Ride a Crooked Trail

1958 "Alone . . . he faced the deadly crossfire of a killer mob . . . and a fear-crazed town!"
Ride a Crooked Trail
6.6| 1h28m| NR| en| More Info
Released: 23 November 1958 Released
Producted By: Universal International Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

After robbing a bank Murphy assumes the identity of his pursuer, a famous US Marshal, when he stumbles into a town and is confronted by the local judge, Matthau. Murphy is forced to remain as the new Marshal; an old flame, Scala, nearly unmasks him by accident, only to be forced to assume the ruse of being Murphy's wife. The "couple" given a house and respectability, which neither has had before. They maintain the charade to avoid hurting a young orphan boy, Matthau's ward. Scala is torn by her loyalty to boyfriend planning to rob the bank and growing feelings for Murphy

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smeet-299-56645 As simple case of mistaken identity puts wanted bank robber Audie Murphy in position of Sheriff in a small but fast growing Western Town - with its own large bank. The film plods along nicely giving enough to keep the viewer interested and when it does begin to delve into Murphy's character, it still manages to keep the question 'will he or wont he' wide open. Walter Mattau provides the comedy as the drunken judge who rules with an iron fist. Enjoyable..
RanchoTuVu A bank robber (Audie Murphy) assumes the identity of the sheriff who died accidentally while chasing him. A very light weight film trying to be a combo comedy western, a usually deadly idea with the exception of Destry Rides Again or a few others. Audie Murphy isn't very funny, and while Walter Matthau is, his role as a drinking judge and local leader of a town on a river, lacks any discernible wit. That leaves one with the story of a basically good guy who's done bad things given the second chance to redeem himself, as well as the saloon girl Gia Scala) who also gets in on the masquerade. A few good scenes here and there, and generally good natured entertainment, and a neat scene in the bar where a guy puts a cigar butt out in Murphy's whiskey, the film generally lacks excitement or tension, though the story had possibilities.
slickysu I would have to say, walter matthau in this early supporting performance was truly a stage presence to have in a film like this. This movie being one that shows the lines and decisions that a born tough guy must make to decide whats really whats truly dear to him. Sort of a shadow to Audie Murphy's character was the young boy, who grew up also in a saloon, but never stood a chance to grow up straight until a man, such as himself took a stand against injustice and only then, was the young boy cured of the sins he was born into...Excellent choice if you want to know what moral 50's Hollywood wanted to put out there.Ritchie Fontaine
Brian Camp RIDE A CROOKED TRAIL is an Audie Murphy western distinguished by good writing and a flamboyant early role for Walter Matthau as a silver-haired, hard-drinking, shotgun-toting judge in a growing river town. It has surprisingly little action for a Murphy western, but it's consistently engaging thanks to a group of interesting, well-etched characters, a strong cast, some welcome humor, and a script by western veteran Borden Chase (WINCHESTER '73, BEND OF THE RIVER, THE FAR COUNTRY, BACKLASH, etc.).Murphy was always at his best when surrounded by solid co-stars and here he's got Matthau as a persistent father figure; Gia Scala as a femme fatale ripe for reform; and Henry Silva as an outlaw gang leader. Murphy plays a wanted outlaw himself who is mistaken by Matthau for a missing marshal (who'd fallen off a cliff while pursuing Murphy) and soon has to assume the functions of the marshal's office in order to keep up the charade and escape detection. When Scala gets off the riverboat from New Orleans, she recognizes Murphy and calls him by his real name, "Maybe," forcing Murphy to cover up by telling Matthau Scala is his wife. But Scala is there to case the town's bank for Silva, so she has to act the respectable lady for a few days till Silva and company come to town. Both she and, later, Silva expect Murphy to help with the bank job. After a while, Matthau starts to get suspicious, even as Murphy begins to grow comfortable in the marshal's job. Added to the mix are a precocious orphan boy (Eddie Little) and a dog who, true to form, gradually tug at Audie's and Gia's heartstrings.Murphy seems more relaxed here than usual. Perhaps he was grateful for the opportunity to turn the more attention-getting dramatics over to Matthau. Murphy also has good chemistry with Scala, who is quite attractive and confident here in a way that looks forward to Isabella Rossellini (who played a similar role in Lawrence Kasdan's WYATT EARP, 1994, with Kevin Costner). Joanna Moore (mother of Tatum O'Neal) makes an attractive saloon girl. Mort Mills has a small, vivid part as one of Silva's gang and his appearance will be enjoyed by those who recall him as Charlton Heston's sympathetic colleague in TOUCH OF EVIL the same year and as the highway patrolman who stops Janet Leigh in PSYCHO.Most of the film was shot in a western town set on the Universal Pictures backlot, although a few chase-and-cattle scenes take place on location late in the film. It's a relatively light-hearted film for screenwriter Chase, who wrote or co-wrote so many harder-edged westerns, but it turns out to be among the best of the roughly two dozen westerns Murphy made at Universal.