Reservoir Dogs

1992 "Every dog has his day."
8.3| 1h39m| R| en| More Info
Released: 23 October 1992 Released
Producted By: Live Entertainment
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.

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Reviews

jaimhaas What a ridiculous insult to our intelligence. The dialogue is so slow and redundant. I wish I cared about any of these actors. I don't. The action is hard to find and the typical Tarentino violence is annoying. I would watch a cartoon and invest 10 minutes to get some sort of entertainment value. Seriously this is a waste of your time.
adonis98-743-186503 After a simple jewelry heist goes terribly wrong, the surviving criminals begin to suspect that one of them is a police informant. As i've said on my review for 'Pulp Fiction' i don't think that Tarantino is that good of a Director and this movie once again proves me right. The film has a cool story and a good premise but it has this Tarantino style of things that ruins it completely and even the good actors couldn't save it plus seeing Tim Roth getting a bullet in his stomach and still being alive with his entire shirt all bloody was just funny and not in a good way. (0/10)
markvanginkel-03711 The movie takes place in one single garage and its just a couple of guys screaming and threaten each other for 100 minutes long! Thats it... Just horrible!
cinemajesty Movie Review: "Reservoir Dogs" (1992)Relentlessly in its 95-Minute-Editorial-Format extensively cut-to-close-perfection by the director's close-encounters editor Sally Menke (1953-2010), in benificiary 35mm cinematography by Andrzej Sekula, comes already the early fulfillment for feature debutante Quentin Tarantino, at age 28, getting lucky by presenting a pushy draft of the screenplay, co-written with "A Band Apart" companion Roger Avary, in industry-influential actor Harvey Keitel, also-playing the lead as mid-town sharp-to-overthrown character of Mr. White, who builds close ties with independent Hollywood producer Lawrence Bender, who then again equally benefits from Tarantino's ingenious combination techniques of past-tense motion picture beats reflecting "Nouvelle Vague" of Truffaut / Godard owned 1960s and "New Hollywood" enfant terribles as Sam Peckinpah's directions for "Straw Dogs" starring Dustin Hoffman (1971) and the action-thriller "Bring Me The Head Of Alfredo Garcia" (1974).This movie, marking one of the most receivable low-budget - realized with just 1.2 Million-Dollar production expenses - scenes of non-stop talking ultra-cleverly build characters, including Michael Madsen as Mr. Blonde, Tim Roth as Mr. Orange and a show-stealing Mr. Pink due to playing-defector actor Steve Buscemi, which performing beats could only be topped by a lucky striking appearance as Garland "The Marietta Mangler" Greene in the unlikely but major entertaining action-movie "Con Air" starring Nicolas Cage of Summer 1997, when Tarantino utilizes signature-defying explosions of violence in deep blood-reds on black suits and white shirts in a neutral-conflicting warehouse exploitation, when the plot constantly thickens in favors for twisting flashbacks and intermingling of narratives brought to a young director's perfection in "Palme d'Or" as Best Screenplay Academy-Awarded recognitions for improving successions with "Pulp Fiction" (1994) of a depth-reaching, substance-digging collector of national and world cinema.© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)