Parting Glances

1986 "A (very) independent film"
Parting Glances
7.2| 1h30m| NR| en| More Info
Released: 19 February 1986 Released
Producted By: Rondo Productions
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Michael and Robert, two gay men living in Brooklyn, spend their last day together before Robert leaves for Africa on work assignment. Michael still has feelings for his friend Nick, who has AIDS.

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Jason Shaw Parting Glances was made in 1984 and had a somewhat limited release in 1986 and is without a doubt a powerful and important film in the genre that is gay cinema. It was one of the very first American films to feature the then relatively new disease of HIV/AIDS at a time when much was still unknown about the disease and prejudice against it was at its highest. Bill Sherwood, the writer and director passed away from an AIDS related complication in 1990, Parting Glances was his first and last film.The main aspect of the story focuses on a New York gay couple, Robert and Michael, in their twenties. Robert is heading off on an incredibly long assignment for the World Health Organisation to deepest darkest and most isolated Africa, Michael, his partner, is staying behind. The film is set out over the two days prior to Robert's departure, with some scenes taking place at an amusing farewell party hosted by the couple's friend, Joan. Some other scenes take place at a dinner party thrown by Richard's unconventional boss and there is a whole bulk with Nick, an old friend and ex-lover of Michael's who happens to be living with AIDS.The script is fun, witty, exciting and interesting, some of the lines given to the character of Nick are so sharp they cut the dialogue like acid through skin, they really are that potent. There are many different character types populating the movie, especially at the party scenes, which show off New York's society rather well and make you hanker for a live in Manhattan in the early eighties.Parting Glances was one of the first movies to deal with the subject of AIDS in such a frank, direct and honest way, which for the time was a real revelation. It did not gloss over, nor shy away from the implications or the savagery associated with the disease, at a time when everything like it was still new. There are some deeply searching moments, not least when Nick talks of the decadent and hedonistic days back in the freedom of the seventies creeping into the early eighties. This low budget but important film was made on a budget of a couple of dollars over $40,000, which in movie terms is not even the shell on a peanut. The shooting was completed in a whirlwind seven days, which is remarkable to say the least, you'd certainly not think it was made that quickly when you watch it. I am fond of this movie, it may seem a little dated at first, but then we are going back almost thirty years since it was made, so it is bound to show some signs of age. Yet, through an exceptionally shrewd script and some talented acting the complexities and nuances of the human relationships shine on the screen, yes even now, after all this time, they still have the power to move. I would suggest a couple of viewings are required to get the full impact of this film to the innocent virginal viewer, otherwise you might not catch some of the intriguingly witty throw away lines peppering the dialogue. Read more and find out where this film made it in the Top 50 Most Influential Gay Movies of All Time book, search on Amazon for Top 50 Most Influential Gay Movies of All Time, or visit - http://www.amazon.co.uk/dp/B007FU7HPO
alexakis39 I originally watched with movie too see Steve Buscemi, but it turned out to be a lot better then I was expecting. The story between Micheal and Robert is very sweet, but at the same time bittersweet knowing Micheal is still in love Nick, who is also dying of AIDS. This wasn't a 'feel-back-for-Nick-because-he's-dying' thing with Nick though. It was as though he excepted his illness, but wasn't going to let it control his entire life (like going on tour. He's a musician). At the same time, there were parts where you could see that Nick was still scared about his situation. One thing about this movie that caught my attention, was the music. Afer I bought this film, there was information on the movie and it said that Bill Sherwood was a music major. So while he was filming, he could hear the music playing in his head. Overall, this is a good film. I'm glad I found out about it.
desperateliving An early gay movie that deals with AIDS on a first-hand basis, the film is delightful because it doesn't water down (or fetishize) the gay characters for a straight audience. Steve Buscemi gives a wacky, youthful performance as the character with the disease, and chronichles his relationship with his ex-boyfriend and his new partner. It's a slight but pretty enjoyable little movie, probably worth seeing for any Buscemi fan. 7/10
timleemail This is my absolute favorite movie of all time. Concerning the last 24 hours of a couple's relationship before one leaves for a job in Africa, Parting Glances offers a simple slice of life look at New Yorkers in the mid 80's. What makes it truly remarkable is its use of realism to convey the complexities of various relationships. Steve Buscemi claims this early work in his career is his best performance ever and I don't disagree. Kathy Kinney as the most realistic fag hag ever put on film (besides Mary Louise Parker in Longtime Companion) adds layers of meaning. The stairwell scene Buscemi and another actor ranks as my favorite individual scene in any movie as well when it shows the differences of age and experience between young and older gay men. The film seems simple upon first viewing but watch it again top fully catch all the nuances of character and situations. A classic!