Scott LeBrun Hunky Michael Bendetti plays Corey Thornton, a young man who receives an inheritance from his late father Noah (Robert Sampson, a.k.a. Dean Halsey in "Re-Animator"). He travels to the family estate in Louisiana, where he gets caught up in local mumbo jumbo involving plans to resurrect the dead and a connection between humans and birds.It's commendable that writer / director David Schmoeller would go to so much trouble to create something different than the usual run of Full Moon product. This is by turns erotic and romantic, with an appealing soft jazz soundtrack by Bon Jovi keyboardist David Bryan (and on screen appearances by Bryan and Edgar Winter). He injects this with as much flavourful New Orleans atmosphere as he can, and that helps, but the movie is still fairly dull.There's just not that much here to engage the viewer. It moves along at a snails' pace, and none of the characters are all that interesting. The ladies are quite lovely; the plotting involves a nearby brothel named Tonks' where the ladies either look like deceased celebrities, or just might *be* deceased celebrities. There's one that resembles Marilyn Monroe (Holly Butler), and another who claims to be Mary Magdalene (Alex Datcher, 'John Carpenters' Body Bags').Bendetti is somewhat blank in the lead, but the supporting cast - including veterans Sampson, Anjanette Comer ("The Baby"), and Robert Burr ("Ghost Story"), the likable Holly Floria, and the extremely enticing Denise Gentile - comes off reasonably well.Director Schmoeller cameos as the bartender, making use of his talent for spinning a bottle on his finger.Five out of 10.

Keith DeWeese I guess I'm the lone dissenter here because I really enjoyed this film. Perhaps my enjoyment of it has something to do with having just seen, a few days before, Kate Bush perform live and turn into a bird at the end of the concert. Nevertheless, I truly enjoyed this film which really came off as more of a retelling of a legend, fairy tale, or bit of folklore than what I presume others expected coming from the director of TOURIST TRAP (another favorite.) Have to say that this might be a case where, having only seen one other work by the director of this film, I really had no expectations of this piece; and, I feel I was able to watch it unencumbered.I watch a lot of horror films from all decades--or, I should say, I'm catching up on a lot of them--while working; but, this one actually made me pause in my work and watch it because I was enjoying it and wanted to be engaged with it.What didn't I like? Well, I wish Anjanette Comer had more screen time. Fell in love with her in THE LOVED ONE and adored her in THE BABY, so I wanted more Comer on screen (And didn't her character in NETHERWORLD say, at one point, "I want to save my son?" or something like that, regarding Corey?) Also, I wanted to know more of the background story of, for lack of a better term, the Bird People. Same is true of the flying Hand with one finger having a viper's head and the palm marked with an eye drawn after those found on representations of the human head from ancient Egypt.But, have to say, it's the fact that I didn't have a back story on the Bird People that added to the mystery of this film. I like movies that make me pause and wonder; and, this one made me pause and wonder quite a bit. I'll end by saying that I would recommend this film; and, though no masterpiece, it flew above and beyond my expectations.

Woodyanders Handsome young Corey Thornton (a solid performance by Michael Bendetti) inherits his father's opulent mansion in Louisiana. Corey discovers a sinister secret cult that uses winged creatures to resurrect the dead in order to do their bidding. Writer/director David Schmoeller offers a tasty evocation of the flavorsome bayou setting and makes good use of the palatial mansion main location, but the sluggish pacing, talky script, and uneventful meandering narrative make this film a rather tedious chore to watch. Moreover, this film crucially lacks the essential tension and spooky atmosphere it needs to cook the way that it should. The rushed ending likewise fails to satisfy. Fortunately, there's just enough gore, nudity, and sizzling sex to keep the picture watchable. Moreover, the cast do their best with the so-so material, with especially sound contributions from Denise Gentile as alluring witch Delores, Anjanette Comer as the melancholy and protective Mrs. Palmer, Holly Floria as enticing jail bait Diane Palmer, Robert Sampson as Corey's father, Robert Burr as distinguished lawyer Beauregard Yates, and George Kelly as menacing loon Bijou. Adolfo Bartoli's slick cinematography provides a pleasing lush look. A merely passable time-waster.

teadm I actually thought I was in for something interesting during the first few minutes of this film, the section I'll call "the prologue". It was atmospheric and strange enough to hold some promise. Unfortunately, I kept waiting for something to happen for the rest of the movie, and very little does, except for the last 10 minutes when I finally learned what the title really means, and that I had been had, big time. This isn't scary, suspenseful or even erotic as the trailer suggested, the only positive thing I can say about it is that it's well photographed. I certainly expected more from the director of Tourist Trap and the original Puppet Master. Netherworld is an infuriating disappointment.