Return to the 36th Chamber

1980 "Back for the rest!"
Return to the 36th Chamber
6.9| 1h41m| en| More Info
Released: 24 August 1980 Released
Producted By: Shaw Brothers
Country: Hong Kong
Budget: 0
Revenue: 0
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Synopsis

The workers of a dye factory have their pay cut by 20% when the factory owner brings in some Manchu thugs to try and increase production. Desperate to reclaim their full wages, the workers hire an actor to impersonate a priest and kung-fu expert from the temple of Shaolin. The factory owner proves the actor a fraud, and punishes all those involved. The young actor feels he has let the workers down, and promises to atone. He sets out for Shaolin, determined to be accepted as a kung-fu pupil at the elite temple.

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gavin6942 The workers of a dye factory have their pay cut by 20% when the factory owner brings in some Manchu thugs to try and increase production. Desperate to reclaim their full wages, the workers hire an actor to impersonate a priest and kung-fu expert from the temple of Shaolin.Director Lau Kar-leung excels in this action-comedy. When I think Shaw Brothers kung fu, I think of Chang Cheh, which may be very narrow of me (I am still learning). But Lau is every bit as great, and in some ways maybe even greater, because although much of this looks like a Shaw action film, the comedy is excellent, clearly drawing on old-school American slapstick.
Leofwine_draca RETURN TO THE 36TH CHAMBER sees Gordon Liu returning to the film series that he's most famous for, playing a different role in a very different story which nonetheless features the Shaolin Temple. This one's a very good Shaw film, directed with his exemplary professionalism by the esteemed Lau Kar-Leung who injects finesse and quality into the film's many fight and training sequences.Some viewers may be put off by the way that RETURN TO THE 36TH CHAMBER is more of an out-and-out comedy than the original film but I enjoyed the change of pace and style. Everything is done a bit differently here so nothing is repetitive. Liu plays a small-time actor who gets beaten up at the hands of Manchu thugs, so he decides to break into the Shaolin Temple and spy on the monks training. It's pretty funny stuff, with Liu on top physical form and convincing both as the novice weakling and as the kung fu expert.The Shaolin Temple scenes are fun and entertaining with all of the bizarre training we enjoy watching. I loved the way that Liu learns amid scaffolding here which gives him an addiction to bamboo which plays a big part in the fights at the film's climax, which are lighter than usual but no less gruesome. As with almost all Shaw Brothers movies, this is well shot, well paced, and looks absolutely brilliant in high definition; a great mix of comedy, drama, and action.
DICK STEEL Return to the 36th Chamber is one of those classic Kung-Fu movies which Shaw produces back in the 70s and 80s, whose genre is equivalent to the spaghetti westerns of Hollywood, and the protagonist Gordon Liu, the counterpart to the western's Clint Eastwood. Digitally remastered and a new print made for the Fantastic Film Fest, this is "Presented in Shaw Scope", just like the good old days.This film is a simple story of good versus evil, told in 3 acts, which more or less sums up the narrative of martial arts films in that era.Act One sets up the premise. Workers in a dye-mill of a small village are unhappy with their lot, having their wages cut by 20% by incoming manchu gangsters. They can't do much about their exploitation because none of them are martial arts skilled to take on the gangsters, and their boss. At first they had a minor success in getting Liu to impersonate a highly skilled Shaolin monk (one of the best comedy sequences), but their rouse got exposed when they pushed the limit of credibility by impersonating one too many times.Act Two shows the protagonist wanting to get back at the mob. However, without real martial arts, he embarks on a journey to Shaolin Temple, to try and infiltrate and learn martial arts on the sly. After some slapstick moments, he finally gets accepted by the abbot (whom he impersonated!) but is disappointed at the teaching methods - kinda like Mr Miyagi's style in Karate Kid, but instead of painting fences, he gets to erect scaffoldings all around the temple. Nothing can keep a good man down, and he unwittingly builds strength, endurance and learns kung-fu the unorthodox way.Act Three is where the fight fest begins. With cheesy sound effects, each obvious non-contact on film is given the maximum impact treatment. But it is rather refreshing watching the fight scenes here, with its wide angled shots to highlight clarity and detail between the sparring partners, and the use of slow-motion only to showcase stunts in different angles. You may find the speed of fights a tad too slow, with some pause in between moves, but with Yuen Wo Ping and his style being used ad-nausem in Hollywood flicks, they sure don't make fight scenes like they used to! Return to the 36th chamber gets a repeat screening on Monday, so, if you're game for a nostalgic trip down memory lane, what are you waiting for?
gladdyladdy I agree with another user here and have to say that this is one of the best Kung Fu movies ever! I watched this as a kid and absolutely loved it! The scaffolding scenes are brilliant and you can really empathise with this guy because he is treated as an outcast. Nice humour and fantastic kung fu this movie rocks! If you like Kung Fu you would love this!!!