dandbone Despite it's obvious flaws, this movie accomplishes what it was meant to. The movie is built around the metaphor of Phoenix, the bird that rises again from its own ashes. The hero Godoh is trained from his childhood as a pilot and ends up on a mission searching for a mysterious space monster who can destroy any battle ship sent after him. The hero is helped under way by his surrogate mother, a female robot guardian and the friends he acquires on his previous adventures. As the action of the movie unfolds, the meaning of the metaphor becomes clearer. The Phoenix is actually God himself who gives life to those who love and death to those who hate.While I didn't particularly care for animation or fight sequences and the fire bird really looks dated I liked a lot the mythological quality of the movie. Compared to that, all its failings seem minor.

lvd_orders Apparently 2772 has suffered much the same way that Nausicaa suffered in translation, further add the dilemma of context and we have something that no doubt has justifiably earned some low scores from reviewers. I haven't seen the old dub, but now with its Region 4 reissue on DVD (and I assume an R1 to follow), what we get is something truly magnificent. Not perfect by any means, but definitely Tezuka working at the peak of his animating ability. For those who have seen his experimental short films, this film seems to be much from that same vein. Here is where context comes in, because as a stand alone film, 2772 may seem weird and hard to appreciate. Taken as a whole--with Tezuka's other work under your belt--well, then you have something truly special.The story does not seem a direct adaptation of any of the phoenix stories, but many familiar characters (both from Phoenix and elsewhere) appear. The story line will feel familiar and at home with anyone who has read the phoenix books, but it is something new (it is sort of a new twist on the book 'future'.) The real treat here though is the animation. With what is seemingly more funds than Tezuka knew what to do with, virtually every scene is fertile with new ideas. Shots are rarely 'flat' the way they are in TV shows like Astroboy and Kimba. Instead, we have fluid perspective where not only are the characters moving, but so is the 'camera'. There are numerous multi-layered scenes using various psychedelic textures and cloud patterns. Much effort is put into making every scene feel important. When all these techniques are not enough, Tezuka resorts to what he knows best, and just starts drawing the most surreal space creatures you could imagine. For instance, on a planet that seems to be run by Mustachio, we see every possible alien design, most of which are ridiculous (reminiscient of the surreal encounters in 'Nostalgia'.) From the perspective of a fan of animation and a fan of Tezuka, Phoenix 2772 (I'm not sure why it is translated 'space fire bird') is a 10/10. This is in so many ways the culmination of Tezuka's studies in animation, a celebration of new possibilities (and also of animation in general.) The flavor of the original Phoenix stories are also captured with perfection in this film despite 2772 being a new story.For outsiders however; those who don't know Tezuka's works and may not have interest in pre-90's anime, 2772 could be a difficult work that at times seems pointless, and with an end that makes little sense. I think the original language with subtitles should help tremendously, but the film is still quite surreal and takes some chances (that may be seen as faults by some.) With that in mind, I've given the film an 8/10 (but fans will know it deserves more.)

nes_star Please note that I am judging from the English dub VHS, which I was lucky enough to discover in a pawn shop. Phoenix 2772 was a movie by Osamu Tezuka, inspired by his "Hi no Tori" series of comics (which were a series of short stories spanning centuries which were connected by the concept of the legendary Phoenix), which features a young man named Gadoh who, after having a run-in with the law, escapes the earth in order to capture the Phoenix, and ends up going through a trial of self-discovery.You kind of have to understand the author and have a really open mind (and a tolerance for less-than-stellar delivery--more on that later). Osamu Tezuka was not your average manga author: He wasn't content to just tell stories of heroes and villains, but of deep characters with human personalities. His stories usually had some form of moral to them, but he didn't hamfist it or deliver it in a package, like in a Disney cartoon, but rather told sweeping, epic stories wrapped around the point he was trying to convey, but delivered in such a way where it was never shoved down your throat. Moreover, he felt stories shouldn't be limited to feel-good adventures or comedy, and thus most of his stuff had a very emotional quality to it. I personally feel Phoenix 2772 delivered on that.Yes, the film won't immediately make sense if you go in, expecting a Disney-esquire song and dance number with a lot of feel-good moments and a "good guys always win" message. What instead needs to happen is that one needs to forget how things "should" work and instead prepare for anything. With an open mind and a little bit of thought, the story of this film makes perfect sense.The weak point is one that's not a fault of the story or the creator, but rather of the translators: The English dub is bad. Mouths move, yet no one is talking. The voice actors sound like they're trying to sound natural, but forget that they're voice acting for an animated movie, so we have moments where mouths are moving yet no one is talking, and things like that. One flaw I particularly noticed is that the Phoenix of the title is always referred to as "272" instead of "2772," and no one could quite decide how to pronounce the main character's name (is it Godah, Gadoh, Gardoh, etc.) But... if you can overlook this and you can stand films that require you to think instead of just delivering all the answers to you on a silver platter, then this one is worth a try, even if you can only find the English dub version (which DOES seem to have been edited).

frankgaipa This played Berkeley's now late UC Theater, subtitled and complete, 1980 or so. I can't be sure what's on the current VHS dub, and wouldn't suggest anyone buy or rent a dub of any film, much less encourage such mutilation by purchasing one for myself. But there is another way: Back in '80 or so, Kodansha Anime Comics put out a four-paperback set containing the complete " Hi no tori 2772," that I bought when I had the chance, guessing rightly the film might vanish. This is not another instance of a manga upon which the film was based, though there's probably one of those around too. Instead it's a graphic novel composed apparently of the original animation cels, colors intact, edited to the page, with dialog transferred to standard white balloons and sound effects to free-floating katakana. Far as I can tell, the whole film is there. The first 47 pages, covering the protagonist's test-tube birth, his discovery of his all in one robot/mother/friend/unattainable love, and his rapid, to us, growth from infant to child to boy to young adult, are essentially silent and nearly as magical as I remember them being on the screen. There are plenty more similarly "silent" sequences, so if you know even a few characters and a little syntax it's possible to flip through all four volumes with a reasonable idea of what's going on. With no Japanese at all, you still might do okay.Random thoughts: The villain is a take on "Popeye's" Bluto. The robot is both sentient and emotioned. The techno mumbo-jumbo that you might not get with no translation is mad-scientist stuff about tapping the earth's core, or maybe it's just volcanoes, for power. A couple of touchpoints for "2772" might be "Le Soufflé au coeur" and "Tadpole." Not to mention "A.I." and (stupid-seeming teeny movie that nonetheless keeps coming up) "Andromedia." Think too about kid protagonist Shinji, virtually, though not truly, motherless, taken in by, living with, raised by, finally kissed ("This is a kiss between adults.") by older Misato in "Neon Genesis Evangelion." What exactly's up with all these mother-not-mother figures? Maybe Dylan had a clue: "...if only I could turn back the clock/to when Gaawwd and her were boorrrrn."