punchiauntie Okay - the film is not some earth shattering piece of cinema, but I'm sure that was not the intention of the director. She has made a very gentle love story come to life without huge trauma. As a big cinema fan, I know it's not on a par with other slick films, but again, this doesn't appear to be the director's intention. I think it was brave to make a film that didn't fall into making stereotypes of Asians or gays (although a queer man doing drag is old hat) and the choice of very attractive leading ladies doesn't hurt either. Regarding the accents, there were four that wobbled for me. That of Nina's and her mother's, Sanjay and his father's, but that doesn't make it a bad film. They've done a darn sight better than us mortals could have done. So more power to your elbow Ms Parmar.

drmrinalini Knowing the struggles that a lot Asians go through with coming out and their acceptance by their families, this movie is a breeze of fresh air. It is OK for parents to have preconceived ideas and hopes for their kids but a little bit of open mindedness can make everyone so happy! I watched this movie at the GLBT Festival at the Museum of Fine Arts in Boston, where this movie was selected to be screened on the closing night. Its a movie I can comfortably watch with my parents without making them uncomfortable also. I also got an opportunity to hang out with Ms. Parmar, the director of the movie, who I interviewed for a magazine. A very down-to-earth, real person, who has kinda lived the story.Kudos to Pratibha Parmar for giving me 2 hours of smiles and happiness through her movie!!

Erich_Schultz I hate the way this film has been criticized in the press. By insisting, as the BBC does in their review of her film, that any treatment of Asian queerness needs to be portrayed as brutish and gritty, and that any story of an Asian family coping with a queer member must be shown through the lens of a "multicultural family and their troubled psyches", the press is putting the same straight-jacket on Asian filmmakers, as they do on black filmmakers, when they insist that the only stories that can come of out the black community are stories of gun violence and rat-infested squats.The critics demand that queer Asians aren't allowed to do "Kissing Jessica Stein", that domain is reserved for whites only. Reading the reviews, you get the clear picture that the crime they want to charge Pratibha with, is not "making a bad film" but for "not telling an Asian queer story in the appropriate manner", as set out by films like East is East and My Beautiful Laundrette. That bloody sucks. More power to her for daring to challenge the stereotypes.

spindoctor-2 Loved it! I hope the upbeat feel of the film will attract audiences away from so much of the downer energy out there. People can get so jaded and cynical about feel-good fairy-tale romances. The story-line was fantastically unraveled and handled. This was a refreshing change.Its a film that represents many people's lives (family, culture, sex and religion). So many films that deal with gay culture build on a huge foundation of shame. This kind of film helps ethnic minorities feel more comfortable about their sexuality. Its pioneering films like this that turn the concept of shame-about-sexuality, upside down. Easily on par with Bend It Like Beckham, yet so different from other East/West films. Cooking and food theme was wonderful - very cleverly done. It did capture the Bollywood escapism and the feel good factor. And the acting was superb! Really enjoyed Suman. And our family belted out singing along to the soundtrack which we are looking forward to buying.