One Is a Lonely Number

1972 ""When your husband walks out, there are three things you gotta do... get a job, get a lawyer, and get a man.""
One Is a Lonely Number
6.1| 1h37m| PG| en| More Info
Released: 19 June 1972 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A young woman has difficulty understanding why her husband walks out on her. Alone for the first time, she finds life difficult to cope with and for a time lives with the hope that her husband will come back to her.

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JLRMovieReviews Somebody's always saying goodbye, as an Anne Murray song goes. Here, Trish van Devere's husband has left her. After arguments and differences, the last straw was when she threw his copy of Milton out the window of their New York apartment. Being alone was the last thing she expected to be after her four years with James, but now she's alone. Of course, she's got girlfriends (like Jane Elliott) who want to hook her up, but she's so depressed and in shock. Oh, and yeah, she needs a job now. The employment place maybe has something, if she's nice to him. But he's a creep. There's the old man who runs the grocery store, whose wife died a few years ago. He's nice to talk to, played by Melvyn Douglas. She takes a job as a lifeguard, of all things! Between all her highs and lows and meeting a possible suitor in Monte Markham, she tries to find her independent soul. While the film does reflect the loneliness and despondency of her situation, it does not wallow in it and therefore manages to entertain the viewer while relating to her pain. The supporting cast is very good, but the film belong to Ms. Van Devere. Watch "One is a Lonely Number" and learn that you need not feel weak and dependent on another, and that as one you can be strong.
MarieGabrielle However, I preferred this film. While it is a bit disjointed, and certainly the subject matter these days in not novel, it addresses the individual issues of divorce and abandonment.Some critics have dismissed this as a "woman's movie"...wow. Women today are a larger sector of the audience. Not sure what archaic demographic that critique is utilizing.At any rate, Trish Van Devere gives an understated performance as a newly single San Francisco woman, attempting to restructure her life. Jane Leigh is amusing in a nice cameo as a vindictive divorcée, she looks amazing for age 45, and gives a fun performance.Melvyn Douglas also has a cameo as resident grocer, Mr. Provo. He takes Van Devere to an outdoor play, and she breaks down as she finally realizes her four year marriage is over for good.Never an easy issue, divorce is painful and personal, if you watch this, and then ten years later, watch it again, you may feel differently. Recommended. 7/10.
Poseidon-3 This is a little-known, but rewarding seriocomic film about the tribulations of a young woman in the throes of a divorce. Van Devere plays a 27 year-old wife who watches (in a hilariously pretentious opening sequence) as her husband packs his things and walks out on her. Completely unprepared for this, she must jump the hurdles of a society who, at that time, didn't make things easy for a single woman. She "gets a job, gets a lawyer and gets laid" as the leader of a woman's league advises her. None of these things come easy or without pitfalls, however. She must tolerate a slimy employment recruiter and take on the unlikely task of being a lifeguard. She can't decide whether to have her lawyer castrate her husband or let him off easy. She finds the dating game to be more than a little daunting. She must get her feet wet and take the plunge in a new world (symbolized not too subtly by her occupation and an imposing diving board.) The film is a bit soapy, trite and pat at times, but thanks to the eventually endearing work of Van Devere (who's in virtually every scene), expert pacing and some excellent supporting players, it comes off as very enjoyable and pleasant. Douglas, who in this period was building an impressive resume of excellent supporting performances, shines as an elderly produce shop owner who is fond of the young lady. Leigh, in her last really glamorous big screen appearance before turning gaunt, gets off several snappy lines as the women's league leader. Elliot, legendary for her work on "General Hospital", is a very bright, attractive presence as Van Devere's best friend. Markham has one of his best big screen roles as a man trying to break through Van Devere's defenses. The film is a fascinating time capsule of early '70's fashions/hair and viewpoints on women and their roles at the time. As a lifeguard, the leading lady has to do a whole myriad of things that no one would do today (actually, no one her age could probably even BE a lifeguard today!) including rubbing lotion on a beached whale of a woman and putting a swimsuit on a naked child! The film raises questions as to how much women gained or lost in the sexual revolution, but also shows how much things have changed. To it's credit, the film avoids a lot of things (heart-tugging deaths, extraneous problems of the friends, loud confrontations, etc...) that would be inserted into a film today, giving it a much more realistic atmosphere. The musical score is effective, but the choice of song for the seduction scene is excruciatingly awful. Viewers will want to keep a mute button handy for that!
Elwen This is the story of Aimee Brower, a 28 year old woman who just recently divorced her husband. The movie takes us on what Aimee goes through trying to make some sense out of her newly found life, realizing that after all you can live by yourself.What I find interesting about the movie is that we get to see the female point-of-view of divorce on the early 70s, when women weren't expected to have a career of their own or something else besides being married.