Sindre Kaspersen French screenwriter and director Cédric Anger's third feature film which he wrote, is inspired by real events which took place in l'Oise, Picardie in France in the late 1970 and an adaptation of a novel from 2001 by a French journalist and author named Yvan Stefanovitch and a French journalist named Martine Laroche-Joubert. It premiered in France, was shot on locations in France and is a French production which was produced by producers Alain Attal and Anne Rapczyk. It tells the story about a police officer. Distinctly and subtly directed by French filmmaker Cédric Anger, this quietly paced and somewhat fictional tale which is narrated mostly from the protagonist's point of view, draws a psychologically reflective portrayal of a twenty-two-year-old son whom whilst in the midst of a murder investigation befriends a person named Sophie. While notable for its atmospheric milieu depictions and reverent cinematography by cinematographer Thomas Hardmeier, this character- driven story about French police history which was made more than a century after a French thinker with the birth name Marie Gouze wrote: "Women, wake up; the tocsin of reason sounds throughout the universe, recognize your rights." a social club called Amis de la Verité or Society of the Friends of Truth was introduced in France, legal equality was ascribed to the Jewish people of France, the United Kingdom of Great Britain and Ireland passed the Roman Catholic Relief Act 1829, a French journalist named Julie Victoire Daubiè (1824-1874) graduated from a French University and women were permitted to obtain medical degrees, an English writer named Mary Corinna Putnam Jacobi (1842-1906) was admitted as a student in the Faculty of Medicine department at the Sorbonne (1150-1970) and a Scottish advocate for women's education named Mary Maclean Crudelius (1839-1877) and a Commander of the Order of the British Empire named Dame Sarah Elizabeth Siddons Mair (1846-1941) founded Edinburgh Association for the Education of Women (1867-1892), depicts a cinematically literary study of character.Made more than a century after an English theorist with the initials J.S.M. wrote: "I find it presumption in anyone to pretend to decide what women are or are not, can or cannot be, by natural constitution." an English teacher named Sarah Emily Davis (1830- 1921) became Mistress of Girton College, Cambridge University in England, a French physician named Madeleine Près (1839-1925) attained a doctorate in medicine, an English doctor of medicine named Elizabeth Garrett Anderson (1836- 1917) opened her own practice in London, England, achieved a medical degree at the University of Paris and was elected as Mayor in England, a German author from Königsberg, Prussia named Henriette Arendt (1874-1922) became a police officer, a civil law enforcement agency which was founded in the early 19th century by a French police officer named Eugène François Vidocq (1775-1857) changed its name to National Police, an autonomous public institution in France called University Paris VIII was founded, women were allowed admittance at a public institution of higher education and research in the commune of Palaiseau in Paris, France called École Polytechnique, a twenty-five-year-old French Commandant named Caroline Aigle (1974-2007) became a fighter pilot in the French Air Force and an American singer with the surname Merchant sang her lyrics: "Doctors have come from distant cities just to see me - - stand over my bed ... what they're …" contains a great and timely score by composer Grégoire Hetzel.This momentarily humane and grave retelling which is set in France in the late 20th century and where a French man of the law named Alain Lamare is completely preoccupied with gaining a promotion and daughters are disappearing one by one, is impelled and reinforced by its cogent narrative structure, subtle character development, rhythmic continuity, scenes with Sophie, the reverent acting performance by French actor, screenwriter and director Guillaume Canet and the efficiently understated acting performance by French actress Ana Girardot. A darkly concentrated narrative feature.

Ruben Mooijman A serial killer who at the same time is a law enforcer, helps to investigate his own crimes. That's the subject of this French thriller, based on a true story. The killer seems to be beyond suspicion and knows all the tricks in the book not to get caught. This leads to bizarre episodes: the policeman's face perfectly resembles the police sketch of the presumed killer, but even when he confronts possible witnesses with the sketch, nobody gets alarmed. The film makers not only tell the crime story of how the killer eventually gets caught, but also highlight the Dr Jekyll & Mr Hyde-personality of the policeman (or gendarme to be more precise). The killer is a ruthless psychopath, but when he is dressed in his uniform he is a polite, hard working and scrupulous man. So this film is half thriller, half psychological drama. In my opinion, this works well. The director gradually builds up the suspense: more and more elements are found to reveal the identity of the killer, and as a viewer you see the net around him slowly tightening. The film is set in 1978, and the period details are very nicely done. Since there is a lot of driving around, the film makers had to use lots of French cars from that era. This is a nice thriller, in the style of the famous French 'policiers', with an intelligent screenplay and interesting character development.

Kicino I always like movies based on true stories. I also like suspense story. This one is interesting as it is a crime story and the suspect is also a law enforcer. This French thriller is based on a true story where a gendarmerie (a type of national security force in France) shot young women at random between in 1978 and 1979. The strange and fascinating thing is he was assigned to investigate his own case. The movie is quite thrilling and haunting. As the story is told from the perspective of this sick man, we follow him around and witness all his strange acts towards himself: he has a habit of self-torture – barb- wired himself, take icy bath and beat himself up. He lives alone though he has a family whom he does not seem to be close to. He has a habit of distancing himself from society and his family. On relationship, he seems to have difficulty with intimacy even though he has an admirer. Obviously he is sick and needs help. The horrible thing is he has a reputable job and seems to function well. He is in the gendarmerie which enables him to use guns and a command of respect from innocent women. Don't his colleagues and admirer notice anything? If so what do they do? If not, why not? It is buzzard and keeps you on the edge of worrying who will be the next victim and how he will be caught. It is more thrilling as we do not know which part is true and which part is pure fiction.Now the story itself is interesting but I wish there would be more description/insights on how and why he became who he was, as well as how he was trapped. The tempo is a bit slow so it feels kind of dragging. But the acting was good and on the whole it is quite engaging to watch, particularly if you are interested in personality development.

cronostitan NEXT TIME I AIM HEART is the perfect example of what could have been a very good movie: one emphasize at first the narrative pulled by a "true story" then one tells the tale with showing the murders with the at least strange behavior of the killer, a french cop in real life - military side. Exactly thus like a TV documentary which does not possess a point of view, the director tells everything whereas the spectator's guessing facts...What then ? Why this movie would be better that any rag paper as" The New Detective? There is, regrettably, no reason for it because the mechanism of the pathos is played with the regularity of a Swiss clock of one vulgar funny gag of Naked Gun's movie. Not to mention the music which is only re-underlining the drama of the story, in case to we would have understood nothing at all !Nevertheless in spite of these heavy and dumb brass instruments, the performance of Canet is rather good, and does not suffer by any lack of realism, as well as some ones wrote it in the press critics. And then some sequences add curiously to the suspense of the movie climax - for example the scene of pursuit in Peugeot 604. Nevertheless the movie quotes in forest are worth the manual of a perfect boy scout, but on the other hand, are suffering from giant clichés but hold more or less the road, especially if you have already read Baden Powell back in your life: easy to understand, it is all quite black or all quite white exactly like a suburban sky.So, cut off the sound and you'll be feeling in the end watching yourself a giallo more or less made in the 70's, sent only straight to video. And I know what I'm talking about...