Dracula. I wanted nothing suave or sexual, because I just didn't think it'd work." "Salem's Lot" had a significant impact on the vampire genre, as it inspired horror films such as "Fright Night" (1985) and the scenes of vampire boys floating outside windows would be referenced in "The Lost Boys" (1987). Not to mention the antler impalement which was in both "Lost Boys" and later in "Hannibal".Sadly ,the film seems to be hard to come by. Despite being a modern classic, my library system did not have it, so I had to purchase the DVD for $15. And, frankly, that is way too much for a DVD with no special features -- not even a menu! This movie is in desperate need of a blu-ray upgrade.