GL84 After watching a mysterious videotape, a woman finds herself cursed to die within a week afterward searches the various clues within the video to find the truth about the tape's origins and connection to a legend about a vicious woman before her time runs out and the curse consumes her.While this one had some really good stuff, overall the flaws here take centerstage. The main aspect hurts this one is the fact that the main storyline is incredibly flawed and makes little sense. As the ghost wants her body found out, the purpose of making a videotape that originates in a backcountry community that plays only on a locally-broadcasted channel that's supposed to generate interest in solving her mysterious disappearance, an event that's counterintuitive to what she really wants. Rather than bringing a discovery to her situation, placing the means of your discovery should come about rather easily rather than going for a more crowd-friendly atmosphere instead of an isolated and partially obscure part of the country is far more ideal and thus setting up the rampage to follow. Likewise, purposefully killing those who are potentially there to help makes the whole point moot as that shrinks the number of those able to potentially help the cause, really leaving the plot quite troublesome. Beyond that, the fact that the film is just so slowly-paced and lacking of ghost action that the middle segment completely eliminates the killing to focus on the investigation into the video tape's images and source. This is spent more on looking for photographs of the missing couple, visiting the different locations of the classmates such as their school or the cabin in particular where they contracted the curse or sitting around attempting to understand the concept of the curse with her boyfriend as she is getting him to believe in the curse and trying to decipher it all, and none of those are crawling with horrific ideas or concepts. These are practically non-events that while building up the mythos around the legend all tend to prevent this one from really getting going leaving this to drag on to the final twenty minutes. Granted, that's great stuff that happens here, but it comes too little too late to save the rest of the film though it somewhat evens it out to make it borderline watchable. The film's at it's best when detailing the creepy and oftentimes downright chilling atmosphere of the tape, offering up plenty of suspense as they slowly work out the cause and details of the tape. Knowing how the visuals were created and how they came to be affixed onto the tape itself offers this one it's best sense of energy and atmosphere as one-by-one all the pieces slowly work themselves together to realize how their journey ties together. From the distorted photographs leading into the idea of the island and the research they conduct their as well as the revelations about the child in the past which starts to play a prominent role in how this one ends up. From the encounter in the well with the body to the stellar and absolutely chilling sequence with the ghost making one last appearance inside their house for a truly shocking and memorable scare. Coupled with an effective ghost design that's really creepy, these hold this one up.Rated Unrated/R: Violence, Language and intense themes of children-in-jeopardy.

dholliday The Ring has been on my informal watchlist for over a decade and I had high expectations which were deflated during the first snail-paced hour.The film features Hiroyuki Sanada in the main role, playing the exact same man we've seen him be in Sunshine, Lost, Helix and the rest: more frustratingly vague than mysterious. The female character is forgettable.And the horror? Back in 1998 the meme of ghostly Asian girl in a white dress was fairly new, so we can forgive its use here. The ending scene is terrific, really sent some chills down my spine. And before that we see the contents of the actual video which are quite trippy & beguiling. There's also a nicely-done scene in a well.But to get to these good parts you will have to sit through an hour or so of interminably dull build-up. If you can prepare yourself for that, then you'll probably enjoy the final scenes.Recommended if you enjoy slow-burning Asian horror. Otherwise you may find yourself tempted to give up before the hour mark, or at least skipping forward (a terrible sin reserved only for the worst films, of which this isn't one).

Marios Blakk I get that old and/or "original" movies are always over-hyped for various reasons,sometimes rightfully so.But seriously i don't get why people say they like this rubbish better that the Hollywood version.There's ZERO horror in this movie.No creepy atmosphere,no jump scares(yes,good old cheesy cliché jump scares are better than watching 2 people talking with nothing else happening for almost 2 hours). Japanese "Samara" was hilarious,just an ordinary girl walking funny for about 2 minutes in the whole movie and that's it. The scenes were dull,slow,random and often unnecessary and the acting was mediocre at best.Especially the female protagonist sometimes reacted so absurdly(f.e when she was supposedly frustrated or panicked)that it was ridiculous!I didn't expect to see a masterpiece or anything,but this was seriously lame.Most boring movie i've seen in a long time.

