adonis98-743-186503 Follows a variety of New York characters as they navigate personal relationships and unexpected problems over the course of 1 day. Person to Person tries to dig deep but unfortunately it's not deep enough. The acting was very bad and the stories drag and bore you for the most part, the pacing was all over the place and unfortunately even the dialogue was sometimes really bad especially from the girl with the short hair who talks about body parts at one point. This is the worst kind and the most forgettable drama that you're going to see or should not see. (0/10)

tcworthington I watched this film at the Toronto Internation Film Felstival's Next Wave, which was free for anyone under 25 years of age, with more than 300 other young people. I like to read reviews to get a general consensus on how a film performed, and I almost didn't go to this one because of the reviews I had read, which were mostly negative; but one of my friends had said: "You can't always trust the reviews." She was right. After the film the director Dustin Guy Defa got on the stage to have a discussion and a Q&A about the film. It was shot on 16mm film, which gave it its subtle grain and warm look. Defa revealed that the main character Bene, the nice-shirt wearing record collector, was his actual real-life roomate, and the central figure he wanted the film to revolve around. Defa also discussed how Bene and Michael Cera's character Phil both deeply loved music, yet expressed it in different ways. Phil's is this aggressive metal, which is his only way to express himself, but he plays it to try and impress others, and this extends into his whole character. Whereas Bene loves collecting records and listening to beautiful soul, and is able to express himself not only through music but also his relationships with his best friend and roommate Ray and girlfriend Francis. Bene is able to act with passion in any situation, showing "big love," and even willing to break legs when his kindness is taken for granted.I interpreted Phil and Bene's juxtaposition as the difference between listening to music with your mind and feeling it with your heart and soul. Phil's music was very lyrical and chaotic, where Bene's was smooth and danceable. I'm not saying one music choice is better than the other, but you see where each character ends up at the end of the film, and this is not only due to their music choice, but also the way they behave in the world.Overall I thought the film was light and had this unexplainable warmness to it. It did have moments where it fell flat, like when Wendy and Melanie have a conversation about genitalia that ends with long awkward silence, which comes off as uncomfortable rather than the humor which was intended. Nonetheless, my friend and I very much enjoyed the film, and I hope to see more from the great Dustin Guy Defa, the beautiful Tavi Gevinson, and the nice shirt wearing Bene Coopersmith in the future.

Larry Silverstein The movie follows an ensemble cast of characters as they face various situations in their lives, all in one day in New York City. The humor here can be subtle and quirky at times, but the film itself loses steam, in my opinion, as it progresses and ends up not really going anywhere. There were moments when I felt this indie had a Woody Allen feel to it, but those moments were too few and far between. All in all, some sparks of cleverness but they just weren't sustained.

xposipx I was intrigued by the trailer and looked forward to viewing Person to Person for quite a while. Perhaps it's my fault for having high expectations, but this fell completely flat. I love Woody Allen movies. For whatever reason, I expected this to be rival some of Allen's recent work with witty, humorous dialogue that goes by quickly with a smart theme. Person to Person includes neither. It's empty, illogical, and boring. This may sound like a compliment, but I mean it in the worst way possible: The movie flows like a mixture of a Todd Solondz movie mixed with Jim Jarmusch. However, it lacks the awkward sleaziness of Solondz and the uniqueness of most Jarmusch films.The story follows multiple New Yorkers throughout one day - this has been done before many times and more successfully. Michael Cera and his story shines while the others relentlessly drag on. I lost interest in every other character pretty early on. The writing is mediocre and many of the actors struggle through the corny lines and story-lines. In short, the subtle tone here falls flat. I really wanted to love Person to Person, but it's simply boring and insignificant.