MartinHafer
Robert Mitchum plays Colonel Steve Janowski--an infantry genius who is stationed in South Korea just before the outbreak of the Korean War. His job is to help train the South Korean Army to defend their country in case of invasion...something that occurs in the first few minutes of the film. The story consists of either the Colonel and his Staff Sergeant (Charles McGraw) in combat or the Colonel chasing a pretty UN worker (Ann Blyth). Generally, the film is well made and the action sequences good, though the overuse of stock footage is a problem common to many war pictures. The viewer might also be surprised because it's a surprisingly bloodthirsty and brutal picture--with footage of charred corpses and the like. Not a war picture for the squeamish, that's for sure...but very well made and acted.
audiemurph
Once upon a time Hollywood could really pump out these classic war films; here, in the midst of the Korean War, RKO Studios tells how the North Koreans and their allies invaded the South, pushing them and their American allies to the very southern end of the peninsula; the story is told by focusing on a Colonel played by Robert Mitchum, whose job it is to delay as much as the possible the push south by the Commies, giving time to the UN and the free West to get its act together and come to Korea's aid."One Minute To Zero" benefits greatly from some excellent war effects: fighter jets setting mountainsides on fire, mortar shells blowing up tanks, and the like. Particularly unusual and gruesome is a quick shot about 30 minutes into the film of a charred corpse lieing on a hull of a burned-out tank.Robert Mitchum cruises through this movie quite handily; he basically plays himself. He is a very likable actor, and I admire him greatly, but he plays this role with what appears to be very little effort - and I mean that as a compliment - I think he was just born to play characters like this. A great actor with commanding screen presence.Mitchum's blossoming romance with Ann Blythe is managed quite interestingly: both characters are "a little older", so there is no heavy panting; rather, their early love scenes are surprisingly gentle, slightly but pleasantly awkward, and quite tender; Mitchum's first kiss for Ann is on her cheek. A nice change of pace indeed (though I think she is kind of tiny for him).The director made sure to include a handful of clichéd Yankee soldiers: the innocent and comic chef turned warrior, the two buddies, one of whom kind of bullies the other, only to have the other save the life of the first, like a faithful dog, and so on. But they are not too overdone.And I never tire of seeing American soldiers of different rank be able to joke with each other, recognizing each other's innate goodness and patriotism, while still respecting rank. And cheesy as it is, Mitchum's compliments and mentoring of the embattled captain played by Richard Egan are just plain heart-warming and pleasing.A very interesting little film of the "forgotten war", Korea. Don't expect too much, just sit back and enjoy the kind of film they don't make anymore.
bkoganbing
One Minute To Zero is a cold war film about Korea, very typical of its time. President Truman called it a police action, like we were going there to arrest Kim Il Sung and his cronies. It sure looked like a war from the point of view of the World War II veterans and their younger brothers who fought it.Robert Mitchum plays one of those veterans, a career army man who rose from the ranks to become a Colonel. He's training the South Korean Army when the North attacks. His personal story is interwoven with the progress of the war from the initial attack until the landings at Inchon. Mitch is every inch the combat soldier in this film.And Mitch falls big time for widow Ann Blyth, a United Nations worker. When the UN was founded post World War II a lot of people put hope and faith in it that it would prevent future wars and it would deter aggression with force if need be. The only reason it got into Korea was because the Russians were boycotting the Security Council at the time and couldn't veto anything. A gambit they never used again. Ann is a World War II widow who believes she's carrying out the ideals her husband fought for. Lots of folks felt that way back in 1950.Director Tay Garnett did a good job editing in real combat footage with his actors. The film has a good sense of realism.But it's a good romantic story as well, helped along by one of the most durable popular songs in history. When I Fall In Love came from this film, heard in the background but never sung. Curious because Ann Blyth is an excellent singer. Nat King Cole and Doris Day had hit records of it when the film was first out. Later on Etta James, The Lettermen, Donny Osmond, Natalie Cole all did well by this song. And right up to the present day Celine Dion and Clive Griffin did a duet record back in 1993. The good ones always survive and I wouldn't bet against a future hit single for some artist with this one.There is one scene in this that would definitely jar today's audiences. At one point Mitchum directs his men to fire into a group of refugees who the North Koreans are using as a blind to smuggle men and arms into the South. And the movie makes sure you see that that was the case. I don't doubt such things happened. They're happening today. But the movie verdict acquits Mitchum and assuages Ann Blyth that she shouldn't doubt her man. What CNN would do with that today.The supporting cast includes Charles McGraw, Wally Cassell, and William Talman. All do a good job.It's a double treat. Lots of action for the men and plenty of romance for the women, or the other way around if that's what floats your boat.
Michael O'Keefe
This wartime drama falls a little flat in spite of a very talented cast. The rugged Robert Mitchum is in charge of evacuating American civilians in Korea, but ends up bombing refugees. War action is paced with heavy romance between Mitchum and Ann Blyth. This couple all but ignites the screen. Pretty hot for the early 50s. Also in the cast are Richard Egan, William Talman, Eduard Franz and Margaret Sheridan.Note:This movie is directed by Tay Garnett, whose work is better shown in THE CROSS OF LORRAINE(1943).