Retro Puppet Master

1999 "The Legacy Begins ..."
Retro Puppet Master
3.7| 1h20m| PG-13| en| More Info
Released: 09 November 1999 Released
Producted By: Full Moon Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Andre Toulon, living a peaceful life as a puppeteer in pre-WWI Paris, encounters the renegade sorcerer Afzel, who has stolen the mysterious secrets of life from the dark god Sutekh.

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skybrick736 The seventh film of the Puppet Master series, Retro, is chronologically first of them all. The story reverts back to when Andre Toulon was a young man performing puppet shows for a living. When a wizard from Egypt, who is being hunted by Sutekh's henchmen, stumbles across Toulon his life will change forever. The wizard and Toulon team up to battle the evil forces by bringing Toulon's puppets to life. The puppets themselves are a classical wooden style puppet not seen in any of the previous films but they bring back some of the stars like Blade, Pinhead and Drill Sergeant. One puppet I'm particular fond of Doctor Death is a new entry to the series. Retro provides a storyline that fits well being the prequel to everything. Although the acting is atrocious and didn't really spark my interest too much, I found it watchable because of how short and to the point the film was.
gabedrumminggamer As being a fan of low budget films, I enjoyed this one greatly. It had a good story line that kept me paying attention throughout the whole movie. The acting was fine; I did like Greg Sestero casted as Andre Toulon. I liked the evil minions of SuTekh, with their powers and abilities. There was cool fighting sequences between good and evil. And, was pleased me most of all was the puppets! Their names, features, and abilities were quite interesting. And, let me tell you something; they kicked butt! With this film, it felt like a Full Moon classic again. It was a good entry. I recommend this film to all Puppet Master/Full Moon fans.
Vomitron_G Rather uneventful (in terms of puppet-action) 7th installment of the "Puppet Master" franchise. It lacks the stop-motion action of Dave Allen (involved with the previous movies). It was nice to see the older (retro-)versions of some of the famous puppets these films are known for and it was interesting to learn something about the origin of Andre Toulon's re-animating skills. Most acting felt a bit below par. Only Brigitta Dau was decent enough. As a 'neo' Full Moon movie, this one would pass the test. As a 'horror' movie in general, I'd have to flunk it. Hence my over-all rating. Being that it's part 7 in the "Puppet Master" series, I actually thought it would be worse. And given that it's directed by David DeCoteau, I expected it to even totally suck. You just never really know anything for sure, do you? Or maybe once in a while miracles do happen after all.
barnthebarn David DeCoteau directed 'Curse of the Puppet Master' (the sixth Puppet Master movie) as Victoria Sloan and here directs the seventh as Joseph Tennent. Not sure why a director of some of the most ridiculous movies ever made would replace their name on their more credible work but there we go. This seventh instalment is well made and excellently acted with the last actual performance of Guy Rolfe, not just as Andre Toulon, but ever. Rolfe is without doubt one of the world's greatest actors and as Andre Toulon the most fantastical performer of Full Moon Productions' entire catalogue. This film travels back to early 20th century Paris to find the origins of the Puppets, there are a few extra puppets here that - as yet unexplained - do not appear in other films. Our favourites here, such as Pinhead; Torch and Tunneler are more traditional wooden puppets, not yet fully developed and very low on personality and colour - their oak finish makes them seem far more sinister though. For the first time Richard Band's amazing Puppet theme does not appear and is ultimately the only major error of judgement in a fun and fantastically produced addition to the series. Watch the dead homeless man on the steps though (who first gives his 'life' to the puppets) - though dead and looking almost like a puppet himself he can't help blinking in full camera shot. The film is old fashioned and almost Sunday afternoon family fun (like an old detective drama or something). Surprising.