Postmortem

1998 "The only way to trap a serial killer is to know what he feels, what he thinks, and when he'll strike...again."
5| 1h45m| R| en| More Info
Released: 30 June 1998 Released
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Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

The only thing James wants is to remain away from Scotland. One day, however, he receives a fax, a printout of an unknown person's obituary. The next day, he is charged and arrested for the murder of this person.

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ajturner79 As a Scot, I was pleased to see various locations in and around Glasgow as the setting for this movie. However, despite the setting, I am certain that this shall remain one of the worst examples of film-making that I will ever have to endure.The worst thing about this truly atrocious movie is surprisingly not the woeful acting performances, with an appalling Charlie Sheen at the front of the line; nor indeed is it the very poorly written script. Both aspects are beaten to that title by Charlie Sheen's desperate attempts to be regarded as a serious actor by simply going under the name of Charles Sheen.Next time, Mr. Sheen would be better to focus on giving a performance with at least some depth and emotion which the audience could connect with. Many a poorly scripted film is saved by one or two stand out performances. Sadly, only Glasgow delivered on this one, with Mr. Sheen's performance only adding to the endless list of flaws attached to this movie.Overall, Postmortem is struggling to score 1 out of 10.
Lucien Lessard James McGregor (Charlie Sheen), An Ex-FBI profiler turned novelist returns to his home land of Scotland for piece and quiet. But McGregor has a drinking problem and having trouble forgetting his last disturbing case from his past. There's an mysterious murderer in Scotland, which this killer writes obituaries before he murders his victim. Which this killer sends his obituary to McGregor. At first, McGregor thinks it's a joke until the dead body was found in his backyard. Now McGregor is forced to investigate the crime with the help of two inspectors (Michael Halsey and Ivana Milicevic). McGregor has to do anything to stop the killer before he receives another obituary.Directed by Albert Pyun (Mean Guns, Radioactive Dreams, The Sword and the Socerer) made an reasonable if familiar thriller. Pyun is been responsible for making some decent B-Movies and mostly made very awful ones. "Postmortem" is actually his best work as a director. He gives Sheen an moody performance in this. This was only released in Europe and never played in the U.S., Which it was a Direct to Video here. This picture does take time to start, which the movie is extremely slow at first. But once you past the first twenty minutes, you find yourself enjoying this thriller. Clairmont-Scope. (*** 1/2 out of *****).
Nahret To be honest, the irritating camera angles and zooms and the misplaced colours (scenes full of red, blue or other hues that certainly meant something to the director but the purposes of which were certainly lost on me) diverted my attention so far away from the story as to make a clear opinion impossible. On the other hand, if the story had been suspenseful or gripping in any way, I think I'd have noticed. Suffice it to say, then, that this is one of many movies about a serial killer, the police chasing him "before he kills his next victim", an outside cop who "really doesn't want to be involved but is our only hope", one dead cop who had a family, a psychologically wrecked serial killer - you may blame either of his parents - a mental sibling of his, etc. It's all unconvincing, by-the-dozen kind of stuff. In the end, the most surprising aspect of it all might be the fact that it takes place in Glasgow. Wow.
monsta Having watched numerous Charlie Sheen movies, and seen more or less the same type of performances from him in each one, I was not expecting this. Charlie Sheen manages to pull off quite a watchable performance as James Magregor, a weary but hardened cop, who goes to Glasgow for some light relief from his lifestyle...?....The film itself was quite slow, but the choice of location and the addition of a few smaller actors who are barely recognisable from other films, made the look of the film quite arthouse and cult-like compared with most of Sheen's other film work. There is a lot of use of the steady-cam, which at times becomes an annoyance,but it doesn't detract from the film The director really seems to capture the tension and fear in the film, and for a film that was shot entirely in twelve days with a mostly unknown cast, that aint bad. Overall, good thriller with some great support from the excellently cast unknowns! A must see for Sheen fans!