One Eyed Girl

2014 "In the land of the blind the one eyed girl is Queen"
One Eyed Girl
5.5| 1h50m| en| More Info
Released: 24 October 2014 Released
Producted By: Projector Films
Country: Australia
Budget: 0
Revenue: 0
Official Website: http://www.oneeyedgirlthemovie.com/
Synopsis

After the death of his girlfriend, Travis, a thirty-something psychiatrist, struggles to keep it together. On the brink of a nervous breakdown he stumbles across a strange church run by a charismatic leader, Pastor Jay. In search of answers Travis is led deeper and deeper into the underworld of religious fanaticism, home to a Doomsday cult and a teenage girl named Grace.

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draftdubya Travis was the worst unprofessional mental health doctor ever. Sex with a patient. The he goes off to a cut camp after she kills herself. He sees a mentally ill male getting raped in the wood, so what he goes and confront him, and then confront his rapist in front of the entire cult. Tom goes to recuse Travis the next day, but he's the most HollyWood breakdown van ever made.Then he goes out of his way to help the rapist cult leader. Then this smart guy goes to rescue a very mentally ill Grace(who's about to kill people on a train with children.
tim-arnold777 I swear I didn't dose off at in the first 45 minutes of this film, but it really seemed as though there were big gaping holes in the story. Really got tired of these tedious cult people forcing him to drink some gunk which he invariably upchucks. The story inched along, didn't pick up pace and left me feeling as though I was standing on a dark corner waiting for a ride at 3am. Would not recommend to anyone. Another of many Superchillin offerings that tout better than a 7.2 stars on IMDb, but when I actually come here, find it's a good 2 stars lower rated. 3 reviews are not a wide enough base to feasibly rate a film. The producer, director and main character could have logged on and given it rave reviews, but this was nothing close to the quality or content I would expect from a 7.2 star movie.
bob_meg I have to agree with one of the other reviewers that there isn't much, if anything, to recommend this by-the-books cult drama.We have a chemically-dependent, terminally depressed young shrink (played convincingly enough by Mark Leonard Winter) whose young patient's suicide drives him over the edge, leading him into a cult-like EST-ish back-to-nature group led by Father Jay (Steve le Marquand).Father Jay's group is all about getting "clear" (sound familiar?) and uses various punishing physical and mental techniques to supposedly "heal the soul".So... is there anything you've heard so far that leads you to believe this is unlike any other cult you've heard about before?Nope, didn't think so. And there isn't. I guess this might be shocking material for those who've never heard of brainwashing or even Charlie Manson, but it's snooze-inducing for those of us who have.It's a pity because this isn't a poorly made film. The acting is decent. It just revolves around a non-story that's ordinary and non-compelling, to be kind. It's only 103 minutes, but it feels like a century. What a complete waste of everyone's time, including ours.
Mozjoukine It's an unwelcome responsibility to be the only one to write about this bubble from the swamp of fringe Australian production in which the hopes of a cross section of the country's film making talent are obviously emotionally invested. It has one great idea, the broken character absorbed into a cult gone bush is himself a therapist, which gives him some understanding of what is happening.However if we are going to tackle this film on the level of high seriousness, which it clearly would like, note absence of religion which is the back bone of pretty well all such operations and the objection that sudden sodomy is not the central evil that makes them destructive.The grainy images assembled in jagged discontinuity take a while to lose conviction and there are moments which engage - Winter's self dismissal, Le Marquand's Iraq monologue, the swinging at the punching bag routine. However on a single viewing there is no feeling that there is some great truth buried by the production's excessive length.