MaximumMadness There's something to be said about the strength of good, eerie, slowly- paced horror. Especially in a day and age as we are now, where horror is misinterpreted by filmmakers as loud, lazy jump-scares, buckets of gore, and nubile girls running around in next-to-nothing, fleeing from deranged murderers. There's something almost immediately admirable and exciting about a horror film that eschews these more modern (and decidedly not scary) tactics, and instead respects its audience, using atmosphere, a slowly building pace, subtlety and well-developed characters to draw us into a pervasive, overwhelming sense of dread.Think about some horror classics: John Carpenter's "Halloween" (or even more effectively, his remake "The Thing"), Hitchcock's "Psycho", Peter Medak's "The Changeling", etc. They all were respectful, subtle films that didn't rely on cheapness and laziness like so many other modern horror films. And I do believe that Hideo Nakata's "Ringu" (or "Ring"), a 1998 Japanese horror film inspired by the novels of Koji Suzuki, belongs on a list with those classics. It is a powerful film for it's quiet nature, subtle storytelling and well-developed characters, and they are what makes it so effective and frightening. (Although tragically, it's most recent sequel, "Sadako 3D" does eschew the classic, subtle storytelling for a more messy modern affair... more to come on that train-wreck in a later review.)We follow Reiko Asakawa (Nanako Matsushima), a reporter who is investigating an increasingly popular urban legend regarding an alleged "haunted video", which supposedly causes the death of all who see it. After probing the recent death of her niece, Reiko decides to retrace their last few days, and discovers a mysterious video-tape in a cabin they had rented. Realizing that the urban legend of the haunted tape is true, Reiko and her ex husband Ryugi (Hiroyuki Sanada) are forced to try and solve the mystery of who created it and how to stop it.The performances are fantastic. Matsushima as our lead is brilliant and very well-developed, and is able to show both strength as well as draw the audience's sympathy. (Plus my piggish side does have to admit she is very easy on the eyes) Sanada shows a lot of talent and intensity as Ryugi, and he is able to balance well with Matsushima with their good chemistry on-screen. And other performances, including Rikiya Ōtaka as Yoichi, the son of Reiko and Ryugi, are all very well-played and elevate the film quite a bit. It's a phenomenal cast.Nakata's direction is quite a sight to behold. It's very subtle, simplistic and direct, which actually makes it all the more unsettling. He doesn't go out of his way to highlight the horror, or present the monsters with dramatic camera angles and musical stings- scenes are staged and shot simply, and it makes every feel very real. You get a sense that anything can happen at any time, causing non-stop dread later in the film. The script by Hiroshi Takahashi is fantastic, slowly building the tension and developing the characters over the 96 minute run-time in a way that puts many other films to shame, and makes us not only care about everyone, but have a very real, human fear for their safety.The rest of the production is fantastic and very true-to-life. The set design is great, giving us a world that feels like the same one we live in. Costume design is simple, real and effective. The editing is top- notch, giving us a slow-build. And the musical score by Kenji Kawai is amazing. It's very minimal, and only comes in when it's needed, giving us an occasional spine-tingling violin shriek, or an eerie scraping of strings in the background."Ringu" is easily not only one of the best horror films to come out of Japan in the past 20 years, but it's easily one of the best horror films worldwide to be released in the past 20 years. And it's cultural impact (spawing so far four sequels in Japan, an American remake and sequel, and countless other works inspired by it) is something to behold. I do believe that 50 years from now, it will still be looked at as a fantastic accomplishment in horror filmmaking. The only thing I don't like about it is one particularly bad sound-effects choice that caused me to laugh out loud during a fairly crucial moment (A cartoonish sound that comes near the end and sticks out like a sore thumb), but even that cannot diminish the film in any way whatsoever."Ringu" gets a perfect 10. If you haven't seen it, do yourself a favor... get it, turn off the lights, and have a spooky time watching it!