vincentlynch-moonoi As is often the case, I disagree that this can be described as a comedy. You know...all those funny situations -- divorce, children getting polio, and so forth. Rather, it's about some individuals who struggle through life by being able to see the joy and humor in it.How true this story is, I don't know, but it is at least based on some real people. That's the recipe for nostalgia, and it comes across nicely.It's only been in the past several years, as a result of broadcasts on TCM, that I realized how many interesting films Rosaland Russell made; I always thought of her more as a stage actress. Russell often brought life to roles that were just a little bit different than the typical lead in films. She does that here.Jack Carson, in films and on television, could come across as very likable or as a blow-hard. Here he is former as the man who comes to the rescue of a mother with several children who has fallen upon hard times, even though she did it with a stiff upper lip. BTW, Carson doesn't come into the film until almost halfway through it. Carson was always best when he underplayed a role.A couple of actors have small but nice roles here -- Donald Woods (as husband #1), Alan Hale, Sr., and Ray Collins.Life wasn't always good to these folks (is it ever?), but you could admire their..."pluck".Pleasant, nostalgic look at the last century up to WWII.

robert-259-28954 When Robert Osborne said, "This is a real gem," I decided to watch... he doesn't lie. Being a big Rosalind Russell fan since "Auntie Mame," I'm both surprised and delighted that I did! In these early days, there was no such thing as "women's lib" or women's rights, or anything of the kind. That's why I believe this film is a truly ground breaking work of classic film. Unlike the "Pollyannish" movies of this era that tried to make light of those Depression era times with things like big MGM musicals that tried to sugar coat the difficulties of those days, this film takes on a myriad of historical troubles in a way that is both heartbreaking and incredibly optimistic (kudos, incidentally, to a superb star turn by Jack Carson in another wonderful characterization). It never preaches or feels sorry for itself—much like the female protagonist—but continually moves forward without getting bogged down in self-pity, which the characters certainly had the right to. It doesn't pull any punches. I suppose the best way to describe it is: "A tale of towering highs and gut wrenching lows, with the indomitable spirit of man aways conquering adversity." But a far better way of learning the many important lesson this entertaining film has to offer is simply by watching it.

Ripshin Granted, this movie is somewhat entertaining. Russell & Carson perform admirably, but there is something definitely missing in the screenplay. Perhaps depth of character. I never feel that I really understand the people portrayed in the film. The same year, the fantastic "Mildred Pierce" was released, also directed by Curtiz, and that film provides its leads with some of the "meatiest" roles of that year. Carson excels in that film, whereas his "Speaking" character just appears to drift in a one-note fashion, from one set piece to the next.Russell's "Louise" is stalwart, to be sure, but also somewhat blindly perky, and hardly an early women's rights activist, as some would declare.I suggest renting both "Pierce" and "Speaking" as a Curtiz double-feature, and witness just how essential strong source material is, in producing a truly successful film.

rhallman Rosalind Russell plays Louise Randall Pierson (someone I've never heard of, but this is based on her autobiography). Directed by Michael Curtiz, it showcases Russell and the often underrated Jack Carson as they face financial feast and famine and an ever-expanding family. Russell is tough, and unapologetic, and Carson is her equal. The film, coming from 1945, has a strange cliff hanging effect, as it ends with the beginning of World War II, and you wonder what will happen next. At the time it must have hit home for a lot of families with men (and women) fighting overseas. But I would strongly recommend it as a movie to watch before the films "Since You Went Away", with Claudette Colbert which chronicles life at home during the war, and "Best Years of Their Lives", which is probably the best coming-home-from-war film ever made. The three would make a great sequential view of life from the turn of the century to post WWII America. 8.5 out of 10.