Chase_Witherspoon
A pair of hotshot reporters (Jenks and Raymond) are sent to uncover the story of a daring new sound amplification invention when they inadvertently become embroiled in the murders and apparent attempted murders of the invention's consortium members, and turn super sleuths to solve the crimes.Typical light comedy cum mystery B-movie co-stars H.B. Warner as the invention's mild-mannered creator, Jenks as the shrewd photographer and raven-maned Raymond as the bolshy, fast-talking intrepid newswoman willing to resort to extortion to uncover the truth. Raymond's feisty, self-assured prima donna is perhaps superior to the film's weak plot and drab dialogue, though her chirpy, nasal accent and frequent wise-cracking put-downs could be perceived as somewhat irritating if you're not in the right mood to receive. Edward Keane has a supporting role as the duo's editor, a role suited to his no-nonsense, authoritative demeanour.A little slapstick, a few corny one-liners, synchronised catchphrases ("here we go again") and the usual shady characters fill out a compact 57 minute plot, but apart from Warner's relaxed professionalism (in a rather minor supporting role) complemented by Raymond's energy, there's not a whole lot to recommend.
classicsoncall
For the second day in a row I'm forced to use the word 'brainless' to describe a movie I've just watched. Yesterday it was the Bowery Boys in "Master Minds", but with them you expect a bit of nonsense to go with the story. "Rogues Gallery" is just a mess from the word go, as a couple of investigative reporters from the Daily Express attempt to get the scoop on a new invention and the murders that follow trying to steal those plans.What I wonder about when I watch a film like this is how any of the players could possibly make any sense out of the story. The drawings for this top secret listening device trade hands a number of times, while a couple of dead bodies wind up here and there in a dubious version of musical chairs. The invention at the center of the story was interesting though, a form of wireless communication that could pick up voices at a distance. Cell phone anyone? Now that I think about it, how secret would those plans be once they appeared in the newspaper? Those Emerson Foundation guys opened up the diagram of the device so Eddie Porter (Frank Jenks) could take a picture for the front page! The film could probably have been more tolerable if the chemistry between photographer Eddie and reporter Patsy Clark (Robin Raymond) worked a bit better. Most of the time their banter fell flat, while the whistling gag was annoying the first time around. They even used the old lights out trick, not once but twice to have the invention drawings disappear. You would think there'd be a safe in that big old lab where they could have kept them in one place for a while.Probably the thing that kept me going with this flick was the uncanny resemblance the two leads had to other actors of the era. Frank Jenks kept reminding me of Bob Hope, while Robin Raymond came across like a poor man's Martha Raye. Interesting because Hope and Raye teamed up in a dubious romantic comedy of their own five years earlier, in 1939's "Never Say Die".
kidboots
The most distinguished member of the cast is H.B. Warner (and he was pretty distinguished). Robin Raymond (Patsy) seemed to appear in mostly uncredited bits until "Rogue's Gallery" - obviously, she didn't make people sit up and take notice so it was back to uncredited bits for her. Frank Jenks is the most recognized player, he seemed to pop up in just about every other film in the late 30s and all through the 40s.He is the star of this dubious crime drama and plays Eddie Porter, who along with a very irritating and aggressive reporter Patsy, are sent to interview Professor Reynolds (H. B. Warner). He is working on a machine that will pick up sound and voices from a distance, without the aid of a radio transmitter but before the intrepid two can get there, he is shot. As the villain makes his getaway, he drops a book of drawings that Patsy picks up. Before they can get back to the office they are held up but Eddie takes a picture and the villain is blinded by the flashlight. Eddie and Patsy then go to the group of scientists working on the plans and ask for an interview in exchange for the plans. They are just finishing the interview when the lights go out and another attempt is made to steal the drawings. Patsy feels she is the target as the villain thinks she may have seen him. By now the viewer is thinking - who cares???? It is obvious why Robin Raymond was not a successful actress. She seemed to have an abrasive personality, as one of the other reviewers says, and she didn't have the looks so that you could overlook her obnoxious personality. By now a body has been found on the porch, then when the police are called it mysteriously disappears. It then reappears not only in Patsy's car but in the police chief's car as well. Eddie and Patsy are convinced one of the scientists is behind it (even the most interesting character in the film, Duckworth, the butler (George Kirby) is acting suspicious, but that would be too easy, wouldn't it?????)
Hitchcoc
This is one of those silly 1940's mysteries with an aggressive female reporter and her half-wit cameraman, trying to get a really big "scoop." They go to the laboratory of a scientist who has invented a device for listening in on people, no matter where they are. There are a couple murders and bodies disappearing. The huffy police detective who is constantly being called to investigate things that change before he arrives. He grunts and snarls. He won't admit it, but he really likes Patsy, the reporter. There are many pratfalls, one, where the butler barely touches the cameraman and he goes flying through the living room, landing in an easy chair. It adds slapstick, which, in this case, is a distraction. The invention is taken for granted and used in the solution of the crime. It implies that there are such devices. To this day, we have nothing like this. The byplay between the two principles is pretty funny. There are some good character actors, doing slow burns, sneaking up on people, sounding very sombre. I'm a sucker for these old movies and did get a kick out of this one.