Michael Ledo Honey Halloway (Lucy Fry) is a 16 year old child star poised for adulthood. She is famous as "Monkey Girl" and her mom Beth (Portia de Rossi) wants to move on to the next step of fame: sex sells. She is poised to release a sexy video and nude photo shoot. Her plans are interrupted when she gets popped at the airport and goes to rehab. Honey, who like Monkey Girl, knows nothing of the real world, moves in with relatives and disrupts the life of everyone she touches.Honey has a bunch of relatives whose lives she can mess up, so it keeps things going. Unfortunately the film sounds a bit better than it was executed. Lucy Durack did an excellent job as Katie, reminding me of an Australian Anne Kendrick. Aimed at a teen girl.Guide: The film had something that sounded like an F-bomb, but maybe it wasn't. There is some brief nudity ( Robyn Butler).

dlatorets We should stop giving films the okay to do unbelievable things and to you the say "It's just a movie" to get away. The whole plot line revolves around the mother of the 16 year old famous Honey trying to lose her innocent look by getting her to become a pop star whose line are all about sex and to have naked photos of her leaked. While the mothers excuse is believable that she wants fame and is on pills, but the rest of the film falls quickly apart. A Local Paparazzi takes window photos of a 16 year old girl and tries to blackmail the family, although in Australia he would've broken dozens of laws and would be facing a big number in prison. The whole husband twist was so foreseen that it added nothing to the story, neither did the romantic interest or the extra detail of the sisters.

Dames Fogarty Mediocre reviews are not necessarily indicators of mediocre films. This is definitely the case with N.H.A., a fast paced, socially aware film. This Aussie-tralasian comedy features both farce and farce paced witty dialogue.While the movie is mainly light in tone, it is unafraid to toss in some reality ; on the way to a (Thankfully, considering the subject matter.) happy ending. Some of the best lines pass by faster than a Hollywood car chase, but are delivered believably by a uniformly strong cast. There is a large rota of characters needing incentive and motivation, the film delivers this. NA.H. is age, body, and life positive; with out claiming life is perfect. It says we have the right to feel good about ourselves, and is kind enough to allow us all to feel good for an hour and forty minutes. That has to be a good thing.

david-rector-85092 I like Robyn Butler and the writer/producer is the best thing in the movie; it is just a shame that as writer she did not gift herself with a better vehicle for her talent. I found this a bit of a mess, really. There are too many competing characters and story lines and in the end none of them feel satisfactorily resolved or executed. With the clever title, and her previous work with husband Wayne Hope on the small screen series like Upper Middle Class Bogan and The Librarians, Robyn Butler gets to do the best shtick and has some great lines but she has surrounded herself with an unlikely and unlikable group of characters making it hard to root for her and her brood. The actors playing her daughters are fine, and 'Wicked' star Lucy Durack has some lovely moments, but the overplayed and contrived tangled web with her sister played by Portia de Rossi and her insufferable daughter played by Lucy Fry give the movie its artificial and irritating elements that for me the movie never recovers from, and they are introduced within the first 10 minutes!There are some significant themes and ideas fighting for screen time here, but ultimately they are buried underneath the contrived set of slapstick and mostly unfunny situations that befall the leading character. Maybe 15 year old girls and their mothers will enjoy this more than I! As a female empowerment tale, it feels muddled and compromised; as a screwball comedy it simply isn't compelling enough or humorous enough to forgive some of the extraneous characters viewers are forced to endure, and as a familiar motif of outsider crashes in on an ordinary family and inevitably changes the dynamic, it is not sharp enough in its crafting. As much as i admire the work of this pair of writer/performers, i think they bit off more than they could chew with this project. Robyn Butler's talent alone could carry a project without so many shoehorned elements to compete with.