adonis98-743-186503 Escaped convict Sam Gillen single handedly takes on ruthless developers determined to evict Clydie - a widow with two young children. Nobody knows who Sam is. Nowhere to Run is far from being one of Van Damme's best for sure but it's far from his worst either, i think the biggest problem was definitely the cheesy villains but also how the movie dragged in few parts but Jean Claude tries his best as he was used to back in the early and late 90's and the end result is a watchable although pretty forgettable drama, action, romance flick. (6.5/10)

startrekfan-4 I like most of VanDamme's movies. They're for the most part no-brain movies with a lot of action! This one, not so much! Instead we get here an actual movie with a plot and some really decent acting(yes, even VanDamme!!) Buyer by ware that there is some nudity, but it just really works with the story line! A small amount of swearing, with the F bomb dropped once! Still, worth a watch if you're a fan of good movies, and a definite watch if you've been waiting for something different with VanDamme in it!! 9/10

lost-in-limbo I've never seen this film in its full entirety, until now. But no way is this just brainless action fodder. Jean Claude-Van Damme takes on somewhat a different approach with this dramatically agreeable vehicle, tending to be mellower where violence is seen as a backup method. Still when it comes to shove, it doesn't disappoint neither does a stoically brooding Van Damme. The basic premise is almost a familiar classic outline, think of such westerns as "Shane" or "Pale Rider" but modernized. A prison escapee with a past comes to the aid of a widower and her children who are harassed by pitiless property developers wanting her land. Most of the time is spent with Van Damme developing a relationship with the family, as redemption also becomes a big part of his motivation. Quite slow-going and meditatively talky with some complicated matters, as it doesn't go full-ball until the last heroic 15 minutes with some miraculous stunt-work and intense action. However you feel compelled nonetheless, just like Van Damme's character is to seeing this innocent family get through the ordeal. For most part Van Damme is stealing salt, camping out reading nude magazines, playing family man, giving lawyer advice, being a fireman, finding time to be a mechanic, getting into biting confrontations with a hard-boiled Ted Levine and sharing lovelorn glances with a headstrong Rosanne Arquette. Everything here is straight-forward, but it's ably directed by Robert Harmon ("Hitcher 1986") with some particularly well photographed valley locations, a grand score and skilfully implemented activity. The script is generic, but all of its moodiness is there to build-upon its rough tactics and implosive exchanges. Not a bad film."I don't want to sell it."

anxietyresister 15 years ago, a group of producers were planning a MOVIE. This MOVIE would star JEAN CLAUDE VAN DAMME and would be an ACTION THRILLER. Of course, because of it's PEDIGREE all original thinking would be THROWN OUT OF THE WINDOW. You see, you can never OVERESTIMATE THE INTELLIGENCE OF THE AVERAGE ACTION MOVIE FAN. They don't want myriad PLOTS ABOUT RELATIONSHIPS BETWEEN CHARACTERS. No, they want THE MUSCLES FROM BRUSSELS KICKING SOME ASS.So, they drew up a little template that would NOT ONLY FORM THE BASIS OF EVERY FUTURE VAN DAMME FLICK, but would also be COPIED BY COUNTLESS OTHER CHOP SOCKY PRODUCTIONS, especially those of the STRAIGHT TO VIDEO VARIETY. Till now, this proved formula has been A CLOSELY GUARDED SECRET. Just like the recipe of the KRABBY PATTY. Having watched Nowhere to Run though, I think I can take a pretty good stab at CRACKING THE CODE. So here it is. Sorry, studios:1. Think of a stupid title. For a start our hero can escape anytime he wants, plus he rides a restored motorcycle for half the film.. so why would he want to 'run' anywhere?2. Give Van Damme a shady past, something he's not proud of (in this case, being an escaped convict involved in bank robberies), and then halfway through have him blurt out his crime to the love of his life. She immediately rejects him, but decides he's not so bad when he redeems himself by beating up the men who are trying to kill her. As you do.3. Write in two cute kids who see Jean as a father figure, as they lost theirs due to a heart attack. They must be a boy and a girl. The girl has to carry a teddy bear everywhere and shout "MOMMY" a lot the boy has to be spunky and resourceful, even saving our hero's life at one point. Like it or not, he becomes a surrogate father to the little nippers. Bless!4. If the main protagonist does get injured in the course of all his brawling, then don't worry. Put away the medkit, because in the very next scene, the nastiest of cuts will completely disappear! It'll be like nothing happened to him! What a relief!5. The chief villain must be a old dude, wearing a posh suit and with an English accent. All throughout the movie, he has a seemingly endless stream of underlings to do his dirty work for him, but when they're reduced to rubble by The Muscles he should go completely nuts and wave a gun around. Of course this tactic also fails, and the damn Limey is arrested or killed. Phew!6. The hero's love interest should have a rival for her affections who hates him and even sides with the bad guys temporarily to get him out of the picture. He soon as he sees how ruthless these dudes are though, and comes to his senses. He even congratulates the hero on a job well done at the end as he's surrounded by dead bodies. So he was a stand-up guy after all!! 7. Have the fight over something completely worthless, like a derelict old farmhouse, that most people would quite happily sell at a profit. One lady though, ain't budging because of it's 'sentimental' value and she'll even tolerate thugs killing her cattle and threatening her life with hooks to keep this ramshackle property. It's in a way of a huge development, you see. Will Van Damme risk his life over this belligerent bint? Your bet your..8. Make full use of your setting. Because this particular film is set in a farm (see 7), in the fight scenes have Van Damme and his opponent use rakes, pitchforks and whatever else happens to be lying around as weapons. But of course, nothing beats the good old uppercut, even if it does take about 10 of them to knock the bad guys over. Hmm.. Maybe The Muscles isn't as strong as we thought.9. Don't forget The Gratuitous Shower Scene (TM). If you can squeeze in a Gratuitous Sex Scene (TM), even better.10. Put in a bunch of second rate John McClane style one-liners to try and give the hero some personality. Examples: 'Au Revior F***er' as he shoots dead an evil henchman, and "No, but I know what you are" when the Brit bad guy (See 5) asks "Do you know who I am?!" Shakespeare it ain't.So to sum it up then: a BOG STANDARD ACTION MOVIE with no bells and whistles, but plenty of Van Damme TAKING NO PRISONERS AND KICKING BUTT. You even get to see HIS at one point. Tee hee. In the pantheon to JCVD films, I would recommend STREETFIGHTER and TIMECOP above this, but if you've WATCHED EVERY OTHER ONE OF HIS CLASSICS then this might be just what the doctor ordered. A HEAD DOCTOR, anyway. Brainless fun, nothing more. 4/10 P.S This review has been especially designed for action genre fans with short attention spans. All important words have been CAPITILISED, so you can just scan through it quickly before getting back to The Last Boy Scout. Hope you appreciate it!