Lee Eisenberg In late 2011, "The Artist" got released. It went on to win Best Picture (only the second silent movie to do so), as well as Best Actor and Best Director. Prior to its release, I had never heard of Michel Hazanavicius or Jean Dujardin. Right after I saw "The Artist", I saw an earlier collaboration of theirs: "OSS 117: Cairo, Nest of Spies"."OSS 117: Rio ne répond plus" ("Lost in Rio" in English) is the sequel to that movie. It's a litany of silly fun as Dujardin's suave spy gets sent to the Brazilian metropolis to find a Nazi fugitive. The movie finds time to make fun of stereotypes, namely the chauvinistic Frenchman and the ugly American. There are a few incongruous aspects, but this sort of movie is all about blatantly silly fun, and it's very much a good time, as was "Nest of Spies". As for "The Artist", its win combined with the Oscars won by "Hugo" have hopefully put the "freedom fries" attitude to rest forever.

dbdumonteil This second OSS 117 is actually some kind of remake of "Furia A Bahia Pour OSS 117" made in the sixties with Frederick Stafford.But the stories are different ,only the location is the same.André Hunebelle's work was entertaining ,but Hazanavicius's beats him hands down.Like the first film ,nothing is to be taken seriously and that's fine with me,particularly with an actor as funny as Jean Dujardin.A spoof on spy thrillers which does not spare anybody from James Bond to the Nazis to the CIA ,with a lot of hilarious lines .In spite of occasional parts which drag on (the chase in the hospital) ,there's almost never a dull moment in "Rio Ne Repond Plus" (the title ,like in many spy thrillers ,bears no real relation with the plot!) Allusions to James Bond and Hitchcock abound.His Jewish colleagues call him " double one seven" .Bill Trumendous (what a name!) is some kind of Felix Leiter (Ken Samuels ) ,roaring with laughter ("That Hubert!he was a born joker!")and cracking bad jokes .The ending combines "Vertigo" and "North By Norwest" ;the "I've got a screw loose because of something which happened in my past" trick was much better applied on "Le Caire Nid D'Espion" though :the circus is not that convincing.The split screen was a famous gimmick in the second half of the sixties ("the Thomas Crown Affair" " the Boston strangler" ) and it is used with good results ,notably in the scene of the phone calls.The action takes place in the sixties hippie times ,but OSS has still got the mind of a man of the fifties .Completely uneducated ,he substitutes a macho attitude and an obsolete moral ("he may be a Nazi,but he is still your father !honor thy father!") for his total incompetence.He may be stupid but he is not malicious when he asks his (female) colleague what the Jews have against the Nazis.It's not sure he knows what he is taking about when he replies " Ah !concentration camps!what a carry-on!" Jean Dujardin shines in this part of the dumb spy and the last scene about China with puns galore -which Sacha Guitry might have loved- may suggest a third episode in this country (Didn't they fight against the Americans in WW2?/ Those were the Japanese/I see ,the Japanese Chinese.)

alanbobet I have just seen the recent French DVD release of OSS 117 LOST IN RIO this weekend and I found this second cinematic installment of the new OSS117 film series as good as the first one but not better either. Comparing this film to it;'s predecessor is like comparing IN LIKE FLINT to the superior OUR MAN FLINT. Of course Dujardin is still great in his very humorous and hilarious portrayal of Hubert Bonisseau De la Bath aka French Secret Agent 0SS117. I find that Dujardin's comedic style similar to Peter Sellers in which he plays OSS117 in the same way Sellers played Clouseau. I might even say Dujardin would make a better Inspector Clouseau than Steve Martin. Some of the jokes work while others feel labored and forced but Dujardin's amusing performance as well as the on location Brazilian cinematography is great. I especially liked the fact that the Nazi top villain Von Zimmel had two Mexican masked wrestlers named after Blue Demon and Santo, the famous masked wrestlers of 60's Mexican Cinema. Even with it's weak spots, this is a fun sequel to the original.

valmens3 OSS 117 is a french secret agent, a very very french one. His new mission is to exchange a microfilm for money with an ex Nazi in Brazil. for this mission, he will have to team up with a Jewish sexy secret agent and the hippie son of the ex-Nazi. Whatever...The story is not that interesting, this is a parody of 007, a fine one. here, the hero is stupid and old fashioned, but sure to be the opposite. every single line he says is full of anachronism and ignorance, he has no idea of what he's dealing with and he's kind of childish. But he's the best french agent. Hubert Bonisseur de labathe is our own french Austin Power, for a more mature audience. Here, the laugh comes from the gap between the world OSS thinks he lives in and the real world, and the fact that, even facing the real world, he never changes his mind. The first episode was great, funny and thrilling, a complete absurd spy movie. this one is funnier, because now, we now the main character is a complete idiot, but he always gets what he wants, even if quite don't understand how.