Nina's Tragedies

2003 "A Very Sad Comedy"
Nina's Tragedies
6.9| 1h46m| en| More Info
Released: 15 May 2004 Released
Producted By: Israeli Film Fund
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Budget: 0
Revenue: 0
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Synopsis

The taboo relationship between young Nadav and his Aunt Nina transcends definition on its way to odd highs and lows.

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gradyharp Israeli Writer/director Savi Gavison has a unique concept about the discoveries and joys and travails of coming of age and he makes this tender little story come to life with simplicity and honesty and a large dose of human kindness. The multiple awards this movie garnered are very well deserved: perhaps now that it is readily available on DVD will hopefully bring it to the attention of a larger audience.HA-ASONOT SHEL NINA (NINA'S TRAGEDIES) takes us on a journey with teenager Nadav (a quietly superb Aviv Elkabeth) whose home life is stressful: his mother Alona (Anat Waxman) has thrown out her husband and takes on lovers like flies to flypaper. Alona's sister Nina (the luminously beautiful Ayelet Zurer) - Nadav's aunt - has relationship troubles with her intended husband Haimon (Yoram Hattab) yet finally marries him, much to the dissatisfaction of Nadav who is privately in love with Nina (his first sensation of attraction and lust). Nadav has a friend Menahem (Dov Navon) with whom he spends his time as a peeping tom, watching the vagaries of his mother and Nina. After Nina's marriage, Haimon is killed in the ongoing violence in Tel Aviv and Nina is destroyed emotionally: Alona sends the more than willing Nadav to live with his aunt, an act that only enforces his passion for Nina. But soon Nina begins to see visions of Haimon running naked in the streets (!) and is befriended by a handsome Avinoam (Alon Abutbul) whose girlfriend Lihi (Osnat Fishman) is a successful artist. Nina and Avinoam have a passionate but brief affair (causing deep bitterness in the jealous Nadav), but the affair is ended when Nina 'sees' the face/ghost of Haimon at her window and Nina longs for the return of Haimon, knowing now that she is pregnant with his child. Navad engages Menahem to help him resolve Nina's new tragedy, but Menahem has found a girlfriend Galina (Jenya Dodina) and has his own 'tragedy' when Galina returns to her ex-lover Alex (Yoram Hattab again!), and it is Menahem's tragedy that leads Navad to the discovery that the very strange Alex is the 'ghost' of Haimon that Nina has been seeing. The story becomes more complex as Nina delivers her baby, Navad's father is taken back by his mother when his diagnosis of cancer is made known, and the mixed set of tragedies intertwine for an ending that surprises everyone.If the plot sounds convoluted, it is! But the fact that the story is from the obsessively maintained diary of Nadav makes it all connect in the loveliest of ways. The cast is outstanding and the tenor of the times in Tel Aviv is accurately and realistically portrayed and for once allows the constant conflict to be simply background for a story that deals with equally traumatic personal issues - at least in the eyes of an impressionable young teenager. There is much wisdom here, but there is also considerable fine entertainment in a film that sees human foibles as comic as they are tragic. Watching NINA'S TRAGEDIES is a complete pleasure. In Hebrew with English subtitles. Grady Harp
jacksteeley I enjoyed the movie, and laughed out loud, particularly at some of the surprises, which I will not reveal here. Nadav (the boy) is the narrator, and while events in his life may play important roles, the movie really centers around Nina. At the start of the movie we learn that Nadav's father died, and that he was given Nadav's diary, which is the source of our story. The movie finishes at Nadav's father's funeral, with some degree of hope, in spite of Nina's misfortunes. Nina is unlucky in and/or makes bad choices in her relationships, along with suffering from some genuine tragedy and some misinterpreted comic coincidences. I understand why it won several awards in Israel, and would enjoy seeing it again. The movie deliberately begins and ends with the father's death and funeral as it is about beginnings, endings, life, death, despair, and hope.
delphine090 I was recommending this film to a friend this morning, but had to carefully avoid mentioned the "teenage peeping tom" aspect of the plot. It's difficult to imagine peeping toms and exhibitionists as being sympathetic, but this movie does imagine them that way.I have to agree with the above assessment: "fully-rounded characters, a tight script and a uniformly excellent cast." The acting is excellent and effortless, the characters unique and well defined, and all of the characters, even the more "minor" ones, are interesting and compelling.This movie could have been all kinds of farce, but instead deftly expresses the depth and complexity of the characters' emotions in the face of some really strange goings on - and in the face of tragedy, pain, love and loss.Ayelet Zurer has us immediately engaged with and caring about Nina. I look forward to seeing more of her work.Very moving film.
gadi_i I saw this movie yesterday and i thought it was OK ,but i don't understand what's all the fuss about. The movie tells about the happenings of Nadav, a 13 years old boy, that falls in love with his beautiful aunt, Nina. The movie tells the story through Nadav's eyes from the moment his aunt got married to Haimon, till the moment his father dies of cancer. The movie has some sad and funny moments, and i enjoyed watching it. Most of the actors perform very well, especially Dov Navon, in the role of Menashe that always makes me laugh, even though the character was negative. Anat Waxman and Ayelet Zorer also performed pretty well. In my opinion, the movie's number one problem is that the main character, Nadav, and the actor that plays him, Aviv Elkabetz. First of all, the character is pretty negative: he is peeking at his aunt and some other women together with Menashe, and tends to argue with the people he love and confiscate them(Nina and his Dad). Second of all, the actor wasn't very persuasive and had annoying face. Because of his behavior, i had a problem identifying with the main character and that is what bothered me mostly in the movie(i think i even identified with "The Godfather"'s Michael Corleone more than i identified with him), but i can't blame it all on him. I guess the movie was just not that good. Many parts of it were slow, and it just didn't have such an interesting plot after all (but it is worth seeing). I still don't understand how it got such good reviews and so many Israeli Oscars.i gave it 7/10.