chinch gryniewicz Be careful - this film might just break your heart ! It took me a while to warm to this, totally unspectacular and unpolished as it first appears. It just observes a family's interactions as the mother is slowly dying from cancer, with the focus on the young gay son who has come back home to help look after her. At times it feels hardly like a 'movie', there is such a sense of simple observation. There were moments where it almost seemed to be a documentary and I felt like I was eavesdropping on a real family's real pain and grief. Increasingly I became aware of the film being rich with ever-so-subtle elements, easily missed, gradually deepening an atmosphere of great authenticity. It is a sad film, but also (astonishingly) with a wonderful sense of wry humour and real warmth. A million miles away from Hollywood, this gem could be easily overlooked. Don't !

framptonhollis Unfortunately, this wonderful movie is severely underrated and underseen for whatever reason. If more people were aware of this movie's actual existence I am certain it would be receiving much more attention and praise, because it really is a damn good movie. There are lots of problems with it, but as a whole it's really great. For the most part, the script is extremely witty and well done, and all of the tragic elements blend with the comic quite well-although one could easily argue that this films mixture of emotions is as much of a curse as it is a blessing. I will admit that it caught me a little off guard when a drastic tonal shift would occur, however the movie definitely never feels ridiculous and convoluted tonally. For the most part, everything remains quite consistent-its all very sad, but also hopeful and hilarious. All of the performances are quite good, especially Molly Shannon whose mostly known for her comedic roles but gives a solid dramatic performance in this film as the main character's mother, who is dying of cancer. While also remaining funny and heartfelt, this movie brings up topics and themes of life, loss, love, death, sexuality, and family relationships in an extraordinarily powerful and realistic way. Although it is slow at times and not all of the jokes work, its an overall lovely, emotional, and funny little movie. Check it out!

dancingbuggever I very much enjoyed this film and didn't see a preview beforehand, so I didn't know what to expect. I watched it because it had Molly Shannon in it, and she's just a peach. Upon watching this.. I'm like, "OK, we got a gay character....OK, another gay character... Oh, no we are in a gay bar making jokes." So that was a pleasant surprise there. Also, this movie isn't "hilarious" as I saw on advertisements and such. This movie has its funny moments, but it's camouflaged over top of very touching emotional issues and Molly Shannon's character, whom is a dying of cancer. So, "hilarious" is too much of a word to say considering I was crying with little hints of chuckling here and there. This movie deserves better ratings, but people suck.. So, I can't expect more than the rating it has. Also, I'd like to say that Jesse Plemons did a GREAT job in his role. I forgot that he was in other movies to be honest, because he was so believable as this gay character... And I hadn't paid that much attention to his work before this. :/ I do remember him in Battleship upon seeing he was in that like 10 minutes ago, and remember thinking he was a little cutie. He has a Matt Damon thing about him going on. I guess his character in this film reminded me of myself, very much so.. And I just wanted to give him a big hug. But enough about me.. Just watch it if you want to watch something touching and you feel compassion for families dealing with losing someone.

Pogostemon A comedy writer returns from NYC to his childhood home in Sacramento for an indefinite period, at a time when his Mom is undergoing treatment for cancer and when he has just ended a five-year relationship. Presented in episodic, "slice-of-life" scenes titled with every month in what is unavoidably a really terrible year for this guy, the story is economically told yet beautifully cohesive.You might think a story dealing with a parent's serious illness and impending death would necessarily flirt with sentimentality, but writer-director Chris Kelly (whose own experiences are the obvious source material) is so truthful and self-aware that he almost completely manages to avoid every pitfall. Instead, we get an honest picture of the struggle to find or 'feel' meaning in this year spent, with somewhat mixed feelings, in the bosom of a fairly loving but realistic family--living in his childhood bedroom, sleeping in his old twin bed, and struggling with writer's block at his childhood mahogany desk (his greatest heart's desire as a 2nd-grader).As Kelly's unlikely stand-in, David, Jesse Plemons gives a fantastically honest & fearless performance. (As with Season 2 of the FX series "Fargo," I kept thinking, "Who is this guy?? How does he have the guts to be so exposed?") Plemons does addled, understated angst like nobody else. As his ex, Zach Woods (only familiar to me from "Silicon Valley" and "The Office") is a revelation of sweetness and adorability. (I sort of hope they get back together...) Many people will find Molly Shannon's performance as the Mom with cancer extremely powerful and brave. Yes, she was very good... skirting the threat of sentimentality and managing to avoid it in almost every scene. The Dad's and sisters' roles are not as prominent, which is probably part of the point. But I wouldn't have minded seeing them beefed up a bit. The conflict between David and his Dad over his sexual orientation might have better served as fodder for another story and another movie. Its presence in this movie sometimes seemed a bit off-topic, needlessly shifting the focus.In a sort-of-gratuitous but very enjoyable role, J.J. Totah appears as a campy tween drag queen, the adopted younger brother of an old high school friend. At the Busan film festival screening full of Koreans that I attended, he was a clear audience favorite.Sacramento is depicted as a provincial no-man's land, and the scene in a local gay bar was definitely non-PC. It might bother some viewers, but illustrates the writer-director's commitment to total honesty, even at the cost of losing a little respect from adherents of social justice.Does David ever find the meaning and connection he is hoping for? I recommend that you see the film and decide for yourself.8.5 -- possibly 9