Prismark10 Zoe Saldana blacks up to play the difficult, volatile and fiery Nina Simone. Nina took no prisoners and there are people still alive who have the shrapnel wounds to prove it.This film never gets a handle on its subject, it really is all over the place. It sets up to its story from the point of view of Clifton Henderson (David Oyelowo) the psychiatric nurse who becomes her assistant and later her manager.Henderson has a difficult task caring for a diva with mental health issues, money problems, a bad reputation and a voice that is losing its edge. Promoters do not make money from her, clubs do not want to book her and audiences refuse to stay silent when she sings.Director Cynthia Mort had her work cut out to make Nina a sympathetic figure despite her support for the civil rights movement. Nina did not want sympathy when she was alive. Nina would sometimes go on stage and wind up the audience by not singing her greatest hits. Apparently Mort did not have the final cut to this film but what we have is a disappointing bio-pic.

Lisa Muñoz After the big hoo-ha about how bad this film is, in particular because of Zoe Saldana's casting, I decided to give this movie a shot.I know virtually nothing about Nina Simone's life, but this film does not want to portray what her life was during her prime. Instead it relies on itty bitty pieces of dialogue during interviews and conversations with Nina's old friend Richard Pryor. It is set during the last decade of her life, when she is mentally ill, unstably alcoholic and very difficult to tolerate. Clifton (David Oyelowo), the nurse at the mental hospital where she is interred, takes her in, looks after her and eventually becomes her manager. The real problem with this movie is, glaringly, the time period of Nina's life. It's not a good one, and very little happens in the movie. We start her off as a little girl defying racial segregation so that her parents can sit in the front row. Nothing else is shown of her rise to fame and struggles, which makes the film feel very empty. One thing I really didn't like is the erasure of Clifton's homosexuality. Although he and Nina are not seen intimate with each other (at one point she calls him the F word when he refuses to have sex with her) there is a small implication. Why couldn't they show everyone he was gay?The last thing is of course Zoe Saldana as Nina. I personally feel the criticism (and it was extremely scornful) was very unfair. She did the best with what she was given, and she should be praised for it. The problem is not the color of her skin, its the age. She is supposed to be in her sixties, and yet Saldana is actually younger than David Oyelowo! They really couldn't find an older actress?At times the movie was painfully boring, badly paced and perhaps unintentionally funny. 5 out 10.

farshadtami This movie is worthwhile watching. If not for its story, at least for Zoe Saldana's magical performance. She is truly a talented woman. So what if the story is from the perspective of Cynthia Mort. Ignore all the negative reviews it has received so far. This movie was very enjoyable.David Oyelowo had a good convincing performance. Although it was a bit odd that he was in a movie that referred to Martin Luther King Jr. We don't see Mr. King in the movie, but he was an important figure in Nina Simone's life.I especially enjoyed the last two scenes in the movie. Very touching and a well prepared climax. Saladan's singing was astonishingly good.

atotheron77 Everything you wouldn't want to see in a film about Nina Simone. While Zoe Saldana might get a C+ for effort, one wonders if there were any mirrors anywhere on set or if she figured CGI would fix her appearance; although, the problems with this abysmal film are greater than Zoe's horrific makeup. The story is disjointed and focuses on absolutely arbitrary parts of Nina's life. There is no depth or realness to Cynthia Mort's vision of Nina and - considering the subject matter - that's an injustice. It could be considered an accomplishment that Mort was able to create a film about Nina Simone that leaves the viewer feeling nothing at all. Perhaps the worst part of the film is how ugly they made Nina. While she might not have been what's considered conventionally pretty, Nina possessed an elegant beauty that was a powerful part of her performance. Nina Simone was a beautiful woman and to turn her into a creature from the blackface lagoon in a biopic is unforgivable.