Claudio Carvalho The female rock and roll band formed by Kate (Jasmine Main), Elena (Michel Klippstein) and Rita (Luana Ravegnini) want to release a new album, but their producer Lavinia (Maria Cristina Mastrangeli) refuses since their songs are very poor. Their friend Daniel (Pascal Persiano) buys a piece of music from a stranger called Mr. Pickett (Donald Pleasence) that explains that the music was written by Paganini himself and never released. Lavinia believes that the music will become a hit and she hires the filmmaker Mark Singer (Pietro Genuardi) to make a videoclip in a manor she has hired from her acquaintance Sylvia Hackett (Daria Nicolodi). Soon Rita and Daniel disappear and the floor collapses beneath Kate that also vanishes in the hole. The survivors try to flee from the real state but they discover that they are trapped in hell."Paganini Horror" is a trash so lame and ridiculous that becomes funny. The awful story and screenplay associated to ham performances with a cast that overacts most of the time, highlighted by the dreadful dubbing in English and terrible cinematography make this movie a classic of the trash genre. There is no explanation why the members of the band are doomed to hell. I do not understand why Daria Nicolodi and Donald Pleasence accepted to include this film in their filmographies. My vote is three.Title (Brazil): "Paganini Horror"

spoogegod While I cannot put into words how poor this movie is, I can try to put to right one thing not one reviewer so far has tried to do: Pagliani's "lost" sonata was actually a total ripoff of Electric Light Orchestra's "Twilight" from their album "Time", released in 1981 (it exists, Google it, and yes IMDb spellchecker, that IS a word).Which leads one to wonder, considering the quality of this movie and other horrors from Italy, can Italian directors make unique original films without stealing from others? Pod People was a direct ripoff of ET (even going so far as copying the logo), War of the Planets ripped off so many sci fi movies that they actually ripped themselves off in the sequel "War of the Robots", the list goes on and on!But a note for note clone of a popular album from a popular band from the early 80s? Really, Italy? You couldn't just use an actual obscure song from Paganini (or for that matter, anything that hasn't been played to death, we'd likely not notice)? You could have used Pagliacci and most wouldn't have noticed.

capkronos Tacky, colorful, confusing, mildly-entertaining drivel seems to be the European answer to the short-lived North American 'heavy metal horror' subgenre; films that typically revolved around Lycra-clad, big-haired rock band members being terrorized by supernatural (usually Satanic) forces. Said subgenre included the titles ROCKTOBER BLOOD (1984), HARD ROCK ZOMBIES (1984), MONSTER DOG (1984), TRICK OR TREAT (1986), ROCK 'N' ROLL NIGHTMARE (1987), SLAUGHTERHOUSE ROCK (1987), BLACK ROSES (1988), HARD ROCK NIGHTMARE (1989), HEAVY METAL MASSACRE (1989; directed by David De Falco and so obscure it's currently not even listed on IMDb), DEAD GIRLS (1990), SHOCK 'EM DEAD (1990) and probably a few others I'm forgetting. This one, from the director of the usually-well-regarded giallo THE KILLER MUST KILL AGAIN (1975), the silly sci-fi adventure STARCRASH (1979) and the unofficial SUSPIRIA "sequel" THE BLACK CAT (1989) - amongst others - is neither the best nor the worst of the lot, though it's far from what most would consider good.A nearly all-female rock band headed by singer/songstress Kate (Jasmine Maimone) has hit a creative slump, as evidenced by their atrocious "You Give Love a Bad Name" opening rip-off number. To help matters, drummer Daniel (Pascal Persiano) purchases an unreleased composition written by famous Italian violinist Niccolo Paganini from Mr. Pickett (a diabolically dubbed and goofy acting Donald Pleasance). Upon hearing the track and learning of its origins, the band's bitchy, money-hungry producer Lavinia (Maria Cristina Mastrangeli) decides to hire famous horror film director Mark Singer (Pietro Genuardi) to shoot a horror-themed music video in Paganini's former home; the same place where the violinist reputedly sold his soul to Satan to become famous. It isn't long before most of the cast - which includes Daria Nicolodi as the current owner of Paganini's home and sexy guitarists Michel Klippstein and Luana Ravegnini - are facing various supernatural horrors. For starters, there's a ghostly, echo-voiced, gold masked killer lurking around who uses a gold violin with a retractable blade. There's also an underground tunnel which leads to an alternate dimension (?!), strange shrill noises that incapacitate people and an electric forcefield which surrounds the house (?!) and is able to blow up a car. Some of the death scenes are pretty bizarre. Someone is crushed by an invisible wall; another is mutated by some kind of infectuous tree fungus (!) Oh yeah, and one of the females may be a little girl who toasted her mum in the bathtub with a hair dryer years earlier. The final scene tries to tie all the loose ends together but only succeeds in making things even more confusing than they already were.There's some mild gore (fx are variable) and no less than three musical numbers, including a pretty funny music video. Everything is drenched in blue, red and green colors because the director is an Argento devotee (and had helped write a couple of Argento's earlier projects).

BA_Harrison When a predominantly female rock band are lambasted by their producer for failing to write a decent tune, their male drummer purchases an unpublished score written by violinist Paganini, who was rumoured to have murdered his wife and sold his soul to the devil in exchange for fame and fortune.The band use the music as the basis for their newest song, and decide to shoot the accompanying video in the very house in which Paganini sealed his Satanic deal. This proves to be a bad idea when they discover that evil forces are still at work in the old building, where time and space have their own rules and a mysterious masked murderer lurks, armed with deadly violin equipped with a spring-loaded blade."What a strange light," mentions one character to her friends as they investigate the spooky house at the centre of the Paganini Horror. "It's more than strange", comes the reply, "it's weird." This dreadful exchange of dialogue (one of many) is fairly representative of this late-80s Italian horror as a whole: it makes no sense whatsoever—not surprising since it was written and directed by Luigi Cozzi, the man who gave us dumb, Z-grade, trash sci-fi flicks Hercules and Starcrash, and the very daft Alien rip-off Contamination.Cozzi seems to be aiming at delivering a Dario Argento-style supernatural horror in the vein of Suspiria or Inferno, but being a total hack, only manages to emulate Argento's garish lighting with any degree of success. The plot is so muddled that even Argento's most outrageous work seems logical in comparison (believe it or not, one character is inexplicably killed by wood fungus!), the direction is basic at best, and the score is a diabolical mix of 80s pop-rock and classical music.Not one of the cast puts in a credible performance, with particularly bad acting from Pietro Genuardi as the band's video director Mark Singer, who is supposedly a top horror film maker, but who works with a single shoulder mounted camera, no crew and absolutely no sign of a script or storyboard; even Argento's muse Daria Nicolodi and Donald Pleasance are dreadful, with Nicolodi overacting wildly and Pleasance looking rather embarrassed to be involved.Don't go expecting much in the way of decent gore either: most of the deaths are pretty bloodless, and even the most gruesome moment—a woman's head crushed by an invisible wall—will have you laughing at the cheap effect, achieved by pressing the actress's face against a sheet of glass whilst running fake blood over her head.If it hadn't been for the fact that a couple of the women are very easy on the eye and happily squeeze into body-hugging outfits, I probably would have fallen asleep way before Cozzi calls it a day and wraps the film up with a simply awful surprise ending.