lucyllevanpelt First of all Odyssey was NOT written by the Greek poet Homer (the one who wrote the Iliad, reproduced in the film Troy)). The structure and the style of the two poems is completely different (Odyssey is discontinuous and full of flash backs, while Iliad is sequential), and the two works are dated at least 50 years apart.Franco Rossi, the director of "Odyssey - TV series", was an "Italian comedy"-style director. However, the production of the series was managed by the great producer Dino De Laurentiis (e.g. Serpico, Dune, Blue Velvet, Hannibal, etc.). The co-financing and the actor cast was full European. Although designed as TV series, it was filmed as a movie, with color film (not electronic means), special effects (by the director Bava and the creator Rambaldi), and a lot of external shootings.The mix of ingredients has yielded a very good product, an optimal mix of action and acting, entertainment and prose, real story and fantasy, classicist and modernity, well filmed and with good photography and colors. Given the presence of many foreign actors, the original Italian version was entirely dubbed by domestic professional dubbers. This has further increased the value of the opera. I invite the readers to see it in their own language. The Canadian version is in English, but I don't know the quality of the recitation.

A_Different_Drummer I have never before written a review simply confirming the prior reviews -- seems a duplication -- but there is always a first time for everything. The year was 1968. The Vietnam war was ripping the US to bits, there were soldiers shooting students, the only refuge was rock music ... and TV was generally junk. And then out of literally nowhere this adaptation appeared on US TV as a "mini-series" (itself rare!) adaptation of the Homerian epic (also rare, the common wisdom was that the Kirk Douglas version a decade earlier had nailed it and put it to bed) starring stars no one had ever heard of, and featuring an international cast. I can tell you this -- those that watched were hooked off the start, as the exceptionally high writing acting and production values were literally unknown in network TV at the time. Bekim Fehmiu -- a name I cannot pronounce even a half-century later -- was great and Irene Pappas was majestic. The pacing was brilliant, equal parts poetry, action, emotion, the gamut. Even special effects! The only spoiler here is that I already warned you this review was somewhat repetitive. But by all means add this review to the list of those saying this production was decades ahead of its time and worth a look, assuming you can find it.

ebiros2 I have to be honest to say that I didn't understand this drama very well since I don't speak Italian, but I already knew the story of Odyssius, so I could follow the story purely from the visuals.Even then, this was an entertaining piece with stunningly beautiful scenes, deeply dramatic settings amongst the characters, and compelling story telling. It's European, or Italian movie making at its finest accompanied by its traditional outstandingly beautiful visuals.Movie making has already reached its perfection in 1968. There's nothing to add to this fine cinema. Beautiful, and highly recommended.

francois chevallier As it was already put, the best version ever of Homer's epic. Entirely shot in natural locations in the Mediterranean. The sea and the sky are strikingly blue, the islands green and untouched. The clothing is linen, wool and fur, the settings stony and bare, everything is somewhat rugged and primitive, a bit what you would find in Cacoyannis or Pasolini movies, and it makes it all the more authentic. Although the story is based on myths and widely goes into supernatural, it gives us a good idea of what life in the 10th century BC might have been like.The rhythm is somewhat slow and austere, but the whole is so beautiful that you quickly get into it. Actually, it is amazingly close to the original plot by Homer, if not to the text itself. Ulysses doesn't appear until the first hour, the start being centered on his son looking after him. Then he suddenly appears lost in a storm, lands on the island of the Pheacians where the royal family takes good care of him. His adventures are told in flashback as a narration to his hosts : the terrifying Cyclop, the magic world of Circe, the Underworld, the Sirens etc. He finally comes back to his homeland Ithaca after 20 years, and it all ends dramatically with the killing of the pretenders of his faithful spouse Penelope.As a story, the Odyssey is an unparalleled metaphor of the struggles of a man's life. The cast is brilliant and international here. Irene Papas gives us a typical Greek tragedy style performance as Penelope, but most amazing is the Albanian actor Bekim Fehmiu as Ulysses. Really good looking and totally convincing, it seems the role was really made for him. Strange that he was never offered roles of this dimension afterwards. Also playing Nausicaa is Barbara Bach (as Barbara Gregorini) later famous as the James Bond girl in "The Spy Who Loved Me", and playing Athena is Michele Breton, who was otherwise noted in the strange movie called "Performance" with Mick Jagger.As it was done 35 years ago, the series was actually quite an innovation for its time, as the first big European co-production for TV (Italy, France, Germany and Yugoslavia). I have seen this mini-series in 8 parts on French television as far back as 1974. I was a kid back then, and although it was all in black and white, it left a very vivid impression. All my life long I wondered if I would ever get a chance to see it again, as it was never shown on French TV later on.I recently found a copy on DVD (all in wonderful color) through Internet. It is unfortunately only in Italian with no subtitles, although French and German versions existed back then. I never heard there was any English version of this film as it is widely unknown in the Anglo Saxon world, and it's quite a shame. If you ever get a chance to watch this, you are not going to forget it ever.There were not many versions of the Odyssey before or after that. The one by Camerini in 1955 starring Kirk Douglas is a classic sword-and-sandal like "the 10 Commandments", but not as impressive and very short for such a complex story. The one in 1997 by Konchalovsky is a meretricious Hollywood movie, based on special effects, sometimes quite gory, very poorly acted and grossly afar from Homer's story and atmosphere.