bassplace88 If Rubber's Lover was meant to be understood and fully appreciated, It fell short. I was intrigued by the camera angles, technological props, and trying to find the storyline. This cyberpunk, art house, music video type spectacle, tired me out and seemed a lot longer than the posted 91 minutes. After considerable attempts to understand this movie, I surrendered. If I was at the theater, I would have left early. This movie brings up memories of David Lynch's Eraserhead and Croenenberg's Scanners. If this was a film school assignment in which the assignment was to make the weirdest movie you can think up, this was probably the winner. Not my thing, maybe yours.

Boba_Fett1138 Really I can appreciate an artistic movie, especially if its Japanese but it still needs to serve a clear purpose or point all in order for me to fully appreciate and enjoy.And no, "Rubber's Lover" doesn't really seem to have a clear point about what it is trying to do or say. It's like a psychedelic trip, that isn't even necessarily surreal. It doesn't really feature a clear storyline in it and I won't pretend as if I understood everything about this movie. Honestly, more than half of the time I had no idea what I was watching and what was going on all.But this is OK really. I can also like and enjoy a movie for other reasons, when it's trying to be more of an artistic one. And from an artistic viewpoint this movie does definitely has its qualities. But still I can only take so much of it. Turning this into an 90 minutes just probably wasn't a very good idea, since the movie is just not an easy one to watch and follow. I'm sure I would had really liked this movie so much better if it got done as an 30 minutes short.But still I didn't regret watching this movie and it wasn't an horrible waste of time or anything like that. It still was a nice visual experience to have to go through. I'm actually fond of modern movies shot in black & white, like this movie was. The movie does feature some nice looking and interesting moments in it, which makes it obvious that director Shozin Fukui felt at ease with the material and really knew what he was doing. I only wish I could understand as well though.Obviously not a movie for just everyone.6/10http://bobafett1138.blogspot.com/

Der_Schnibbler This is another one in a long line of typical Japanese black-and-white film-student-project-gone-wrong pretentious wannabe-deep-but-it's-not pseudo-surrealistic piece of crap masquerading as "disturbing horror." A never-ending bout of morons screaming for no reason and just "freaking out" is what you are in for with this film.Of course, any movie like this will attract countless reviews speaking of how "briliant" the director is, how "disturbing" the film's "message" was (bwhahaha!) and a long string of steamy nuggets of self-delusional insight, but what it comes down to is this: low budget black and white boring inanity with lots of stupid screaming that will bore you to the verge of tears.If you're looking for an actual movie with plot that will entertain you, this is not it.

Onibaka Much of this movie has the feel of a Tsukamoto (Tetsuo,Vital,A Snake of June) film, but the differences in story and plot have great distinctions. To save time and for the sake of your interest I will not re-summarize the film, but tell you what to expect. This film is almost as vivid and has as many common traits as Tetsuo, though with a different theme. For all of my friends, the sheer amount of screaming was unbearable, but it really is necessary. Effects weren't flashy, but they suited well. Acting was fantastic (only a real actor will wear one of those rubber suits). Overall, a great movie that will certainly make you perceive many things in a new way from now on, which I think is a goal that more films should strive to achieve. Not for the faint of heart, so watch at your own risk. If you enjoyed Rubber, you may like 964 Pinocchio, also by Shozin Fukui.