SimonJack "The Return of the Scarlet Pimpernel" is a sequel to the 1934 movie, "The Scarlet Pimpernel." Most Hollywood sequels are creations by studios to cash in on big hit movies. But not so, this one. It is based on the further writings of author Baroness Emmuska ("Emma") Orczy. The Hungarian-born aristocrat became a highly successful writer of mystery, intrigue and detective stories. She lived most of her adult life in England and wrote in English, which was her third language. Her most famous character is English nobleman, Sir Percy Blakeney. His cunning and organization of the Scarlet Pimpernel underground helped many of the landed gentry in France escape the guillotine under Robespierre.Orczy wrote more than a dozen novels and stories in the Scarlet Pimpernel Series. Four were made into movies. The original and "The Elusive Pimpernel" were first made as silent films in 1917 and 1919. The first sound film of "The Scarlet Pimpernel" came out in 1934. Its cast of Leslie Howard, Merle Oberon and Raymond Massey was superb. This film, "The Return of the Scarlet Pimpernel," is the second sound film. The third film was "Pimpernel Smith" in 1941, and the fourth was "The Fighting Pimpernel" in 1950. Later British TV programs ran Pimpernel stories, and a couple of TV series aired in 1956 and 1999-2000.While all of the Pimpernel stories are entertaining, none of the sequels could come close to the original. Perhaps that is in part because the subject was new and very fresh when introduced. But, I think also that it is due to the superb casting for the original story – in 1934 and in a 1982 remake movie for TV. The color, lavish sets, excellent scenery and screenplay of the latter film equaled or bettered the first sound production of 1934. And its cast of Anthony Andrews, Jane Seymour and Ian McKellen was equally superb. Only a few of the first film actors are in this or the other two sequels. This film continues with the action of the original, but it is lacking in other areas. Barry Barnes is fair as Sir Percy, but Sophie Stewart is a very weak Lady Marguerite Blakeney. Francis Lester is far too gentle in the role of Chauvelin. Henry Oscar is too old as Robespierre, although he shows the citizen's paranoia that most likely led to his downfall. The introduction of the real person, Jean Tallien, and the undoing of Robespierre's hold over the revolution add much to earn this film its rating. James Mason is excellent as Tallien. While this film can't match the original story for intrigue, interest, action and acting, it is an interesting work of historical fiction. That was a favorite style of Baroness Orczy. She excelled at it as seen, especially, in all of her Pimpernel stories. I think most people will find this movie entertaining.

ma-cortes This is the second version of the much-filmed adventure classic with the immortal hero named Scarlet Pimpinel ( Barry Barnes), and again the English aristocrat engaged in the underground effort to snatch out from under the blade of the guillotine Frenchmen caught in the Reign of Terror ( 1794 ) . This time Robespierre assigns the mission to track down Pimpinel in England . As Spanish Teresa Cabarrus , Tellien's lover , and Chauvelin (Francis Lister ) travel towards Brighton where abduct his wife ( Sophie Stewart ). Pimpinel returns to Paris and then Sir Percy hides his activities under various guises . His ruse may throw off the French authorities but the elusive pimpernel is also attempting to free his wife , though he is suddenly caught by Chauvelin.Barnes does a dashing hero leading several characters and posing as an officer , pauper or revolutionary . This lavish production results to be a good sequel with spectacular production design , impressive sets and nice scenarios . Less than stellar cast plenty of unknown actors with exception a young James Mason as Tallien. The motion picture is professionally directed by Hans Swartz , a Hungarian filmmaker in his last movie .In the film appears historical characters as Tallien , Theresa Cabarrus (Margarett Scott ) and is developed an intrigue about downfall's Robespierre ( Henry Oscar ). The actual events are the followings : Robespierre appeared at the Convention and delivered a two-hour-long speech. He defended himself against charges of dictatorship and tyranny, and then proceeded to warn of a conspiracy against the Republic. Robespierre implied that members of the Convention were a part of this conspiracy, though when pressed he refused to provide any names. The speech however alarmed members particularly given Fouché's warnings. These members who felt that Robespierre was alluding to them tried to prevent the speech from being printed . The next day, Saint-Just began to give a speech in support of Robespierre. However, those who saw him working on his speech the night before expected accusations to arise from it. He only had time to give a small part of his speech before Jean-Lambert Tallien ( James Mason ) interrupted him . Robespierre then attempted to secure the tribune to speak but his voice was shouted down. Robespierre soon found himself at a loss for words after one deputy called for his arrest . The Convention ordered the arrest of Robespierre, his brother Augustin, Couthon, Saint-Just, François Hanriot and Le Bas. Troops from the Commune arrived to free the prisoners and then marched against the Convention itself. The Convention responded by ordering troops of its own under Barras to be called out. When the Commune's troops heard the news of this, order began to break down, and Hanriot ordered his remaining troops to withdraw to the Hôtel de Ville, where Robespierre and his supporters also gathered. The Convention declared them to be outlaws, meaning that upon verification the fugitives could be executed within twenty-four hours without a trial. As the night went on, the forces of the Commune deserted the Hôtel of Ville and, at around two in the morning, those of the Convention under the command of Barras arrived there . Robespierre tried to kill himself with a pistol but only managed to shatter his jaw.For the remainder of the night, Robespierre was moved to a table in the room of the Committee of Public Safety where he awaited execution. He lay on the table bleeding abundantly until a doctor was brought in to fix up his jaw. The next day, 28 July 1794, Robespierre was guillotined without trial in the Place of the Révolution. His brother Augustin, Couthon, Saint-Just, Hanriot and twelve other followers . Only Robespierre was guillotined face-up.Other versions about this classic novel by Baroness Orczy are the following : First and the best in 1939 by Harold Young with Leslie Howard and Leslie Caron ; The Elusive Pimpernel , 1950, by Michael Powell and Emeric Pressburger with David Niven and Margaret Leighton and made for TV in 1982 by Clive Donner with Anthony Edwards and Jane Seymour and in 1999 with Richard E Grant and Elizabeth McGovern .

