Pellet

2000
Pellet
7.3| 1h28m| en| More Info
Released: 05 May 2001 Released
Producted By: Tesela Producciones Cinematográficas
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Budget: 0
Revenue: 0
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Synopsis

El Bola is a 12-year-old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates and friendship. The heart of the story is the change in El Bola's life, at almost all levels, after befriending this new classmate.

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Reviews

capj-04637 I am a Spanish teacher looking for Spanish movies to be able to show in a high school in the united states. The film is good but I think it is slow for high school students. Disappointed about the brief scene of the kids watching a magazine where womens breast are shown and the scene where they are washing the grandmother in the tub and you can see her completely naked. Not quite sure if any of these two scenes were necessary for the plot of the movie and theses scenes keep me from being able to show the movie here in the states. Otherwise it is a typical Spanish movie where the ending is left to your imagination. I enjoyed it but can not show it in school. There is also the typical amount of swearing from kids although that would not have kept me from showing the movie.
korrontean This must be one of the most overrated Spanish films in history. Its lack of subtlety and complexity and its total political correction make it really childish, with only good/bad characters. The world is just not like this, and good movies show complex characters with opposite impulses, dilemmas, etc. However, what I HATE most about this film is Bola's friend's father. The director tries to teach us a good lesson: tattoo artists with shaved heads are not always bad guys, in fact they can be better than the average looking dad (wow, this is like... philosophy, or something). Thank you, Achero. I'll propose you for the Nobel prize of literature.
jotix100 Child abuse is not one of the things that film makers love to tackle. This practice seems to be universal, yet little about is seen. Acero Manas, the director of this movie that deals with this subject, is about one of the few that has come forward to make a case for the young children that are physically abused by a brutish parent.El Bola is a teen ager we meet playing a dangerous game at the railroad tracks near Madrid. It's a game where two opponents jump to pick up something from the track as a suburban train is about to pass by. Young Pablo is nicknamed "The Pellet" because of the ball he keeps with him as a token for good luck.Pablo's home life is marked by unhappiness and grief caused by the tragic death of a sibling. The sullen parents have to struggle tending the sick, and elderly mother of Mariano, the father. Pablo is made to help with the old lady's bath, something a small boy should not be called to do. Into Pablo's life comes Alfredo, who joins the class, evidently at the middle of the school term. Pablo sees a kind of normal pal in the new arrival and seeks the boy to be with. That meets with the father's wrath, as he considers the new friend as trash because Alfredo's father, Jose, is a tattoo artist. In reality, Alfredo comes from a good home with caring parents. Pablo sees a normal way of life in his friend's house. The friendship brings the worst in Mariano who beats the young man harder to the point that he needs medical attention."El Bola" is a film that depicts the abuse openly and it hits the viewer as a low punch to the stomach. Nothing justifies the way Pablo is beaten senselessly by a father that should be made accountable for what he is doing to his son; the images one sees are revolting. Director Manas makes his point in showing what an animal the old man is by taking all his frustrations on Pablo.The acting is good in general. Juan Jose Balleste plays Pablo with ease for a young actor who seems to be a natural. Pablo Galan is Alfredo, the true friend. Alberto Jimenez portrays Jose, and Manuel Moron makes a brutish Mariano believable.Achero Manas asks a lot from his audience. Although child abuse is a disgusting practice, it goes on, probably much more than one realizes. This is a crude film that doesn't offer any happy solution to the problem, or how to avoid it and it's an eye opener as to how the action of a man, that shouldn't have had children, and will scar the young son for life.
Manicheus What is particulary gut-wrenching about this film is being reminded very vividly how utterly helpless our children actually are once delivered to the mercies of adults. It must remind one of Dostoevsky's great parable questioning the very foundations of faith and life on this planet: the tears of a brutalized child, how can anything be right if the innocence itself gets choked and humiliated so early on? Who knows how many millions upon millions of defencless little men and women gets brutalized physically and mentally on an endless train of abuse? And to think that this is the age where there's at least some inkling of how horridly despicable abuse patterns are. +++ *Within this framework, shore, one would find the delicate homage to Les 400 Coups (the amusement park scenes, the friendship among the city boys...) *The music score is so brilliant that is stand out on its very own.