Prophecy

1979 "She lives. Don't move. Don't breathe. There's nowhere to run. She will find you."
5.6| 1h42m| en| More Info
Released: 14 September 1979 Released
Producted By: Paramount Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

When a dispute occurs between a logging operation and a nearby Native American tribe, Dr. Robert Verne and his wife, Maggie, are sent in to mediate. Chief John Hawks insists the loggers are poisoning the water supply, and, though company man Isley denies it, the Vernes can't ignore the strangely mutated wildlife roaming the woods. Robert captures a bear cub for testing and soon finds himself the target of an angry mutant grizzly.

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patvideo The description given does NOT do this film justice! There are MULTIPLE mutant creatures in this nature contamination classic. I would also add that it's pretty intense for it's PG rating! Good lines, good story, and some very good acting by a few 70's-'80's familiar faces make this a very underrated, lost gem. I cannot believe there exists no deluxe DVD edition of this!
A.N. This film could have been much scarier and some segments hinted at its potential. But I didn't find myself bored. I'd say about 30% of the scenes (in isolation) were quite good but got tainted by weaker scenes throughout. The acting was average.I liked the all-too-common message of corrupt polluters looking the other way, even though the outcome was exaggerated vs. real life. Methyl Mercury can cause deformities but probably not gigantic creatures. The bulbous Katahdin "bear" was possibly meant to be supernatural, though. It's predictable that a number of people disliked this movie because of its ecological tone, and I wish we could ship them to another planet to ruin in isolation.I was inspired to write this review to point out one of the biggest flaws: If you see a mangled baby something-or-other (bear?) with sharp teeth and claws, you don't stuff it inside your jacket and care for it like a puppy! The woman found this out toward the end when it started gnawing on her neck, but that was oddly downplayed. I didn't understand the urgency of keeping it alive since the corpse would have sufficed, unless they thought the lumbermen might have taken it for a hoax.Anyhow, this movie is worth watching but could have been more polished and realistic.
Wuchak "Prophecy" was released at the same general time as the popular "Alien" back in 1979. "Alien" was a fair hit at the box office (with a far better monster) while "Prophecy" didn't do very well, causing director John Frankenheimer to plummet into a depression.I first saw the film as a kid because I was intrigued by the 15-foot grotesque monster. As it turned out, I thought the film was merely okay. I decided to see the picture again in the mid-90s and, I don't know if it was nostalgia, but I thoroughly enjoyed "Prophecy" as an adult. I've seen it a few times since then and enjoyed it every time. As far as comparing it to "Alien," I fully admit that "Alien" is technically a much better film and way more innovative & influential, but through the years I've seen "Prophecy" about twice as often as "Alien." This proves, if nothing else, that "Prophecy" has re-watchable merit.THE STORY: There are problems in Maine (although the film was actually filmed in the Great Northwest) between the paper mill and the local Indians. The Natives argue that they are somehow being contaminated by the industry. Robert Foxworth and his pregnant mate Talia Shire fly up to investigate and discover that mercury poisoning from the mill is the problem. They witness a handful of loony, overgrown or hideously mutated animals that verify their findings, most notably a mutated grizzly bear that looks like it's been turned inside out (speaking of which, I didn't realize they had grizzly bears in Maine; although I suppose it could be a mutated overgrown black bear).The tone of the story is completely serious so don't expect any camp like in the similar "Lake Placid." Robert Foxworth is excellent as the protagonist; I'm surprised he didn't have a more stellar career. Talia Shire ("Rocky"), the sister of Francis Ford Coppola, is meek and likable. Armand Assante ("Odyssey") is robust and determined as the Native protagonist and Victoria Racimo is fabulous as his wife (squaw?).There are quite a few memorable scenes, like when the Natives block a forest road culminating in an intense stand-off with the paper mill personnel, chain saw and all. Another potent sequence is when Foxworth investigates the paper mill and has an intense discussion/argument with the mill boss. The manager powerfully points out that the mill simply provides what the consumers demand and that Foxworth's actual report is going to use up thousands of sheets of paper; hence, he shares responsibility.BOTTOM LINE: For the first hour and 15 minutes or so "Prophecy" expertly unveils the mystery while capturing the viewers attention with mounting interest. It's the last 25 minutes where the film partially stumbles. The mutated creature is fully revealed and chases the group through the forests. There's a lot of running & screaming and many die. This should be a powerful pay-off but for some reason it's not. It's merely okay, and almost boring. Still, there are some memorable visuals, like the moonlit chase through the fog-laden lake."Prophecy" may not be great like "Jaws" or "Alien," but it's quite a bit better than flicks like "Grizzly."
JasparLamarCrabb The number of oddball directorial touches in this lame-brained thriller is mind boggling. Health official Robert Foxworth and cellist wife Talia Shire move to the Maine woods to help mediate trouble between a paper mill and the local Indian tribe. Foxworth soon realizes that mutant animals are afoot thanks to mercury poisoning (courtesy of the mill, of course). The primary monster looks like a large, bloody sausage and sounds like a distressed sheep! An awful B-movie in the guise of an A-movie with the great John Frankenheimer at the helm. Frankenheimer, director of classics like THE MANCHURIAN CANDIDATE, SEVEN DAYS IN MAY and SECONDS, really mis-steps here. Each scene ends and begins in a dissolve, there's no suspense to be had, the acting is atrocious and the music by Leonard Rosenman is so heavy handed, it's unbearable. Foxworth seems to be giving it his all and Shire, with very little dialog, seems lost. A dull eco-horror story that is laughable instead of scary.