MARIO GAUCI I watched this as part of my ongoing Oscar marathon, since it landed child actress Hayley Mills in her U.S. debut (and only second official role) an "Outstanding Juvenile Performance" Honorary Award; incidentally, it was the last time such recognition was bestowed by the Academy and in all, there had been 11 such occasions and 12 recipients – oddly enough, in only a handful of cases (as here) were specific movies cited, namely Margaret O'Brien for MEET ME IN ST. LOUIS (1944), Ivan Jandl for THE SEARCH (1948) and the Jon Whiteley-Vincent Winter team in the recently-viewed THE KIDNAPPERS (1953)! Anyway, this is among the better regarded (getting a ***1/2 rating from Leonard Maltin!) and more prestigious of the Walt Disney live-action productions (based a much-filmed children's literary classic – including an anime series from the mid-1980s I recall being shown on Italian TV in my childhood days! – and featuring a splendid cast) and obviously made an international star of Sir John Mills' elder 14-year old daughter (who had already impressed audiences opposite her father in the acclaimed British thriller TIGER BAY {1959}). The expected double dollops of Disney mawkishness and corny Americana are here, to be sure, but thankfully kept largely at bay by first-time writer/director Swift (whose own career was pretty short-lived!) for the overly generous 134-minute duration: there is only one brief song interlude (sung by Mills, of course) and a lengthier dance number at an all-important bazaar sequence. The film has been issued as a 2-Disc "Vault Edition" DVD, but I only acquired the main feature from ulterior sources.All that remains for me now is to talk about the stellar cast: Mills herself (a very pleasing and natural performance as the titular orphan girl who literally enlivens the fabric of the morose town she visits), Jane Wyman (her embittered matriarchal aunt), Richard Egan (the rebellious doctor and prodigal son of the community who is in love with the latter), Karl Malden (the hellfire-and-brimstone preacher who eventually softens his Bible-thumping grip on the townspeople), Nancy Olson (Wyman's liberal maid and Pollyanna's confidante), Adolphe Menjou (his last film role, as the proverbial hermetical town ogre with a heart of gold), Agnes Moorehead (an inveterate hypochondriac and the feminine counterpart of the latter), Donald Crisp (Egan's uncle and the ineffectual mayor), Kevin Corcoran (a freespirited orphan who befriends Pollyanna and is ultimately adopted by Menjou), Edward Platt (the typical henpecked husband who gradually finds his spine) and Ian Wolfe (an elderly citizen).It is worth noting that, apart from setting off Mills on a brief run of Disney movies – THE PARENT TRAP (1961; a dual role), IN SEARCH OF THE CASTAWAYS (1962; one of the studio's best efforts), SUMMER MAGIC (1963), THE MOON SPINNERS (1964) and THAT DARN CAT! (1965) – it also meant a follow-up for Corcoran to TOBY TYLER (1960; his most notable 'vehicle' among a handful of other Disney films). Apart from several members of the cast being themselves past Oscar winners (Wyman, Malden and Crisp) and nominees (Olson, Menjou and Moorehead), most also ended up doing stints in long-running TV series: Mills in THE FLAME TREES OF THIKA (1981), Wyman in FALCON CREST (1981-90), Egan in CAPITOL (1983-87), Malden in THE STREETS OF SAN FRANCISCO (1972-77), Moorehead in BEWITCHED (1964-72), etc.

Chase_Witherspoon It's surprising how long this epic actually runs - almost two and a half hours - given it doesn't feel like an endurance to watch Hayley Mills as the blissfully naive Pollyanna, barely tolerated by her childless Aunt Polly (Wyman), going on to win the hearts of her adopted community after life-changing encounters and a terrible accident.Steve Corcoran is memorable as the rosy-cheeked little rascal whom Pollyanna befriends, as is Agnes Moorhead as the 'cantankerous' bed-bound spinster with an apparent heart of ice, slowly and surely melted by the unassuming youngster. Others may prefer Adolphe Menjou and his refracted light crystals, while Nancy Olson has a reasonable supporting role as the kindly housekeeper. Richard Egan plays Wyman's love interest, frustrated by her obstinate and negative attitude for which, Pollyanna is just the antidote she privately craves but publicly rejects.It's a typical feel good movie, although the climax is quite confronting if you're ten years old. Plenty of colourful characters of contrast and light-hearted child's play that should entertain the whole family. Not so sure about the patriotic national anthem solo at the film's finale, but otherwise, it's a substantial film that benefits from great performances by Wyman, Moorhead and Mills and consistently watchable.

ianlouisiana Meredith Wilson's "The Music Man" is really "Pollyanna" with tunes. Professor Hill comes into a small town and changes the lives of the inhabitants for the better in much the same way as Pollyanna herself does.His preference for the "Sadder but wiser girl" would have been satisfied by Miss Nancy Olson and you can easily imagine the townswomen doing "Pick a little-talk a little". About the time this movie was released, Mr Robert Preston was scoring a personal triumph in Wilson's show.By the same token,"Pollyanna" is a personal triumph for Miss Hayley Mills,as much a surprise choice for the part as Vivien Leigh had been for Scarlett O'Hara a generation earlier. Veteran Mr Adolphe Menjou runs her close with a performance that is the sum of everything he had learned in his distinguished career.I found it very moving,a last hurrah worthy of a fine,sensitive actor. "Pollyanna" is not a children's movie,it is however a movie about children told with an innocent eye. Whilst Hayley Mills went on to have a long and successful career - indeed she is still appearing on TV in 2009 - malign fate had a far different destiny waiting for another little girl of her age who was an extra in the movie. The tragic Stephanie Lynn Gorman who can be seen to Hayley's right on the bandstand when she sings "America the beautiful",was raped and murdered at her home in L.A.aged 15.Her killer has never been caught. God rest her soul.

preppy-3 A little orphan named Pollyanna (Hayley Mills with her English accent intact) goes to live with her strict (but sweet) Aunt Polly (Jane Wyman). She's so nauseatingly sweet that all the mean old people in the town find warmth, love and happiness through her. Yuck! Even for Disney this is syrupy.This is a typical live action Disney film. Everybody talks in a G rated way, all the mean (but secretly nice) adults end up being sweet and kind and all the kids are ridiculously cute and "lovable". The story itself is just ridiculous--even for Disney. A little orphan spreading peace and love all around. Sheesh! The acting is pretty bad too. Talented actors like Wyman, Richard Egan and Karl Malden (as a priest!) can do little with the lousy dialogue. Mills is terrible also --but she was only 14 when she did this. Only Agnes Moorehead manages a performance. The film also moves VERY slow--it runs over 2 hours! Also the last 20 minutes are so unbelievably manipulative I actually felt like throwing something heavy at the TV! Too long, too sweet and too unbelievable. This gets a 2 for Moorehead alone.