SnoopyStyle It's the 70's England. Ruth Gilmartin (Michelle Dockery) visits her mother Sally (Charlotte Rampling) with her son. She is shocked when her mother reveals her secret past. In 1939, she is Russian exile Eva Delectorskaya (Hayley Atwell) in Paris. Her brother is murdered and then she's recruited into British Intelligence. She starts working for Lucas Romer (Rufus Sewell) in AAS Ltd disseminating false information. She's almost killed during an attempted defection by a Nazi in Belgium. As the war advances, her group works in America but the spy world gets murkier.There are two different sides to this two-part miniseries. In the 70's story, Dockery is functionally shocked by Rampling who at times seem to be a mad woman. It has a paranoid feel but they don't have the same thrills. In the WWII story, the spy story has a good build-up and then plenty of solid spy thrills. All of it combines to be a compelling story weaving in old war rumors. The three female leads are terrific and this is a nice espionage movie.

siderite The description of the three hour, two episode drama is misleading. The daughter doesn't find out her mother is not who she thought she was. Instead she is given a manuscript containing the complete story of her mother's life. Most of the film is what Hayley Atwell's character did in the 40's, with little that makes any sense in the 1970's "present".Now, the story is interesting, a sort of cloak and dagger British Intelligence outfit that is tasked with convincing the Americans to join the war effort in favour of Europe. Sexy Eva is recruited, trained and unleashed upon unsuspecting foreign agents. However, as many have noticed, the execution of the plot survives only to the most superficial scrutiny. But it is damn ridiculous to complain about the inconsistencies, though, if we liked the movie. It's not like we don't know it's a film.What does strike as slightly annoying is the length of the feature. Certainly this could have been more concise in the length of a normal film or more detailed and watchable in a three or four episode miniseries. As such, you can't wait for it to be over, waiting for the climactic ending that, alas, doesn't really come. Everything is explained in the end, but with a fizzling finale that holds no power and creates no emotion.Beautiful Hayley Atwell and Rufus Seawell both made the film bearable due to their performance. Perhaps it would have been better to just discard the 1970's story and just tell the 1940 one from beginning to end. The Americans would have done so, ended the story with her escaping and quickly preparing a sequel. :)

richwgriffin-227-176635 This made for British television movie has astonishing performances. Michael Gambon, Michelle Dockery (of Downton Abbey), Hayley Atwell, and especially Charlotte Rampling. The film is well directed and keeps up the suspense all the way to the end.Some of the reviews of this have been quite astonishing. I have no idea (other than Michelle Dockery is in both) a reviewer would compare it (unfavorably!) with Downton Abbey - the best British television series EVER. Also people saying there are all these alleged "plot holes". Actually, it all makes sense and is brilliantly done and very entertaining.But I want to give my greatest praise for the brilliant actress Charlotte Rampling as the older Eva. I suspect she will win a well deserved Emmy as Best Supporting Actress next September. She has a steely determination and a feeling of paranoia after years of stress over being found out.My only complaint has to do with the commercial interruptions on Sundance - once it comes out on DVD the maddening commercials will be gone.Grade: A

robert-temple-1 This gripping film was brilliantly directed by Edward Hall, who has previously directed six episodes of the TV series SPOOKS but is otherwise little known. I cannot imagine that now he will be little known for much longer. The film is from a screenplay by William Boyd, an adaptation of whose novel (by himself), ANY HUMAN HEART (2010, see my review) was truly spectacular. I would say that William Boyd is now one of the hottest things British television has got to offer to the world. Hayley Atwell does a truly brilliant job of playing the lead in this new film, just as she excelled in Boyd's earlier series. This film is a new variation of the British traitor theme, and concerns a devilishly cunning double agent. Atwell plays the young Eva Delectorskaya, a Russian émigré fluent in English and other languages, who is recruited as a British spy in 1939. The film begins in the current day, when Eva is played with steely conviction by the indomitable Charlotte Rampling, who was for so long every thinking man's choice of the ideal tea partner, if crumpet was to be served. Really, I do think Charlotte Rampling could convince anyone of anything. If she had not been an actress she could have made a fortune as a salesman. Even now that the film is over, I still believe she is out there with her sawn-off shotgun ready to protect herself from the people who want her dead because she knows too much. The screenplay, as is to be expected, coming as it does from Boyd, is sensationally well crafted. All the cast are excellent. Rufus Sewell has matured into a most interesting actor who has gone beyond youth into becoming a real man at last. For too long he was the thrusting young man. Now he can get all those good solid grown-up parts which suit him so much better. He does a wonderful job here as the spy master Lucas Romer, who in the present day scenes is played with his usual powerful presence by Michael Gambon. Young Michelle Dockery plays the daughter of Rampling. We can see her character visibly maturing on the screen, as the action brings out that rare thing in a movie, true character development. At the beginning of the film, when Rampling announces to her daughter that her name is Eva Delectorskaya, Dockery thinks she must be getting Aldzheimers or something, and says: 'Nonsense, you're my mother. Your name is Sally Gilmartin', as if she were a nurse calming a patient. But gradually the truth begins to dawn, and it is not long before they enter into a double game as a team to flush out the threat to Rampling's life. There are many heart-stopping moments. But the central glowing presence on the screen which makes everything work so convincingly is Hayley Atwell. She was named by her parents after Hayley Mills, as so many thousands of British girls were. (Hayley was only a surname until Hayley Mills was given it as a first name, her mother being Mary Hayley-Bell. William Hayley, 1745-1820, their ancestor, was a distinguished minor English poet of the 19th century and a close friend of William Blake.) So maybe talent is hereditary, passing down through anyone named Hayley. Just a thought! The seamless interweaving between past and present in this film (well, I say film, it was shown in two episodes on the BBC and is thus technically a mini-series, I suppose, though with a running time altogether of only 3 hours) is done with considerable finesse. Everything seems to have come together to make RECKLESS a total success, and that splendid achievement was anything but reckless. More, please!