Pro-Life

2006 "Don't be afraid of the inner life in you."
Pro-Life
5.6| 0h57m| en| More Info
Released: 24 November 2006 Released
Producted By: Industry Entertainment
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.theofficialjohncarpenter.com/masters-of-horror-pro-life/
Synopsis

Angelique, a traumatized fifteen year old, is taken to an abortion clinic to end her pregnancy. However, her deeply religious father and three brothers are out to make sure the baby lives.

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kosmasp Of course, we are talking about a Masters of Horror episode here. It couldn't just be a simple "problem" we (and the characters) are facing here. Still, especially considering his Cigarette Burns episode, this almost feels like a step back. It's not a bad story, it's just pretty conventional and predicable.Ron Perlman almost made me give this another star, I just like that guy, whatever role he's playing. And his character is most definitely the most complex one in this. The complete opposite to that is Emmanuelle Vaugiers character. She doesn't seem to be doing anything at all. And while looking good doing that (she always does), you wish she had something to say (not literally speaking).There are quite a few other movie influences here that you will spot. Some are mentioned in other reviews, but all in all, if you are an avid moviegoer you will spot them yourself. That's not entirely a bad thing and even that a scene (you could call it "the inciting incident") is not really graphic, shouldn't be a problem. A more than decent episode than, but more action orientated than pure Horror (just saying in case you were expecting something like the Cigarette Burning episode)
MARIO GAUCI The second John Carpenter episode in the series is pretty good if clearly a lesser achievement than his previous one, CIGARETTE BURNS (2005), which had been one of the very best. Still, for all the genre felicities and competent acting (especially mismatched father Ron Perlman and daughter Caitlin Wachs) on display here, the overall impression remains that of being a disparate collage of earlier and much superior movies like ROSEMARY'S BABY (1968; the demon impregnating a human being), LEGEND (1985; the look of the demon is virtually identical to Tim Curry's Darkness), as well as Carpenter's own ASSAULT ON PRECINCT 13 (1976; the besieged institution i.e. abortion clinic) and THE THING (1982; the hybrid look of the monster infant). As with most contemporary horror fare, there is much unnecessary splatter/gore effects but these strike one as ludicrous (such as when a brain is blown off merely from a hand-gun bullet)! At least, Carpenter's son Cody provides an effectively subtle, piano-led score a' la his father's classic theme for HALLOWEEN (1978).
alexfromhorn It's about 2 Doctors who find a scared girl, they take her to the hospital where they work and they find out she's pregnant. Later her father is there too, he wants to stop a possible abortion 'cause god told him so....This is amazing it where just 53min but man it's one really tension-filled masterpiece that it's better than a lot of action movies.I think this short-movie is a combination of classic John Carpenter atmosphere mixed someway with Tarantino-like style and it's got a little touch of Resident Evil(not the bad Jovovich Movies, I mean the games). So if you like tension-filled action-flicks with horror-atmosphere or just like Tarantino/Rodriguez Movies you gotta watch this ! It's really awesome.
alesisqs61 I have to say as being a fan of the man who created Halloween/The Fog/Christine/The Thing - probably his best films.Then you got this POS. I can't logically think he put any effort at all into this like he did with Cigarette Burns. At least his son made a decent soundtrack.You have to look at this from the standpoint that it didn't seem like a movie. It looked as if someone else directed it for one thing. I won't believe Carpenter put any effort into this at all.I was just listening to his old school H2/H3/The Fog soundtrack and it was awesome, especially for the times.He was using a style that no one had and it worked so well for his films.