Wasimakram Binnal Well what can you say about a movie like this,well there is only one word amazing, as i speak "urdu" i understand the language very well, the dialogue's in this movie are excellent and of course the poetry(especially when "rajkumar" enters the train).This movie is about the fake pride build in contemporary Indian societies families and the famous "nawabs" of that era.The movie gets the start not that well however after the 10min the dialogues the songs will keep you entertained This is movie which will sweep you off with its music dance and script.This is all time favourite

Ace_of_Hearts Pakeezah is a story of family, of values, of pride, but mostly of love. It is a story of the love between two people. And the misguided love of fathers for their sons. Or is it love?SPOILERSWhen the son of a rich man falls in love with a prostitute, he looks beyond her past and marries her. But as loving as he is, that is how stubborn and unforgiving his father is. He rejects his new daughter-in-law who as a broken woman, takes up residence in a cemetary where she lives for only one purpose. To give birth to her child. After the child, a girl, is born, she dies and the child is brought up by her mother's sister who runs the brothel where her mother used to work. The girl, Pakeezah, ends up dancing in this brothel just as her mother before her. One day while travelling by train a stranger, Salim, accidentally wanders into her compartment. He is immediately enchanted by this wonderful creature though mostly by her feet (fetishist?). He writes her a note and she instantly falls in love with the man who wrote this note. Ironically as fate would have it, Salim is the nephew of Pakeezah's father. History is about to repeat itself. Or is it?A story about an impossible love. A story about destiny. Pakeezah is considered by many to be a cinematic masterpiece. As a novice to classic Bollywood movies it's difficult to put this film in its context. Comparing it to other movies, however, I can't help but wonder whether its fame is a hype or not. Undoubtedly it's a beautiful story. But it's also extremely long and at times tedious. A story strung together by unrealistic coincidences. Maybe this is a sign of destiny at work. Or perhaps it is a sign of a weak script!I'm glad I watched it, but I infinitely enjoyed movies such as Bobby (with Rishi Kapoor and Dimple Kapadia) and Kudrat (with Hema Malini and Rajesh Khanna) more and those are also classics in their own right.Pakeezah despite any flaws it might have remains interesting if not for its story then for its history. Pakeezah took fourteen years to complete. Its production was thwarted by the passing of Meena Kumari who plays the main role. Another actress was sought to finish filming this movie and she was meticulously weaved into the story. On another interesting note, some might have noticed that Meena Kumari always hides her left hand. The reason for this is that she was very conscious about the fact she didn't have a pinky finger. Finally, a word about the music. The songs in Pakeezah are absolutely beautiful and they alone already make this movie worthwile.***/5 stars

lance-20 Perhaps the most polished and accomplished of all Indian films - Pakeezah does not fall into any of the traps commonly associated with Bollywood film (ie tackiness, farce, wholesale and unsuccessful imitation of western film themes/genres). Pakeezah is indigenous to the Sub-Continent and authentic, almost Madam Butterfly-like in plot. Characters are well-developed, direction, although sometimes unrefined by today's standards, perceptive and convincing. The Urdu-speaking milieux at the time of Pakeezah were masters of understatement and how the dialogue conveys the subtleties of the age! The acting (particularly the 'looks' and the dynamic between characters) are a delight to behold although the nuances may be lost on contemporary viewers or those not acquainted with the mores and customs of Muslim India.Coupled, with a captivating screenplay is a beautiful musical score, enhanced by the protagonist displaying eminent command of classical Indian dance (kathak). As is the case with most romantic tragedies, the heroine must die, but she does not take her leave of the audience without the viewer feeling he/she has been party to a truly memorable cinema experience. Pakeezah is surely the pinnacle of what Indian cinema has produced and is unlikely to be paralleled.

zorch-2 Mina Kumari exhibits more style and grace just moving from standing, to sitting on the floor than you can find in most other movies. The director has produced more memorable scenes of touching beauty than it would seem possible. The music and dancing is of the highest possible quality. You may notice in the first dance scene the director has all sorts of things occurring in the background:other girl dancing, a drunk falling down stairs, much activity, but he knew that we would be watching Mina dance and I'll bet unless you viewed this many times, you didn't notice.All in all, perfection.J.Q.