Woodyanders Former mental patient and falsely accused killer Arnold Masters (an intense and convincing performance by Jim Hutton) uses the psychic power of astral projection to exact a harsh revenge on the people who he believes wronged him. Director Ray Danton keeps the compelling story moving along at a snappy pace, builds a good deal of tension, and stages the lively murder set pieces with lip-smacking ghoulish gusto. The sound acting by the able cast of familiar B-cinema veterans helps a whole lot: Paul Burke as hard-nosed detective Jeff Morgan, Julie Adams as compassionate psychiatrist Dr. Laura Scott, Nehemiah Persoff as cagey parapsychology expert Dr. Gubner, Aldo Ray as Morgan's gruff partner Dave Anderson, Neville Brand as irascible butcher Lemonowski, Whit Bissell as horny old goat Dr. Paul Taylor, Della Reese as sassy welfare recipient Mrs. Gibson, co-writer Greydon Clark as ill-fated cop Sowash, Stack Pierce as the helpful Emilio, and Mary Wilcox as sexy, yet sadistic nurse Burnson. Moreover, this movie is surprisingly gory and sleazy for a PG-rated item, with the definite trashy highlight occurring when yummy blonde Wilcox happily dances around in her underwear before taking a shower. Herb Pearl's fairly polished cinematography boasts a few funky stylistic flourishes. William Kraft's spirited shivery score hits the stirring shuddery spot. A really fun fright flick.

merklekranz Kirilian photography is featured throughout this intriguing film. Although promoted as horror, the sci-fi element is strong. Mental patient, Jim Hutton, eliminates his enemies with "accidents" carried out through psychic phenomena. Naturally this series of bizarre killings has the police quite perplexed. Such creative dispatches to the beyond as dropping a cement slab on his shyster lawyer, could easily be interpreted as "black comedy". The lets get right down to "business" romance between policeman, Paul Burke, and Hutton's Psychiatrist, Julie Adams, even has some levity to it. The movie has sexual titillation, nudity, splatter, creative kills, and an original and impressive ending. In short, a good exploitation film, with an interesting sci-fi premise. - MERK

Witchfinder General 666 "Psychic Killer" of 1975 is a highly enjoyable and underrated little flick that should appeal to all my fellow fans of 70s low-budget Horror. This is, of course, pure camp fun, and in no way essential or great, but the ridiculously low rating of 2.6/10 is completely unjustified. This has a somewhat corny and yet quite original storyline. Arnold Masters (Jim Hutton) is wrongfully accused of a murder and put in a mental institution. When the real killer is found, Arnold gets released, vowing revenge on those he holds responsible for his arrest and the death of his mother, who died while he was locked up. Arnold has learned some things about paranormal phenomena like astral projection from a fellow inmate, and he is willing to use his new psychic powers for his revenge... The plot is corny, of course, but it is also great fun. The actors are often overacting, but not in a bad way. On the contrary, the performances were one of the film's best qualities, in my opinion. Hutton fits in the role of Arnold very well and the cast furthermore includes actors such Neville Brand ("Eaten Alive"), Neremiah Persoff ("The Harder They Fall"), Paul Burke ("Daddy's Gone A-Hunting") and, most memorably, Julie Adams ("Creature From The Black Lagoon"), who was married to director Ray Danton. The murders are quite bizarre and fun to watch but, with one exception, not really bloody. The bloody one is quite well-made, especially regarding the obviously minimal budget. Even though often illogical, the film is very imaginatively executed, and occasionally quite humorous. Also, the low budget does in no one lessen this one. If anything it increases the film's cult-factor. Overall, "Psychic Killer" is no masterpiece, but it is definitely better than its reputation. Overall, this is a camp and original little flick that is highly entertaining and recommendable to all fans of low-budget Horror.

The_Void Psycho killer flicks are a penny a dozen, but at least this one has something about it. Psychic Killer was released before the slasher craze really kicked off, and is surprisingly more original than many films in its class. The idea behind the plot is, of course, pure B-grade horror hokum, but somehow it works out better than many 'man with a knife' flicks. The film was obviously hampered by budget constraints, and this comes across by way of the fact that much of the movie is dialogue based. The film also has something of a cheerful tone about it, and despite messy scenes that see hands ripped apart by meat grinders and someone crushed under a slab of cement, the movie never really shocks all that much. The plot follows a man who is in a mental institute after being wrongly accused of murder. While there, he learns the ability to 'psychically' leave his body, and upon getting out and realising his mother has died while he was locked away, he vows to use his new found power to get his revenge on everyone that he believes has wronged him.The film moves slowly throughout, and since a lot of the scenes focus on dialogue, Psychic Killer never really gets a good rhythm going, and every time we see an exciting sequence, it's generally followed by a slow one. This is obviously a result of the budget constraints, although the screenplay is also somewhat at fault as the movie could easily have made more of its central sequences without over stretching the budget. The plot idea is actually one of the film's strongpoints. It's silly and ensures that the movie is very much on the 'B' side of cinema, but it's also really rather interesting. The characters drag the piece down, however, as none of them are given any time to develop and there isn't anyone on the roster that is particularly easy to identify with. The gore scenes are few, but the one that takes place in a butchers shop is a treat. Other murders that see people killed by 'accidents' are rather sinister, but also rather humorous and overall, even though this film isn't brilliant; there's enough to recommend it to genre fans for.