Pan-Americana

1945 "Roaring with rhythm!... Rosy with romance!... Radiant with names!..."
Pan-Americana
5.4| 1h24m| NR| en| More Info
Released: 22 March 1945 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Synopsis

A New York magazine sends its editors to South America to find beautiful girls.

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RKO Radio Pictures

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moonspinner55 Director John H. Auer also produced and gets a story credit for this lame Good Neighbor Policy musical with a superfluous plot--about the search for the prettiest girl from every nation by the editors of an American magazine--used merely as the pretext for another boy-meets-girl reluctant romance. Phillip Terry is a photographer (a womanizing "coyote") and Audrey Long is a gal-reporter with no-no on her lips and sí-sí in her eyes. As the secondary couple, politely squabbling Robert Benchley and Eve Arden liven things up, but the dire, padded screenplay isn't clever enough to hold interest. The song interludes (but not the Mexican stereotypes) may be of interest to historians of Latin-Americans depicted in the cinema, but this low-budget travelogue is strictly stock shots, rear projection and studio interiors. *1/2 from ****
tleek-274-958095 The song Babalu was published in 1939 and the Broadway show was in 1940. Desi Arnez had a big name in the U.S. already and I don't think anyone else was up for the role. The movie was just a propaganda Latin American goodwill film one of many. RKO did not put any of there big stars because it was not a big film. The love stories in musicals was a normal type of story. The film is likable and I would watch it again. The stars don't seem to have the chemistry as love interest. It is interesting that all studios were making films that take place south of the American border but were filmed in there Hollywood studios except for a couple of examples.
kidboots Audrey Long seemed to have everything - blonde elegance and style. She originally studied acting with the same woman that had coached Olivia DeHavilland and Joan Fontaine. She was also in two top film noirs - "Born to Kill" and "Desperate" where she proved she could act but because she played the "good girl" she was not remembered. "Pan Americana", was, I definitely suspect, a part of the South American good neighbour policy that Hollywood instigated in the 1940s, where everything south of the border was suddenly very "cool". Even though Phillip Terry and Audrey Long are the "unknown" leads - you can't go wrong with Eve Arden. Jane Greer also had a small part as Eve Arden's secretary. Even though she is in the background her beauty shines through and she also looks as though she is going to play a bigger part but unfortunately....Dan Jordan (Phillip Terry) is given a special assignment - filming the most beautiful girls in South America - also with him is Jo Anne Benson (Audrey Long) as his assistant. Dan thinks she is just another conquest but she is really just stringing him along so she can get to Rio and see her real fiancé.The story is just an excuse to string together some Latin acts ranging from Carmen Miranda "wannabees", guitarists (both male and female) and a pair of dancers performing a pasa doble. There is a rendition of "Baba Lu" (the song that became Desi Arnez's signature tune) - the singer here performs with great drama and an excellent "insect" dance is included (it would have been very dramatic in colour).Robert Benchley does a comic turn as he explains the mysteries of the Samba. My mother thought Robert Benchley was the funniest man ever but in my opinion he is definitely an acquired taste.
timothymcclenaghan Perhaps this film was an attempt to hitch onto the Pan-American goodwill efforts of the 1940s. The contrived plot is a boy-meets-girl story, interrupted by musical performances of Latin American artists, some of which were Carmen Miranda wannabees, and none of which were memorable or even particularly good.Leading man, Phillip Terry, just doesn't seem to have much screen charisma. Supporting cast members, Robert Benchley and Eve Arden, play the same characters that they did in countless other movies, so even their presence doesn't help this film. But don't blame the actors for what amounts to a bad script.If there had been a notable musical performance, or some clever comedy in this movie, there might be a reason to watch it—but there isn't. What's worse is that the print recently broadcast by Turner Classic Movies wasn't in very good condition.