sinful-2 I would say acting is fine and camera work is fine and everything but....I just do not really feel that the situation that is set up in the start is fully used. There could have been so many situations that could have been set up to make it more interesting.After the set up of the plot in the movie I found it very easy to see how the movie would end and I did not not really find the travel to the end emotional interesting or exploring in any way.I would say there are lots of great Japanese movies out there. You can find better than this one.

Cosmoeticadotcom There are too many flaws, and Dumbest Possible Action tropes, for Pleasures Of The Flesh to broach greatness, but there are superb moments right next to bad. As example, while the forthrightness of the admission by Hayami is not believable, character-wise, it is one of the bleakest and most searing indictments of the human character ever put on film; and part of that burn comes from the fact that its ascription of human flaws is dead on. And in this it has a far more realistic take on human evil than Crime And Punishment. While a good portion of the film has dated, in terms of conventions of dress and sexual mores, at the gut, human level, the film is till searingly accurate, much like the best episodes of The Twilight Zone. That, plus its many positive qualities, makes this an important film, if not a great one. And that's more than enough to recommend its being watched and, hopefully, understood.

GrandeMarguerite What looks first like a thriller (after the murder of a man who raped one of his students, a young teacher finds himself blackmailed into hiding a huge some of money) turns into an exploration of greed and sexual exploitation by one of the less politically correct Japanese directors, Nagisa Oshima, as the hero succumbs to his baser impulses and decides to spend the money on indulging his every (often sensual) impulse - planning to commit suicide when the cash runs out. "Pleasures of the Flesh" sees Oshima first embrace of the themes of sexuality, sadism and obsession that characterize his later works. I see "Pleasures of the Flesh" as the turning point in Oshima's career, a cross between his early films, like "The Sun's Burial" or "A Cruel Story of Youth" with young criminals who exploit each other for money and enact transgressive fantasies, or "Night and Fog in Japan" with its political plot, and later films, like the famous "Realm of the Senses", and their sadomasochist tales of sex and death. Oshima is obviously already at work pushing the limits of what can be shown on screen and what can be said on the power of sex and money, on the perversion of love and capitalism. It is one of the most pessimistic works from the director. Everything is corrupt : the young girl the hero falls for (and kills for) proves to be not so innocent in the end, sex (which is a way to humiliate people), love (which only leads to frustration and guilt), money (a delusion), society (dominating and repressive). As "Pleasures of the Flesh" seems to embody most of Oshima's favorite themes, I would recommend it, but don't expect a "likeable" film with "likeable" characters. But after all, this is all too typical of Oshima's manner ! Has he ever filmed romantic stories and sweet people ?

siegelm The lead character, Wakizaka, a teacher, murders a man who has raped his young female student, Shoko, at the request of her wealthy family. Wakizaka is in love with and covets Shoko (as expressed early in the film by his highly sexualized and possessive gaze over her) but cannot have her because of his poor social and economic standing. A public official who has just embezzled 30 million yen witnesses this murder, and on knowing that he is on his way to prison, makes a deal with Wakizaka that the latter will protect the money until the public official's sentence is up or else be turned into the police for the murder. Shoko having married someone else (the wedding is the opening scene of the film), Wakizaka decides to experience "the pleasures of the flesh" for one year: he will spend the entirety of the 30 million and then take his own life before the embezzler is released. He spends the money mostly on insufficient but living substitutes for his original love Shoko (long-term prostitutes who look like her), as he slowly deteriorates further and further into guilt and obsession. Because of the stern, bold-faced warning on this form about spoilers, I won't say anymore about the plot.A highly stylized, highly subjective film -- the narration never strays far from the main character's point of view. Complex temporal and spatial structure. Wonderful, intense, thrilling, apocalyptic and, as always with Oshima, beautifully edited and shot.Since it is a rare film and I had the chance to see it, I'd be happy to answer any other questions via e-mail.