lugonian PEG O' MY HEART (Metro-Goldwyn-Mayer, 1933), directed by Robert Z. Leonard, stars Marion Davies in a comedy-drama adapted from the popular stage play that later developed into a 1922 silent screen adaptation for Metro starring Laurette Taylor. Though Taylor might have been considered reprising her legendary role she originated for the talking screen, it was an event that never happened. Being a tough act to follow for anyone else assuming the part, Davies contributes greatly in what many consider her finest screen performance. Though this MGM talkie edition resembles certain elements that makes this seem like one directed by John Ford over at the Fox Studios starring Janet Gaynor, Davies, however, shows her ability as an good actress from dancing the Irish jig to speaking in Irish brogue to fine credibility.The story opens on the West Coast of Ireland. Margaret, fondly known to all as "Peg" (Marion Davies), is introduced as a grown daughter of a fisherman father, Patrick Shamus O'Connell (J. Farrell MacDonald). Coming through the crowd in the fishing community is Sir Gerald Markham (Onslow Stevens), an executor of the Kingsnorth estate looking to speak with Mr. O'Connell. Markham informs O'Connell, whose late wife, Heather, being British by birth, that his father-in-law, Lord Brian Kingsnorth, has died and made Peg the sole heir of her mother's fortune of $2 million pounds. The will also specified that the only way Peg is to inherit the money is to spend three years living at the Chichester estate, with the separation between father and daughter to be permanent. At first O'Connell rejects the offer but eventually agrees to the terms following a tragic shipping accident. Promising to join her at a latter date, Peg agrees to leave her native Ireland with her dog, Michael, and Markham on the next train bound for England. Once at the Chichester estate, Peg finds her surroundings aren't as friendly as it is back home. During her stay, she copes with unfriendly servants and snobbish relatives. During the course of time, Peg has fallen in love with Markham, but is stunned to learn his wedding plans, arranged by Mrs. Chichester (Irene Browne), are to be to Ethel Chichester (Juliette Compton) and Peg's marriage to her foppish son, Alaric (Tyrell Davis). Knowing Ethel's unfaithfulness after witnessing her kissing Christian Brent (Alan Mowbray), a married man, Peg, wanting to return home, receives startling news from Markham as to why she can't return home and ever see her father again. Other members of the cast include: Doris Lloyd (Grace Brent); Robert Greig (Jarvis, the Butler); Geoffrey Gill (Terrence); Nora Cecil (Mrs. Smythe); Leyland Hodgson and Billy Bevan (The Detectives).Unlike the 1922 screen version, which includes a prologue of Peg as a child, PEG O' MY HEART eliminates the early origins of the O'Connells and death of the mother by getting right down to basics, making this 89 minute movie into a full-fledged Marion Davies product. Aside from sentimentality and moments of humor, there's also song interludes to such tunes as: "Sweetheart, Darlin'," "Safe at Home," "Just Remember That We Love You" (beautiful song), "Boots and Saddles,"Hoppity Hop," "Tavern in the Town," and several reprises of "Just Remember That We Love You"; "Sweetheart, Darlin'." Considering reprises of "Sweetheart, Darlin," not only is it Peg's favorite song in the story, but its theme song as well.Until it's occasional broadcasts on Turner Classic Movies from 1994 onward, PEG O' MY HEART was one of those rarely seen Marion Davies features for MGM of the 1930s in spite of its reputation as being Marion Davies best sound movie with SHOW PEOPLE (1928) as Davies' best silent. Yet, trite title songs as "Sweetheart, Darlin'" come across as mushy, or lack of a better known male co-star names as Robert Montgomery or Franchot Tone over Onslow Stevens may have something to do with its lack of any sort of revivals. With the exception of the familiarity of J. Farrell MacDonald, the lackluster cast shouldn't be the reason to avoid viewing this one either on Turner Classic Movies or acquiring a DVD copy for purchase to consider watching. Quite appropriate for St. Patrick's Day. (***)

