JohnHowardReid Copyright 12 March 1948 by Paramount Pictures. New York release at the Paramount: 31 March 1948. U.S. release: 12 March 1948. U.K. release: 9 February 1948. Sydney release at the Prince Edward (for 4 weeks): 26 March 1948. Australian release: 22 April 1948. 8,493 feet. 94 minutes.SYNOPSIS: Air Force buddy has only two months to live, so Major Alan Ladd takes on a dubious charter flight to earn the money to show him a good time.COMMENT: This final teaming of Alan Ladd and Veronica Lake is a bit disappointing. Many of the ingredients for an exciting film are here, but the script forces Ladd to constantly take a back place in romance to Douglas Dick. Ladd has too little to do. And when the climactic action is handed over to Wally Cassell, one wonders if the producers are not trying to torpedo our hero's career. (A great stunt fall at the climax - but it's not Ladd that's made to look good).Nevertheless, the film is beautifully mounted. Seitz's photography is most attractive, sets and costumes are dazzling. Fenton's direction is immaculately smooth. No expense has been spared on crowds and atmosphere.Despite his often-relegated position on the sidelines, Ladd plays with his usual gruff vigor. Miss Lake is appropriately viperish as a vamp with both eyes on a fortune. Mr Dick is amiably weak as the buddy with too much platinum in his head. The main support players - Luther Adler as a cat-and-mouse detective, Mikhail Rasumny clerking a rundown hotel, Morris Carnovsky as a silken villain, and Eugene Borden as a philosophical if exasperated captain/engineer/steward - are one and all excellent, though Mr Cassell is perhaps just a little too bright and breezy in his stereotyped role of a girl-loving sergeant.OTHER VIEWS: Exciting thriller, played against exotic backgrounds - all brilliantly created in the studio, with convincing miniatures and almost imperceptible process screen effects. The art directors have excelled themselves here. Both sets and players are lovingly photographed by ace cameraman John F. Seitz. Director Fenton has drawn capable performances from his cast, kept the plot moving briskly and staged his action sequences with thrilling realism and drama. In all, splendid entertainment, impeccably (and expensively) produced. - J.H.R. writing as George Addison.

juanandrichard I found this movie entertaining, but I think it is a mistake to compare it to "Calcutta," since they are very different in many ways. The only similarity is that they both take place in the orient. "Calcutta" is essentially-- aside from the adventure trappings -- a "whodunnit" with a surprise twist at the end, similar to both "Dead Reckoning" and "The Maltese Falcon". "Saigon," which I enjoyed for what it is, is a much less involving movie because, for one thing, there is really not that much suspense. However, the Ladd/Lake combo is always interesting to watch and the supporting actors -- in particular, Morris Carnovsky and Luis van Rooten -- I found fascinating. Whereas Paramount gave "Calcutta" a much more expensive mounting (which paid off because it actually took in more at the box office than even "The Blue Dahlia), I felt they really reduced the budget on this movie -- the hotel sets at the end being the only really expensive looking ones. recommended for Ladd/Lake fans.

dbdumonteil A curious blend of film noir (the story takes place just at the end of WW2 ,like in Dmytryk's "crossfire") and of melodrama (the soldier whose days are numbered :his two mates -the threesome is some kind of 'three musketeers" cum "lives of a Bengal lancer" - want to help him make the best of it ,without telling him the truth).When secretary Veronica Lake appears ,the terminally ill puts her on a pedestal .His two mates just ask her to pretend but they despise this bad gal ,this femme Fatale .Ladd is particularly such a lout ,and with his favorite partner ,at that!This scene when he shows the girl another way of wearing her sumptuous dress might remind the young audience of Kim Basinger in "LA Confidential".This is perhaps not Ladd's best ,nor among his best ,but his pairing with Lake was magic and considering they have some kind of Colombo's father as a cop hot on their heels,they are excusable.

Silents Fan This last and least successful teaming of Alan Ladd and Veronica Lake is still highly watchable for the sizzling chemistry between them and the Byzantine, if predictable, plot twists and dagger wielding bad guys behind the curtains. Alan Ladd's character has decided to kick around the Far East waiting for his terminally ill army buddy to die, rather than return home to normalcy after WWII. The various plot-lines involving smugglers and murderers is of less interest than the screen presence of the two headliners.