FilmCriticLalitRao In his first film "Nue Propriété"/"Private Property" Belgian director Joachim Lafosse films the progressive disintegration of a discontented middle class family.His film is a tragic tale of fragile relationships wherein all characters are weak and easily subdued due to their inseparable internal weaknesses.One can expect that a film with family breakdown would be incendiary.However,in "Private Property" rabble rousing is confined to a bare minimum level in order to make this film a veritable low key affair.This is done by quietly filming many scenes in which cinematically speaking nothing much happens.It is in these scenes that audiences are able to witness simple human activities such as family members eating their meals and two brothers playing an amusing Ping Pong game.As usual grand dame of French cinema Isabelle Huppert is brilliant in her role of a mother who has to deal with many different men in her life.Her character is developed in such a manner that it hangs between three different extremes.However,"Nue Propriete" appears credible due to strong acting performances by actors Jérémie Renier and Yannick Rénier who are brothers in real life.This is a film to watch in case if somebody is interested in witnessing how families are ruined.PS : Film critic Lalit Rao would like to thank a good friend Mr.Philippe Pham for having gifted a DVD of this film for detailed analysis.

Film_critic_Lalit_Rao In his first film "Nue Propriété"/"Private Property" Belgian director Joachim Lafosse films the progressive disintegration of a discontented middle class family.His film is a tragic tale of fragile relationships wherein all characters are weak and easily subdued due to their inseparable internal weaknesses.One can expect that a film with family breakdown would be incendiary.However,in "Private Property" rabble rousing is confined to a bare minimum level in order to make this film a veritable low key affair.This is done by quietly filming many scenes in which cinematically speaking nothing much happens.It is in these scenes that audiences are able to witness simple human activities such as family members eating their meals and two brothers playing an amusing Ping Pong game.As usual grand dame of French cinema Isabelle Huppert is brilliant in her role of a mother who has to deal with many different men in her life.Her character is developed in such a manner that it hangs between three different extremes.However,"Nue Propriete" appears credible due to strong acting performances by actors Jérémie Renier and Yannick Rénier who are brothers in real life.This is a film to watch in case if somebody is interested in witnessing how families are ruined.PS : Film critic Lalit Rao would like to thank a good friend Mr.Philippe Pham for having gifted a DVD of this film for detailed analysis.

