Polaris_DiB A man escapes from prison. He then tries to meet his old contacts and re-organize his underground inner circle involving drugs and revolution. However, he does this only to find that most of his fellows-in-arms are either dead, locked up, or have abandoned the revolutionary lifestyle and *GASP!* sold-out by getting families and jobs! Discovering this lack of societal significance, he is eventually forced to flee the country, after which he both literally and symbolically falls into a gap of nothingness. Aw, what a shame.(That's it, by the way. That's the whole movie. Erm... spoiler alert?)As a technical treat and a minimalist story, it has its value and it is interesting to watch. It's just a little obnoxious to follow a movie about a person grasping to uphold his values only to "randomly" (as a point) fall into a blank hole. I get it, but I don't care for it.--PolarisDiB

CareySandwich I generally don't consider myself the biggest fan of thrillers, but it seems that it may be due to my American upbringing. This makes me real bitter that intelligent, thorough, and stylistically unique films are being made elsewhere, but the American market doesn't seem interested because... why? The subtitles? The acting and writing are still better even if you do have to read the translated subtitles. You know what, I should boycott American movies for a while because I really haven't had much experience with foreign films, but of the last three films I saw, two of them were French, and one was from Hollywood. Guess which two were wonderful, and which one was God-Awful... Cavale was one of the best thrillers I've ever seen. It was dark and shadowy and very well shot. It was full of humanity, which is another thing that American films seem to be lacking. One of the things I liked best about it was the underlying subtlety in the characters. They had tones and textures that really drew me in. If you haven't seen Cavale, do so, you're going to love it.

jfurioli_2000 It is when you alone know the truth and the rest of the world is controlled by the enemy. You can trust no one since the enemy corrupts everything. You must use all means since the enemy is so much stronger than you. This film shows you from the terrorist perspective his path out of jail and back to his struggle from 15 years ago. First, you are with him, escaping the police, fleeing, contacting former comrades and then, little by little you get to know the face of his murders. The question is here: how can one justify such acts ? Well, Bruno, the terrorist, cannot. When he starts arguing, he can only repeat over and over the same mantras without confronting the reality under his very own eyes. And then the corollary question: if 15 years later, when the world has changed, a terrorist can resume his fight while he is the only one left, what to expect in a time where many think his cause is just ?

canoecarrier This is probably the best place to start on Belvaux's incredible trilogy. On its own, it is a more than satisfying thriller, starring the director. But in context with the accompanying two films, one has to wonder where this guy has been hiding all this time. As the story unfolds you start to learn more and more of the lead character's persona, his motivations and his potential for destruction. This is no ordinary "action" film where the hero can do no wrong. At each corner it seems that his world is about to explode. Some people may be dissatisfied with the ending, but I think that it's exactly where the story has to go. And this is born out when you see the other two parts, Un Couple epatant and Apres la vie. If this trilogy gets the recognition it deserves, I'm sure it will be referred to as the cinematic masterpiece that it is, along with recent films like Memento and Amores Perros.