Edgar Allan Pooh . . . you'll wake up dead, but apparently it doesn't work that way in the Cartoon Universe. When Busby Berkeley has the live-action chick go over the high-rise balcony during "Broadway Melody," movie goers figure that she's kicked the bucket on pretty much every level. But when PAGE MISS GLORY's dozing bellboy floats down to the sidewalk like some specter of 9-11, strains of "Broadway Melody" trailing after him in the background, a streetcar stops just short of slicing him in half, so that the screaming hotel desk clerk can wake him up. However, despite that fact that Warner Bros. animators have drawn in many religious symbols and parables here, some of which could be taken as Islamic, I do not think that this is either Warner's most overt warning of an approaching September 11, or that that sad event is the primary focus of this cartoon. While it's true that more people died trapped inside elevators then than on any other date in recorded history, and PAGE MISS GLORY's hapless Bellboy becomes a Plinko Game Chip in elevators running amok, this is probably just a coincidence, or maybe a Real Bad Dream.

TheLittleSongbird Tex Avery was an animation genius, and while I consider Page Miss Glory one of his better cartoons it's not always mentioned amongst his other work. That's understandable though because there is so much from him and many masterpieces. The animation for want of a word is gorgeous, the characters are very well drawn and in Avery's distinctive style and the colouring is softly-shaded and colourful. The music is catchy and energy, right from the background music to the musical numbers. The choreography positively dazzles and never looks awkward in the animation. The gags are similarly great, there's plenty to be seen, and they are done in a fresh and imaginative way that ties in with the musical numbers too. Page Miss Glory's story is simply constructed, but made fun by the snappy pacing, gags and music, while the characters are sweet and the voice work and singing top-notch. In conclusion, glorious cartoon from Tex Avery. 10/10 Bethany Cox

Bruce Pantages In the mid 1930's Cosmopolitan Productions, a W. R. Hearst subsidiary for the purpose of producing and promoting his mistress, Marion Davies', moved from M.G.M. to Warner Brothers. Page Miss Glory was the title of a feature film starring Miss Davies and this cartoon shares not only the lilting song from the feature film, but also its title and a caricature of its star. The action occurs in the "Cosmopolitan" Hotel (get it?). It is all packaged in a dream sequence that goes from a hick town to an art deco metropolis and to say that it is eye candy all the way is to understate. There is a Busby Berkeley style musical number in the middle of the proceedings and of course the Marion Davies character is heavily featured as the mysterious and elusive "Miss Glory." Fun stuff! Don't miss this one.

pheed There's something about the idealized look of early animation that appeals to me. This cartoon (though I haven't seen it in years) presents a peek into the imaginary high-living, cosmopolitan lifestyle of the well-to-do in the 1930's. The music is memorable, the drawing and shading are gorgeous. If you're anything like me this cartoon will have you longing for a life which only exists in our dreams.