fedor8 NP is about the rampant alienation in modern Capitalist Western society, and the gradual destruction of the once-compact family unit, through greed, materialism, and loss of spirituality. It's a heart-felt, and indeed heart-wrenching, look at the struggles involved in late adolescence on one hand, and the sense of disorientation of a middle-aged cow, on the other. Furthermore, the concept of the-Just kidding... Yes, this is a French movie in more ways than one.Nuage Proprietage is basically just a relatively dull, quite pointless family drama, and yet from the start it is chock-full of little kinky surprises: perversions that we're so accustomed to seeing from Euro-trash directors these days. Huppert is taking a shower, while one of her twin sons is peeing, standing only a meter away from her. I half-expected them to have sex (knowing full-well that incest and/or sodomy and/or bestiality have odds at around 50-50 of occurring in any given European movie - even more so when it's held in high esteem by Les Critiques Filmeaux), turning NP into yet another excuse for taboo-breaking hence "artistic" cinema.But no, there is no incestual theme here. I guess perhaps the French do this sort of thing on a regular basis: parents and their kids being naked together in the john... A little later on, incest-fans/perverts among the cinema-goers are given a glimmer of yet more hope when Isabelle's male twins bathe together in a very very small bathtub. Did I mention they're 18 years old? No, no, no, ye fans of sexploitation trash cinema, don't get yer hopes up; the siblings do not - thankfully(!!!!) - have sex with each other. Believe it or not, they are not even (physically) attracted to each other, and at least one half of the twinic duo is straight.We find out about the blond twin's heterosexuality through a number of scenes in which he has sex with his pretty girlfriend. I mean, show me good female nudity any time you like, but is there any purpose to these scenes? No. Does it matter to the further plot developments that at least one of the twins likes girls? No. Would the blond twin act any different toward his mother's plans to sell their house if hadn't had a girlfriend? Probably not. (If anything, being sexually unsaturated he'd be even more aggressive against her selling it.) And yet what French movie would be complete without pointless sex scenes? European filmmakers never forget that most critics who write about their precious movies are sex-starved aging nerds, hence once you've titillated them, you assure yourself at least a solid rating.The bizarre nude scenes are just the top of the Pointlessness Pyramid. There is a plethora of scenes that mean absolutely nothing, add nothing to the story, etc. Their only purpose is PADDING. Fill the time somehow because the story is so thin; so basic it would not suffice for a half-hour TV drama, if left to stand on its own, without the silent, pretentious pauses in the plot. Cleverly enough, every brainwashed/lobotomized film student has been indoctrinated to tell you that these pointless scenes are supposed to "aid character development". Yeah, a woman walking on grass for 10 minutes definitely tells me everything about the character... (That she's a cow?...) In fact, padding tells a lot more about the director's pretentious cluelessness than any character here.WHO CARES about a scene in which the twins wrestle, this allegedly showing us that they're "still immature" (as one reviewer put it)? A skillful director/writer does not require a dozen one-minute scenes to describe a character: he can do it in 2 minutes, and if he's really ingenious/inventive he can describe a character sufficiently in even less than that.Remember: so-called "character development" is just another term for "wasting the viewer's precious(?) time". Besides, none of the movie's basic six characters are interesting enough to deserve so much "in-depth" portrayal. These people are neither interesting or weird enough to warrant that kind of effort or time.When you strip away all the BS and take a hard - (and slightly bored) - look at the basics of NP, you must realize that you're dealing with a rather trite plot of whether a woman will sell her house or not! WHO CARES! If I wanted to experience the thrill of watching people decide whether and how to sell their homes I'd have gone into real estate.The ending is as pointless as the basic premise: the blond twin injures the other twin. The love is now gone from the family, the twins' innocence is lost, everyone is emotionally devastated, and allegedly all of this is the blond twin's fault because he was trying to prevent his mother from taking their house away... So very deep.I really like Isabelle Huppert. However, in her later years she has narrowed down her acting technique to giving us the same grumpy poker-face (sounds like an oxymoron, I know) - in almost every single scene. I doubt that she's even capable of playing sympathetic characters anymore. She's starting to display the non-range of Katherine Deneuve, the worst French actress of all time.

writers_reign Isabelle Huppert, who has A-list directors standing in line to work with her is celebrated for her willingness to help new writer-directors by lending her name to attract finance and her presence on set to attract audiences. This can, of course, prove embarrassing - Josie Balasko's first directorial effort Sac de Noeuds didn't exactly set the screen alight but Huppert was right to see the promise which has since been kept over and over - but on the other hand it can result in something as delightful as Aleandra Leclerc's Les Soeurs fachees (Huppert has a new film with Leclerc, Les Mediaturs, in post-production even as we speak). She got it right this time, too, with Joachim Lafosse who probably wouldn't have got this one off the ground without Huppert. Real-life brothers Jeremie and Yannick Renier play Huppert's twin sons who live with her in what was the family home til Huppert divorced their father Patrick Descamps, who has remarried and lives within driving distance with his new wife and child. The French title Nue Propriete, is more specific, a French legal term in which a family member, usually an ex-spouse, is allowed to live in a house but has no legal right to ownership so that they cannot, for example, sell it or take in lodgers. This, in fact is the position in which Huppert finds herself and as it happens she does want to sell, move away with a neighbour/lover and open a B&B. This brings us to the twins, neither of whom appears to have any friends although one has a girl he uses as a sex-object. Long before we, the audience, enter the scene, the boys have become dominant, especially Jeremie Renier who thinks nothing of interrogating his mother daily, verbally abusing her and going through her bag. It goes without saying that her attempt to introduce her lover to the twins is a disaster. This is a cloistered, unhealthy family with Huppert thinking nothing of taking a shower openly whilst one son cleans his teeth two or three feet away; a great deal of screen time is given over to meals, traditionally a time when families come together in harmony but not, of course, here. As usual Huppert gives a Master-Class in Screen acting but there isn't really a bad performance throughout. It's not exactly Feelgood but it is a fine film and worth anyone's time.