Roadhouse 66

1984 "Fast, furious and gunning for trouble!"
5.3| 1h30m| en| More Info
Released: 31 August 1984 Released
Producted By: Atlantic Releasing Corporation
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Beckman driving a '55 Thunderbird on Route 66 hooks up with Johnny after hoodlum Hoot and his gang shoot his car. Continuous conflicts between Hoot and Beckman make Beckman and Johnny determant to teach him a lesson.

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Lechuguilla A rich city boy from back East named Beckman (Judge Reinhold) encounters local bullies in the form of rural Arizona rednecks as he drives west through the desert. Together with his hitchhiking companion, Johnny (Willem Dafoe), the two buddies function as updated characters to Buz and Todd, from the old television series "Route 66". I never saw the TV series, but it must surely have been better than "Roadhouse 66".A lot of the screen time takes place in or near this roadhouse, a local greasy spoon, where guys play pool, a local band livens things up with blue-suede songs, and the manager is a savvy, streetwise gal who reminds me of actress Ida Lupino. The plot has Beckman and Johnny meeting some local babes and fighting the bullies in the cafe.The best thing the film has going for it is that it was filmed entirely on-location in Arizona; and there's no CGI. The desert scenery is nice. And I like the performance of the café manager who doesn't suffer fools gladly, having been one herself when previously married to the star bully.But like the town itself, the film is boring. Not a lot happens here. Original songs are blah and forgettable for the most part. And the ending is predictable. But the worst element is the casting of the two leads. I can't take Judge Reinhold seriously as an actor. He always reminds me of those irritatingly lightweight "comedies" of the 1980s. I also dislike his geeky persona and annoying smirk. Willem Dafoe carries around the same irritating regional accent in all movies I have seen him in. At least he had the smarts to avoid a career as a singer. This film shows why.This is a below average buddy/road film. For some viewers, and depending on their mood, it may help pass the time. Oh, and the prod design for the greasy spoon is not realistic, owing to the absence of a major component ... flies.
PeterMitchell-506-564364 I'll be fair here, this is just a time passer. I enjoyed it more, when I first saw it back in 85. It's when I first watched Willem Dafoe who's become my favorite actor, but later I realized he was in Streets Of Fire as the lead thug. Now I remember. His performance was done with a intensity of evil when looking back on "Street's" that I really haven't watched since I first saw it in 84. With this one, that wouldn't have a chance at the cinema, he plays a retired rockin' roll singer Johnny Hart who has his reasons, for getting out. Standing in the middle of the road, just like John "Hitcher" Ryder, he's nearly run down by college guy, Reinhold, who's trying to outrun these local thugs, lead by a bad boy Hoot, (Alan Autry) who shoots out his radiator. He's met by drifter Dafoe, who when asked his reasons for standing in the middle of the road, he just answers with a brief smile. For Reinhold this is only the start of conflict, between him and the thugs, who reappear at this Roadhouse that functions at a bar, diner etc. Things escalate into more serious problems for them, when the local car wrecker, who caught Reinhold and Dafoe using one of their cars as a place of sleep, is burnt to death in his shed. All fingers point guiltily to Reinhold, as if he's responsible for the whole catastrophe, where Dafoe and him, plus their girlfriends (who are sisters), were using the shed to rebuild one of the cars for the big town race. Granted, this is the most exciting part of the movie, Hoot resorting to dirty play, before and during the race. Alan Autry gives probably the best performance of the film, and sexy Kate Vernon is good as Reinhold's girl. Dafoe sings a rock song in this too, where he met upon by an old buddy, though I doubt it's really him. In between these two things we have a stick fight between Dafoe and Autry which was pretty cool, where the old lady running the place intervenes with her gun, before they tear up the establishment. So Dafoe redeems himself with this song, that I wish I could get a hold on, plus the one at the start. Roadhouse 66 has a nice ending too, where we don't really know if hoot dies. The movie's no real feat, with no real potency, but still it's a good yarn, but movie wise, fair.
Rick Blaine Lemme see if I done got this right:Hayseed peoples they be peoples too and most of your cinema pickings they's for city folks with pretensions and academic duh-grees and walking around using fancy French words and stuff like that.But a good old boy likes a good barroom brawl now and then and some cute dixie chicks - and you should have more skin than Daisy used to show on prime time - and oh but we gotta have a great big old car race with clumsy looking backwoods Chevy 56s and 57s and they gotta rev their engines like they got no mufflers no more.And we gotta have some good old country picking through this here race and - intermittently as they say - throughout the movie.But here's the trick: you don't almost have to pay nobody any good money to do no good cos them hayseeds what like movies like this they don't know much about no film making anyways, and as long as ya got the obligatory nudie bonk with female nipple and round female breast in subdued light and stuff and someone playing who's ostensibly studying James Burton on guitar, then that's real fine Slim - they'll never notice the difference! No way!And the money keeps on coming in... And who said money doesn't make the world go 'round?PS. For the best laugh of all, waiting until the closing titles - listen to the music! The people who made this movie - who are these people? Oh goodness.
lellison Besides being just a fun to watch movie, the on-location filming includes an area of historic significance. Although the location is listed as Kingman, it includes a race sequence to the old gold mining settlement of Oatman, AZ. I recognized many of the landmarks during the race, as well as the community of Oatman. The race turn around point (straw bales) is at the south end of town. The road race is on the original "Route 66", now known on the maps as CR10. It crosses a flat and winds up into the Black Mountains to Sitgreaves Pass, and down into Oatman. The Black Mountains were a significant obstacle to the many who motored west during the great depression, due to steep grades and sharp curves. Any trip on I40 passing Kingman, AZ should include a side trip through the tourist town of Oatman, which welcomes visitors and is truly a step into the past. Very few sections of Route 66 still exist that are as beautiful as this road. In the bargain, you can see (and stay in) the room in the Oatman Hotel where movie stars Clark Gable and Carol Lombard stayed on their honeymoon in 1939. Several other movies were filmed in Oatman.Enjoy this fun movie, and enjoy the filming location if you get a chance. You will remember the race sequence from "Roadhouse 66" when you travel this road from Kingman to Oatman.