benbrae76 A rather tame yet amusing sequel to the Howard/Oberon movie. Sophie Stewart plays Marguerite Blakeney without a vestige of a French accent. Barry Barnes is passable as the eponymous hero. Anthony Bushell repeats his role as Sir Andrew Ffoulkes, and a youthful James Mason plays a minor role with his normal suavity. Raymond Massey is sorely missed as Chauvelin. His place is taken by a somewhat hammy Francis Lister.The whole piece is not so much swash and buckle as tosh and truckle. However it's still enjoyable. What amused me most of all was the casting of the role of Robespierre. A 46 year old Henry Oscar was made up to look an older 56 or so, when he should have been made to look younger. Robespierre was only 36 years old when he went to the guillotine.

Flippitygibbit The only element this film lacks is 'star quality', other than that, it's a very worthy sequel to the 1934 'Scarlet Pimpernel'. The story is based upon Orczy's 'The Triumph of the Scarlet Pimpernel', with elements of 'Elusive' (Marguerite's arrest and Percy's escape) and even 'Sir Percy Hits Back' (Chauvelin's fate) added to make the action flow better on film. Barry K. Barnes, despite not being as fair or famous as Howard, makes for a passable fop (sounding like Leslie 'Ding Dong!' Phillips with a speech impediment: "Stap me, Senorita, don't dwag me into it!"), a revered leader of the League, and a truly devoted and romantic husband. In fact, this film is probably more in the spirit of Orczy's books than any other, with the characters portrayed nearly exactly as you would find them written; there is a great deal of heart and natural charm in the sequel, which I always find lacking in the Howard/Oberon version. Barnes does not have the commanding screen presence of his predecessor, and as such is sometimes lost amongst the sea of League faces, but he is far more believable as the 'husband in love with his own wife' and as a friend to nineteen brave men. Sophie Stewart is similarly indistinctive as Marguerite, but I think she brings more to the role than Oberon: at once 'the sweetest woman in France', naive and easily lead into danger, and a brave and noble wife, willing to sacrifice her own life for that of her husband's, when she needs to be strong. Diminutive and bright-eyed, Stewart is endearing as a rather more innocent Lady Blakeney. Francis Lister plays a diplomatic and reserved Chauvelin, who fears for his own life as the Terror reaches its peak and Robespierre hunts out 'the men at his elbow', traitors amongst his own supporters. The discredited agent parries words with the dictator, and enlists Theresia Cabarrus, lover of Tallien (a young James Mason, given a rousing speech at the end of a minor role), in a final bid to destroy the Pimpernel. Margaretta Scott is formidable and intelligent as the Spanish double agent who is introduced to Sir Percy and Marguerite as an actress seeking the protection of the English court. Marguerite is of course immediately taken in, Sir Percy is naturally more wary of her motives.There is some recycled footage (as well as the odd recycled actor), but ultimately this film stands alone from its more well-known and oft-shown stablemate. The neat dialogue flows better, without the heavy-handed patriotism injected into the original story (strange, with World War Two looming even closer); fiction is supported by historical details from the eighteenth century (the popularity of cricket, dancing the cotillion, songs such as 'Aupres De Ma Blonde' and the rousing toast 'Here's a Health unto His Majesty'), which is surely a novelty for such an early film; there is more League action (and three members are actually given names from the book!), as well as more scenes of friendship between Sir Percy and his band of men; plus some excellent disguises (the deaf colonel had me in stitches: "Grilled trout?", "Yes, all right, I'll have half a bottle"). All in all, there is no reason not to watch this compact, entertaining little film, especially now that it's available on DVD, and I consider it a definite must for all fans of the Pimpernel.