Spikeopath There quite often comes a time when a film fan who is so enamoured with a specific genre or style of film making, comes across a picture that one knows is far from perfect if deconstructed frame by frame, but still loves it with every breath they take. Purgatory is one such film for myself.Purgatory, a TNT TV production, is that rare old beast of the Western fused with fantastical or supernatural elements. More often than not this is a blend that proved to be disastrous, hence why there are so few films of this type put into production here in the modern era. Yet director Uli Edel and producer Daniel Schneider pulled it off back in 1999, my only regret is that it took me so long to let it into my cinematic life.The title is something of a give away, thus rendering the supposed twist as being hardly surprising. However, it was not the intention of the film makers to hoist a Sixth Sense surprise on us, really it wasn't. We are asked to put ourselves into the young Greenhorn shoes of Leon "Sonny" Miller (Brad Rowe) and experience his own coming of age awakening. From dime novels and hero worship to first kills and first loves, Sonny is our conduit and the key holder to the gates of redemption for many of the Wild West's legendary characters.The cast is a veritable feast of splendid character actors playing a veritable feast of iconic real life people. Sam Shepard, Eric Roberts, Randy Quaid, Peter Stormare, Donnie Wahlberg and J.D. Souther. While Brad Fiedel provides a musical score of some magnificent beauty, a piece that revels in heroic swirls and escalating emotions, it darts around the town of "Refuge" like a novelist writing a dime novel soon to go down in folklore legend.Budget restrictions are hidden very well, Edel and his cinematographer William Wages prove adept at lighting techniques and scene staging. Be it keeping things in the shade or cloaking a sequence with believable dust clouds, there's a professional touch here that puts the pic into the upper echelons of TV movies.Then there's the action, a key component for so many Western fans, and thankfully Purgatory is book-ended by superb action sequences, with the finale a skilled lesson in shoot-out choreography and machismo pulse beats. And then there's the emotional kickers, ready to be embraced by those who still yearn to have the spirit lifted and the heart gladdened.I could write a whole weighty paragraph on Purgatory's flaws, maybe even point out thematically what I think will annoy others, because for sure not everything works. But as a Western movie lover I found myself cheering at the film's end, even wiping away a damn fly from my eye. That's job done for me, a Western that tickled and teased my every emotion, wonderful. 10/10

Uriah43 This film starts out with a band of desperadoes led by "Blackjack Britton" (Eric Roberts) who decide to rob the bank in a town called "Sweetwater". What they don't anticipate is that while they are robbing the bank the U.S. Cavalry happens to also ride into town. A gunfight ensues and the bandits hightail it out of town as fast as they can with a large posse chasing after them. The further they ride the more desperate they become and eventually lose all of the money they had stolen. Then they encounter a dust storm and when they finally ride through it they come upon a town called "Refuge" which is well off the beaten path. At first they decide to keep a low profile but then they notice that nobody in the town is armed. Not content with simply accepting the town's hospitality they soon decide to force themselves upon it. But what they don't realize is that this is no ordinary town. And the townsfolk are not run-of-the-mill people either. Anyway, rather than disclosing the mystery of the movie and risk spoiling it for those who haven't seen it I will just say that this is not an ordinary western. The acting is decent and Amelia Heinie (as "Rose") certainly lent some nice scenery. But what made this film so unusual was the unique storyline which was quite intriguing. All things considered then, although the end was somewhat predictable the movie managed to keep my attention for the most part and I rate it as slightly better than average.

FightingWesterner Purgatory plays like a ninety-four episode of "The Twilight Zone", that despite a few predictable twists, is still a lot of fun to watch and a cut above the usual made-for-television western of the last twenty years or so.Production values are good and so is the familiar cast of character actors, led by baddies Eric Roberts and Peter Stormare, with Sam Shepherd, Randy Quaid, Donnie Walberg, and R.G. Armstrong in his last western appearance so far. They all do a great job, with Roberts and Stormare playing it nice and rowdy.Interestingly enough, co-stars R.G.Armstrong and John Dennis Johnston appeared together eighteen years earlier in the southern-fried horror flick The Beast Within.

kstaj I love a good western, and this would have to be one of the best I have ever seen. What a beautiful storyline, what a great place Refuge was. I hope that it truly is like that when we pass away. I don't know what those people did (good) that let them go to refuge, rather than straight to Hell, because all of the Blackjack gang (about 30) went straight to Hell, rather than purgatory. I don't know why Jesse James, Wild Bill and Doc didn't go straight to Hell for their sins, but where given a second chance, unlike the Blackjack gang. I actually got this movie without reading the back cover, so I didn't know what to expect. I was so surprised with this movie. I will watch it many times