sree kiran the director presents a thriller that will make you watch every scene cautiously. forgetting the first 15 minutes. then the movie gets the treatment it has to. it covers in all aspects. a good suspense till the end that will make the watchers crazy. rock solid songs and good background score that thrills and makes you sweat for fear. a good suspense and crisp storyline. i like a movie when it covers all the elements like story , action , romance , comedy , revenge , tragedy , emotion. the movie covers story well. it holds romance in the first half. revenge is the crux and suspense . tragedy and emotion is not applicable for this movie. comedy is way too far for a thriller. since it covered most of the elements in the right way. this movie is a good flick .

creedreaper I could not help but to compare it with the First one, and this one does not live up to it. Although the acting of Emraan and especially Kangana's was very commendable, but this sequel did not had the elements which needed to jump u off u chair, and honestly the first part did. This sequel's storyline went weak, there could've been aloooot of suspenseful ideas made but it fails to do so. I was expecting to see some Exorcisms etc... but towards the end it just gets stupid. The first Raaz catches u right away from beginning with the introduction of Ashutosh Rana and until the end he scares u immensely. The screams on first Raaz really scared the hell out of audiences on every instance but this part u had to wait to get scared. I would say this movie was just a little better then Phoonk, but cannot be compared with First Raaz.

Vikas SS This was supposed to be a very scary movie, or it was at least publicized to be one. Supposedly, four million rupees were spent on lead lady Kangana’s attire and another two to make her look pretty or scary as the scene called for, using visual effects. As with any flick of the horror genre, you keep waiting for something to spook you; but alas, the wait just doesn’t end. Have the Bhatt’s lost touch with horror after its better predecessor? In a poorly scripted beginning, a temple priest is shown killing himself with an amazed American corporate fat-cat looks on. Cut to the city, Nandita (Kangana) is a model who has returned to the circuit after her break up saga. Yash (Adhyayan) runs a show called ‘Andhvishwas’ against superstitions gets back to her and the twine give into the promise of lasting romance. Just then, things start going berserk and Nandita gets possessed.As a possessed Nandita freezes to her bones with fear and battles her fate, Prithvi (Emraan) an artist who has visions of Nandita’s fate comes up to her and forewarns her. The lady’s demeanor turns psychedelic as mysterious hands keep grabbing while her anti-superstition beau has a problem that it goes against his image. With no options left, she turns to Prithvi and the duo head towards ‘Kalindi’, the town where it all began.Since it’s titled ‘Raaz’, let the rest of the story remain a mystery. Nevertheless, I still don’t recommend that you pay through your nose to watch this mess on the big screen. While the plot is not really bad, its weakest point is its narrative. Though the pace picks up towards the end, it’s grossly inadequate. Making it worse was its background score. The directors completely lacked the imagination of using silence to build spooky suspense.Though the movie has no connection in story, locales or people with the earlier Raaz, the new one would rank lower. This time, Kangana steals the show with an impeccable performance as a troubled girl for the fifth time in six films. The modeling part in her character reminds you of Bandharkar’s Fashion. But her dialog delivery is awful as ever. At times I tend to think whether the girl is crazy in her real life too, just like her roles! While Kanagana directly deserves one star of ten for herself, it’s a revelation that Emraan Hashmi can also Act! The sore point among performances is Adhyayan Suman who looks completely lost. For the technical stuff, visual effects and cinematography are commendable; they were let down by the screenplay. To sum up, if you are keen on a scary movie, keep away from this one; else, just be content with the drama overdose!

Molla Huq As an Indian horror this is a good one. I must admit that the plot was excellent. The writer is either very very creative or at least creative to take from different other writings. For instance, taking Isaac Mendez from "Heroes" (an artist who can draw the future) or the main character from the movie "Stigmata" where the possessed girl was first attacked in the bath tub where her wrist was cut and later she runs to a corner of abandoned buildings and stands above a car and writes on the car with a broken glass and then glasses shatters from the windows and she screams toward the priest or from the "The Ring" movie where a girl was killed in a well and seeks revenge and so on..the bits and pieces match with lots of movies but I should give credit to the writer as he managed not to copy straight forward.Now the storyline: one priest suicides in front of a white man who is one of the managing directors of a US company in a village called Kalindi and he also suicides later. one model Nandita has a boyfriend Yash and they were doing well until one day Nandita is followed by an artist, Prithbi.Later Nandita goes through lots of unexplained horror things in her life and Prithbi helps her reveal the secret which led them to Kalindi and there they finally find the secrets and manage to let the spirit take his revenge and reaches people the message he wanted to convey and died for.