djksimon-1 This is a movie that I cannot turn away from. Although I have seen it twice in its entirety, I have watched it several more times from the point at which I've stumbled upon it while channel surfing. It's truly a train wreck of a movie - from the claustrophobic scaled-down set of the marital home to the way that Mia Farrow's character becomes the unwitting victim of fate over and over. Although she is the protagonist, for me the story is also about the identity-seeking behaviors of all the supporting characters, their search for meaning and wholeness in their lives, the secrets they keep from each other and their perpetual estrangement and lack of intimacy... just like real life, only narrower and slightly more absurd. For anyone who has had experience with mental health practitioners, who couldn't relate to the parade of therapists projecting their own issues onto Rachel's character, and then validating themselves for helping her? Yes, overall "Reckless" is a sad story but its quirky comedic elements give it enough spice to make it a satisfying if not guilty pleasure.

hoh-smokey-k9 the boy's mother left him, so in his mind to deal with it, he made up this whole crazy(hilarious, bizarre) story about hit men, poisonings, blood spraying, didn't you notice how it skips years instantaneously, at one point skipping 7 years at once, its because hes been told a couple of things, and he fills in the rest! , It is absolutely all a dream! it is all made up by the son, that is why it seems so ridiculous, . think about it, that totally ridiculous gameshow with the freaky outfits, the acid trip landscapes, and the bizarre events that seem to happen to her every 30 seconds, even though the movie spans over at least ten years. the reason everything in this movie seems too good or bad to be reality, is, ***its not!!! its in his head****!!!

dbborroughs Walking out of the current (October 2004) revival of the Craig Lucas play I overheard a couple talking about the film version of the play and it suddenly came back to me why it all seemed familiar, I saw it on TV several years ago.The story of how a woman who's husband can't take her any more and hires a hit man to kill her, only to send her away before he arrives is a very strange story. No one and nothing is who they seem to be. And the twists and turns seem rather random. The whole bit about visiting every Springfield in the country is just plain dumb. The dialog is clever at times but mostly it seems forced. Worse is the fact that this probably should never have been made into a film. The play which is full of whimsey and is stylized does not translate into a film well. The actors are okay but many are completely wrong for the roles. The Goldwyn/Farrow coupling doesn't quite work so the story isn't believable from the get go.If given the choice of play versus movie go for the play where the whimsey works better, however you would be better off renting or seeing pretty much anything else.5 out of 10 for the bits that work.Side Note: Mary Louise Parker who plays Pootie and a couple other members of the cast of this film are in the current Broadway production. Obviously they are gluttons for punishment

surrealkitten This metaphorical story of a woman leaving her husband and coming to terms with the sadness in her life is filmed as if everything is a dream. Mia Farrow plays a truly epic character, and her strength in the role finally proves her more than a beautiful waif. Even the smallest elements are connected to the larger center of the picture, and no strange story is left unexplained. A real joy.