catesa Walter Salles's On The Road is so close to being incredible. Unfortunately, the few things that stand in its way are enough to leave a sour taste in my mouth. Firstly, this movie shows us a lot of debauchery without delving into the philosophy behind it. The Beats were all about the idea that there's this other America out there, this more visceral, more honest way to live besides the 9-to-5, wife-and-kids suburban existence. Granted, the quest for this "other, free, holy America" loses some of its profundity when the characters feel the need to be smashed out of their minds 24/7 to find it. But they were onto something more than just drunken banging and shoplifting.The movie certainly delivers on conveying the Beats' lust for life, their sense of adventure. That feeling of excitement and ecstasy I get from the novel translates to the screen pretty well. Everything from the soundtrack to the lighting to the dirt under the actors' nails makes me wish I was there. Sam Riley is great at giving Sal some personality, which doesn't seem like it'd be the easiest thing to do. I was also surprised to find just how much I enjoyed the typically loathsome Kristen Stewart as Marylou. Tom Sturridge as Carlo is the crown jewel of the film for me; he's exactly how I imagine Ginsberg would have been at that age, and his lines and energy get the closest to the heart of what the beat generation was on about. Of course, the fact that one of the supporting characters carries the thing would imply that the lead was a sad, soul-crushing disappointment. And guess what! In Kerouac's novel, Dean Moriarty is the embodiment of the Beat Generation - intensity, enthusiasm, humor, eccentricity. He squeezes every drop of joy and wisdom out of every experience in his life; there's profundity in every interaction he has. In the novel Dean is manic. Everything he says is an exclamation. Sal is in awe of his magnetism, his energy. He's almost other worldly. There's a force inside Dean so powerful that you think it's gonna explode up out of him any second. His spirit is the lynchpin of the entire story. This seemed to be completely lost on either Garrett Hedlund, or the casting director, neither of whom I assume bothered to read the book. Here, Dean is still speeding down the highway, drinking and rolling joints, talking about his "kicks"...but without any of the character's electricity. There's nothing special about Hedlund's Dean. He's just a caffeinated Sal. He's the center of the whole story, he's got great actors playing great characters all around him, and he's still an overwhelming letdown. I don't recommend watching this before you read the book, lest it just seem like you're watching a bunch of losers getting drunk and jumping in and out of bed with each other. Mr. Hedlund seemed more interested in playing a rebellious rock star than a mesmerizing savant, and although he doesn't cause the ship to sink, it's definitely taking on water when it comes into port. Despite everyone else's best efforts, this only gets a 6 out of 10 for me.

randomStuff101 Whatever you do, read the book and avoid this. The whole brilliance and magic of the book is completely lost in this movie. Not only that, but the casting is not great. Dean Moriarty in particular is very hollow, very forced.No doubt the people who made this film are fans of the book, but the book is where this story lives, not the screen. The translation to screen is very flat and dull.The book is an excellent read. The flow and style of the words is fun, and you feel like you're riding along with their adventures. This movie however, shares none of the charm even though it tries hard.

Sanjhbati M On the Road (French: Sur la route) is a 2012 Brazilian-French-Canadian adventure drama film directed by Walter Salles. It is an adaptation of the 1957 novel of the same name by Jack Kerouac. The film stars an ensemble cast featuring Garrett Hedlund, Sam Riley, Kristen Stewart, Amy Adams, Tom Sturridge, Danny Morgan, Alice Braga, Elisabeth Moss, Kirsten Dunst, and Viggo Mortensen. The story is based on the years Kerouac spent travelling the United States in the late 1940s with his friend Neal Cassady and several other figures who would go on to fame in their own right, including William S. Burroughs and Allen Ginsberg. On The Road is the story of Sal Paradise, an aspiring New York writer, and Dean Moriarty, a devastatingly charming ex-con, married to the very liberated and seductive Marylou. Sal and Dean bond instantly instantly upon meeting. Determined not to get locked in to a constricted life, the two friends cut their ties and take to the road with Marylou. Thirsting for freedom, the three young people head off in search of the world, of other encounters, and of themselves

Stefani Velasquez I mean, after reading a lot of the reviews on here I almost didn't want to watch the movie. I thought it was great. The story line kind of dragged out a bit but it all came together. The movie is about a young writer who meets a carefree friend. Getting around from city to city together with life stories to share along the way. I will say I didn't believe the end would have been that way. I hoped he missed the concert and went with his good old friend dean. Anyway, due to the fact the book was different I feel the movie got bad reviews. Maybe I just need to read the book before I open my mouth. I feel it's a good movie to watch. There is some sexual scenes, so watcher beware before you think it's a family movie.