jotix100 A Sicilian country wedding is the setting of story as it begins. Peppino Impastato, a young boy comes to the celebration with his parents and younger brother. At the banquet that follows one can see an assortment of characters that will be pivotal to the story later on. Being Sicily one can dismiss the idea that organized crime hoods are at the bridal table and somehow Peppino's own father knows much more than he owns up to, in this tale about the of an awakening. The viewer never suspects the change from the bucolic setting of the early scenes to the reality of how the mafia works in that part of Italy.Something changes Peppino's perception of life when he goes to visit a local artist that has holds high communist ideals as a priority. Peppino fights with his father and abandons the family home. His life changes completely until he finds his own voice when he and his friends start a local radio in Cinisi, a small town in the island. Little prepares us for the way Peppino's voice will do to the mafia bigwigs that have a tight control on everything in Cinisi.Marco Tullio Giordana, the director of "La meglio giuventu", his epic masterpiece about Italian life seen through different generations, conceived and co-wrote this film about a passionate youth that dedicates his life to fight the organized crime in his home town. Supposedly, it is based on a real person, but not being a hundred percent certain, we have to go on the assumption that it reflects what really happened in that small town years ago.The only reason for watching this Italian film is Luigi Lo Cascio's take on Peppino. As he proved later with his participation in the director's next movie, this young actor shows he is one of the best of his generation and has a great future in the Italian cinema. Also in the cast, Luigi Maria Burruano, who makes a good job as Peppino's father.Although the theme is about Peppino's turn into leftist politics in his own land, the film is enjoyable because it is never in one's face. Mr. Giordana makes the viewer get his own conclusion by stating the facts as he saw them.

silviopellerani I was well surprised to see how with intelligence a film with a plot which could be easily mixed up to the typical "mafia's films serie" has been excellently directed and extremely well acted.Normally I do not make any type of comparison to the "golden years" (sixties-seventies) of the Italian cinema but for me is a must today to say that this film and the director: Giordana does not have anything to envy to Francesco Rosi and his films. The actor Luigi Lo Cascio is just excellent well deep involved in his character.Do not miss the film it worths even in DVD or VHS.Rating: 7/10

dadie Somebody say that it is a classical italian movie about Mafia, but I'm sure that `I cento passi'is something more. It talks about the real story of Peppino Impastato. Peppinpo was a boy who lived in a small village in Sicily in the 70's. After his grandfather's murder he knew a printer who was communist and becoming communist and through he tried to fight the Mafia and the boss in particular, because he was the mandant of grandfather's murder. `I cento passi' means ` 100 steps' which was the distance between his home and the boss' house. He was killed by dynamite the same day of Moro's murder (a famous italian politician) but the police said that it was an accident. It is a real story and it make you thing how the pawer is dangerous but also how is important the bravery.

Paolo R. A very careful reconstruction of a real episode developing in Sicily from the '50s to the '70s. The film has the pace and the political idealism of "Z" by Costa Gavras. Americans might be interested to see the Mafia depicted in its Italian home-base, and relations between the (poorer, but more "original") Sicilian Mafiosi and their American counterparts / relations. This is a film on the protesting youth of the '70s, as well, with a lot of music like in the THE BIG CHILL. In Italy the film has been much discussed for its Mafia theme, but underneath there is a lot of family psychology.