Sahara

1995
6.7| 1h46m| en| More Info
Released: 25 April 1995 Released
Producted By: TriStar Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

After the fall of Tobruk in June 1942, U.S. Army sergeant Joe Gunn leads his tank into the Sahara desert, in order to evade advancing Rommel's forces and reach Allied lines. Along the way he picks up few Allied soldiers, but soon they are running out of water. They find water at the ancient well, but the well is a goal of an entire German battalion. Despite the impossible odds, Sergeant Gunn decides to defend the well.

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bkoganbing One of the classic war films that was made during World War II gets a 90s remake. Sahara starred Humphrey Bogart as the tank commander who joins up with an assortment of soldiers from various allied countries defending a dry desert oasis that a company of Rommel's Afrika Korps doesn't know is dry. It's nearly an annihilation, but a certain divine providence spares two of the defenders.Stepping into Bogart's very big shoes is Jim Belushi and while nobody is a Humphrey Bogart, Belushi admirably fills the part in his own way.A lot of very familiar character players in the original Sahara made that one enjoyable. Other than Belushi there are no familiar faces in this film. That's a pity because that roster of actors could never be assembled again.Sahara itself is not an original, it was a remake of the John Ford classic The Lost Patrol. Later on the plot was shifted to the American west for Last Of The Comanches which starred Broderick Crawford.There are no Bogeys out there so enjoy this remake of Sahara, it's practically a word for word copy.
marcusw-35-285933 Whilst the film starts off quite well, the scenery is impressive, and Jimbo and the cast (sort of) hold their own initially , the whole film gradually and almost completely sinks into Rambo territory. Stereotypical characterisation doesn't quite cover it! The German commander is nasty, the Italian is a turncoat who doesn't want to fight, the captured pilot is surprise surprise...a fanatical Nazi and racist with an iron cross. The Italian is a turncoat, the Frenchman just wants to sacrifice his own life. A few soldiers would seem to be holding off a whole battalion who simply charge directly at them and get slaughtered - they are supposed to be elite Afrika Korps for ****'* sake! The doctor suddenly becomes an expert with a machine gun, and the stock characters do exactly what's expected of them, with the comic self-sacrificing black guy, arm aloft, holding up a captured medal as he dies - LOL. I won't even mention the laughable scene where the whole German battalion are "moaning".
esticki1975 This was a pretty entertaining view in my opinion. I guess this was a remake and I never have seen the orig, so I will only comment on the version on saw. The movie was well done and it had a lot of action. Its your basic Mexican stand off between the Allies and the Germans. The Americans are held up within these ruins in the desert and have to make a live or die last stand. BlaH blah nothing new. What I enjoyed the most had been that all the the Allie countries fighting the war had a single representative in the bunker. Each with their countries own fighting weapon. I gotta a kick outta that part. The movie is just something to look at if you bored and you wont be disappointed if you come across it on HBO one night or find it in a DVD bargain bin.piEce
Possumtrot I'll defer from the previous opinions that this was a shameless ripoff of Borgart's 1943 film. I see it as a labor of love, a tribute to the spirit that helped The Greatest Generation win the war. James Belushi could not hope to imitate Bogart, so I look to the blow-by-blow recreation of the script as the spark plug of the movie."Sahara" is a work of fiction, but that part of the war was a desperate action, fought by men under harsh and trying conditions. The desert war is overlooked by historians, and little mention is made of the struggle against nature as well as the implacable foe.Like the films of Frank Capra, "Sahara" is optimistic and idealistic to the point of "corniness", but it works by capturing the simple-minded determination of men to fight for their comrades, and to hold their position in spite of the odds. The poetry at the end suggests the tribute: "...they shall not grow old...we shall not forget." With hindsight, we can find faults with the script and the tactical representation of the artificial situation, but not with the grit and determination of the real people who fought the actual war. This re-make of "Sahara" is an anachronism, but one to be respected.