Niro Just watched this today on TCM, where the other reviewers here saw it.Sorry that I was the only one to find Davies a weak actress, with a truly awful attempt at an Irish (Irish-American or otherwise) accent. As she's the star, it was sort of hard for me to get past that -- especially as the other reviewers have said that this was her finest performance.Another particularly terrible Davies performance was in "Marianne" (1929), which I also watched today. In this film, given a 9 of 10 rating here, her accent switches from that of a (correct) French woman to an odd combination of Italian and Swiss.Interestingly, in TCM's one-hour bio of Davies -- "Captured on Film: The True Story of Marion Davies" (2001) -- film historian Jeanine Basinger claims that "one of the things that you note about Marion Davies in her sound work is how good she is at doing accents." Of course this bio also includes commentary by fans (make of that what you will).Davies was a very attractive young woman, and by all accounts a terrific comedienne in real life.And because a part of her anatomy added immeasurably to the real-life answer to Joseph Cotten's character's search for the meaning behind Kane's final word in the opening scene of the great "Citizen Kane," she's earned her spot among the great stories if Hollywood's history.But I think Welles & Mankiewicz got it right for the most part with the "Susan Alexander" facsimile of the real article.Don't bother voting as to whether you agree or disagree with this post as I really couldn't care less.

Ron Oliver In order to gain a huge inheritance, young Margaret (her father's PEG O' MY HEART) leaves her fishing village in the West of Ireland to live with an impoverished, but insufferable, noble family in England.This wonderful, heartwarming - although sadly neglected - film boasts a winning performance from the most misunderstood star of Hollywood's Golden Age. Marion Davies is delightfully playful and quite captivating, easily dominating her every scene. A natural mimic, Davies' Irish brogue is natural & lilting, adding a further dimension to her entrancing character. For viewers unfamiliar with her expertise, Davies will come as a welcome surprise.In the supporting cast, J. Farrell MacDonald takes first honors as Davies' father; he is completely believable as a tenderhearted old fisherman who sorrowfully gives up his daughter for her own good. Onslow Stevens is well cast as the kind baronet who captures Peg's heart. Alan Mowbray, as a local cad, and Robert Greig, as a stuffy butler, both score in their roles. Tyrell Davis is very amusing as a giddy young gynandroid with absolutely no intentions of wooing Davies. Doris Lloyd as Mowbray's no-nonsense wife, and Nora Cecil as an elderly maid, shine in their cameo appearances.MGM, under the watchful eye of William Randolph Hearst, gave PEG a splendid cinematic treatment, with money lavished most especially on the production values of the fishing village scenes. The movie proved to be a hit with audiences, as was its signature tune 'Sweetheart Darling,' by Nacio Herb Brown & Arthur Freed.This was Hearst's favorite of all Davies' films. Although he realized it was time, at age 36, for her to no longer play 20-year-olds, he campaigned relentlessly that she be given an Academy Award nomination. (No MGM actresses were nominated that year, as it turns out; Katharine Hepburn over at RKO got the Oscar.)Time has not dealt kindly with Marion Davies. Almost forgotten today, when remembered at all it is usually as a sort of footnote to history or object of scandal. Her life certainly was colorful, and as chatelaine of America's most amazing private estate she did circulate amidst powerful circles. But to remember her as the bimbo blonde mistress of the country's mightiest media baron is patently unfair.While much of the blame can go to Orson Welles' spoof of Davies in CITIZEN KANE (which he was to admit he regretted towards the end of his life) it must be stated emphatically that Marion was not a no-talent actress with few friends & even fewer brains, whose career was destroyed by her stammer leaving her to spend lonely years in great, hulking empty castles.In reality, Davies was a bright, vivacious lady who charmed & captivated such diverse guests as George Bernard Shaw & Winston Churchill throughout her 33-year liaison with Hearst. Adored by her friends, and a fierce cadre of fans, Davies was renowned for her tireless generosity and charitable good works. Her speech impediment never affected her screen acting and her undeniable talent was evident to any who were willing to access her performances honesty and look past the scandal.Davies had to have been embarrassed by the Hearst empire's relentless pushing of her career. She knew this left her open to ridicule & mockery, doubtless contributing to her scarcely concealed alcoholism. But she eventually relinquished her film pursuits in order to care for the aging Hearst, and after his death in 1951 she showed herself to be an astute businesswoman during the remaining ten years of her life.It is only now, with the passage of much time & the restoration of her old movies, that it is becoming easier to acknowledge the contributions & cinematic expertise of Marion Davies.

Pat-54 I recently saw this film on Turner Movie Classics and was surprised how charming the performance of Marion Davies was. This proves that she was indeed a fine performer when given the opportunity. Despite the fact she was in her mid 30's when this film was made, she is quite believable as a teenager.